Write descriptive essay about The Usual Suspects movie 1995, write an essay of at least 500 words on The Usual Suspects, 5 paragraph essay on The Usual Suspects, definition essay, descriptive essay, dichotomy essay.
The Usual Suspects
USA, Germany
Crime, Thriller, Mystery
IMDB rating:
Bryan Singer
Stephen Baldwin as Michael McManus
Gabriel Byrne as Dean Keaton
Benicio Del Toro as Fred Fenster
Kevin Pollak as Todd Hockney
Kevin Spacey as Roger 'Verbal' Kint
Chazz Palminteri as Dave Kujan, US Customs
Pete Postlethwaite as Kobayashi
Giancarlo Esposito as Jack Baer, FBI
Suzy Amis as Edie Finneran
Dan Hedaya as Sgt. Jeffrey 'Jeff' Rabin
Paul Bartel as Smuggler
Carl Bressler as Saul Berg
Phillipe Simon as Fortier
Jack Shearer as Renault
Storyline: Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze?
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Usual Suckspects
A crime thriller that isn't about redemption or revenge or much anything at all, "Suspects" isn't a movie as much as a display of a director's obsessive lust for the criminal underworld. Director Bryan Singer likes rain soaked gutters, burning cigarettes, crooked cops, clever retorts, smoky pool halls and menacing tough guys. Characters don't populate this movie. Attitude does. The movie isn't interested in where these guys came from, what motivates them, what their struggles are. Without struggle, there's no tension; without tension, there's no suspense; and a crime thriller without suspense exists only to covet the unpleasant, the nasty.

With a quick pace, flamboyant cinematography, and lines like, "brought in on trumped up charges to be leaned on by half-wits", the movie insists that it's crafty and clever, but fails with characters who can't come alive beyond brief sketches. Hockney is a surly slob; Fenster dresses in sharp suits and mumbles; McManus is wild and temperamental; Keaton is grumpy; Kint is soft-spoken and club-footed. As dialogue exists here only to move characters from one place to the next, it could really be assigned to anyone. Similar lines like "I'll f--k your father in the shower", "I did it to your mother's a-s", and "At least I don't have a captain with his d--k in my a-s all day long", uttered by three separate characters, generate the impression that a single trash talking lowlife is inhabiting five people.

The events of the plot have no significance either. The team robs a group of crooked cops in New York, then travels to Los Angeles to pull off another job for a guy called Redfoot, and are finally enlisted by Soze's assistant Kobayashi to steal cocaine. Kint's account of the first two jobs takes about an hour of film time. It'd be of no consequence if it were left out. The heists are redundant and advance the characters in no way at all: Keaton is still grumpy, Hockney is still surly, they all still call each other "cocksucker." The first hour exists only for the stimulation of watching thugs wave guns and beat people up. The film's sense of aprogress, of stalled, redundant cycles, inhabits the interrogation between Kujan and Kint. The characters never progress beyond a pattern of friendliness, petulance, aggression, a big blow-up, threats, ceasefire and then all over again.

Verbal's account is presented as objective. He has no reason to lie, so we wouldn't expect him to. However, the film lets us know a minute before it's over that everything we have seen is made up. Apparently, Verbal, using things in the interrogation room for material, mostly the bulletin board behind Kujan, tricked the cop and the film's audience. A post-it note about a guy named Redfoot becomes the character Redfoot, a mug by "Kobayashi" becomes Soze's assistant Kobayashi, and so on. Realizing that a supposedly objective narrator has misled us, we re-evaluate everything that has come before. What really happened? How does the lie illuminate the rest of the story? Singer supplies no answers. Kint walks out of Kujan's office, ending the film.

One could say that the filmmakers have done this deliberately, that the absence of character, distinct truth, and connection between events is deliberate. That Singer is a nihilist and this is his view of the world. A viable worldview, fine, but his film can't escape being an antagonistic prank on its audience. Singer uses familiar storytelling tools and setups to snare us and as the story develops, he entices our imaginations with more and more clues to figure out the puzzle. We're intrigued because he's telling us there's an answer, that all this is going somewhere, that every scene and every line is a piece to the puzzle. He dares us to pay attention so maybe we can figure it out before the film does. Riddles do the same thing. For instance, the answer to the riddle, "I'm trying to go home but I can't because the man in the mask; who is the man in the mask?," is "the Catcher." When we find that out, we take pleasure in knowing that the answer was there, all we had to do was think and see the obvious from a different perspective.

"Suspects" disappoints because the answer was never there for us to see. Customs agent Kujan only notices the material on the bulletin board when he leans up close to it. Whenever the camera lingers with Kint, nothing on the board can be seen distinctly. More important, the film never cues us that Kint might be making it all up. His total immunity from prosecution gives him no reason to waste Kujan's and our time for the entire length of a movie. What Singer ends up doing is cannibalizing the very genre of storytelling he admires. He mocks the thrill of expectation used to tantalize us, only to say that there is no puzzle. Singer's answer to the riddle about the Catcher is the illogic of "there is no man." Much like Verbal Kint's lies, Singer's charade can only be taken as the snub that it is.
A true thriller!
I have seen this movie many times and yet it still astonishes me every time I watch it. Even though I know the ending I still feel myself being caught up in the plot. It is possibly one of the greatest scripts of all time. I can't remember another movie in which I was completely astonished at the finale. The cast gives a tremendous performance. Kevin Spacey gives one of his two best performances (the other being as John Doe in Se7en) in my opinion. That is probably why he was awarded Best Actor for this role. It was truly deserved. Gabriel Byrne also gives a great performance. It may be the best character Stephen Baldwin has ever played. In all, this is a must for any movie collector or enthusiast.
Overrated & Senseless !!
The only best thing about The Usual Suspects is that there were possibilities of better story deriving from the concept which the writers brought up with.

Five strangers meet & work together for their criminal career till some super-don known as "Keyser Soze" blackmails them to rob a ship with valuable drugs and to kill the on board drug dealers. The ship don't have any drugs and four out of the five-some are killed by the Don himself, just to know in the end that the fifth survivor himself was Keyser Soze who plans the whole thing by conning his short-time partners. The Con was made up actually to kill a person who was about to disclose the identity of Keyser Soze to his rivals.

Again, the fifth survivor (Verbal Kint played by Kevin Spacey) when gets caught after the Ship is destructed, is offered immunity and when interrogated bluffs the whole story as he being insane and part of the con.

So the first question arises is IF AT ALL "KEYSER SOZE" WAS THAT Powerful, why he needed some filthy criminals to get the work done for him ? IF he was that intelligent, didn't he knew the possibilities ? Keyser Soze imitating as Verbal kint is projected as a much clever approach but still at the end he is recognized by the Customs & Police.

This film is overrated and at the end it does not become a lavish outcome, primarily because, it projected the whole plot very simple-to-happen. The script is shabby and was kept concentrating more on flash backs & uniqueness in story-telling editing patterns. The direction never planted intensity & realistic approach. The dialogs are over spoken to relate the cleverness of the plot which was not necessary. The Custom officers are shown dull and organizations effort for detailed investigation was too loose to believe.

Secondly, this is not an ad wherein if you cant convince then better confuse. Even the confusion given to the audience is not worth thinking on it. The fatal flaw is just the loss of sensibility that a Mafia Gangster just need not do all these efforts to finish a Job which was easy to handle for them !
Ending Not a Surprise
I was deeply disappointed by this movie. The alleged and hyped twist ending could not have been more predictable. As soon as the mystery character was introduced, I suspected who it would be. As the story unfolded, it was clearer and clearer that it could be only one person. In a bit of Sherlock Holmes logic, all the other options were eliminated and the final remaining choice had to be the correct choice.

We know from early on that the narrating character survives the opening sequence unscathed. That alone was a huge signal which spoils any chance of a surprise. The narrating character is revealed to be an excellent story teller, to be manipulative, cunning, and incapable of being truly frightened. Those are exactly the characteristics of the mystery character. Again, this made the ending obvious.

That the story is filled with 90% false information is disappointing. It's a fundamental violation of the compact between the storyteller and the audience. Perhaps if the twist were not so clearly communicated from the beginning, perhaps if there really was some thought required in getting to the ending, then perhaps it might have some shred of justification. Only perhaps, though -- In the end, almost certainly not.
Excellent production, but relies WAY too much on the surprise ending--which may not even be a surprise.
This film is basically a dark, sophisticated 'caper' thriller with the added twist that the main characters are rapidly awakened to the fact that they are being ruthlessly manipulated behind the scenes. The deeper they go, the more intense the experience. While none of these guys are admirable (in fact they are all clearly trash), you can't help but feel for them. They are just so in over their heads. And the puppeteer bad guy is a nightmare.

Unfortunately I guessed its 'big secret' almost as soon as I knew there was one, and am justly disappointed. It was nice to keep getting confirmation as it went along, but I would like to have experienced the final surprise. (And I am *sure* I'm not singular in guessing the ending.)

This film really relies too much on the 'wow effect' to make its major impression (read other comments for confirmation)--always a clue that a work of art is leaning *hard* on a crutch. Take away the surprise ending, and what do you have? In this case a stylish and well-produced film with a gaping hole. For example, compare it to LA Confidential. Even if you had guessed LAs secret before they let it out, it wouldn't spoil a thing--because that film didn't rely on a plot twist for its primary punch. It had a whole basket full of assets.

I'd give this movie a 7 if its secret had been better (and more creatively) guarded. As it stands, I give it a 6 for the excellence of the entire production and that fact that I was fairly well entertained. But I won't be watching it again, whereas LA Confidential will always be on my list.

********ABSOLUTE SPOILER *************** Agatha Christie first introduced this gimmick in 1926 with The Murder of Roger Ackroyd. Beyond that, the whole gig follows the classic mystery formula right down the line: Once we realize it's a whodunit (its clearly gotta be somebody we met, otherwise no punch), the obvious choice is the 'least likely one.' And there he is, perfectly disguised to fool you into not even looking his way--a good indication you should look his way. Another giveaway is that we have one guy telling the story and everything we see is from his eyes. Makes you wonder: 1) Why did only this guy survive? 2) Who says we are seeing the truth, except him? And the big one: 3) I'm supposed to believe a *con* artist? Not.
Surprising ending with little behind it
Just about everyone agrees that the surprise ending to "The Usual Suspects" is very satisfying, as is Kevin Spacey's performance as the pathetic yet strangely-likeable Verbal Kint. Unfortunately, I found that there is little else to be enjoyed.

All in all, the cast's performances were not all that superb. Spacey is an exception, but that's nothing new. The story itself is well written, but not very interesting. It's conceivable that the cast would be seen as fulfilling the characters well precisely because the characters themselves are so vague. The screenwriter makes sure to lay the idiosyncrasies on thick without allowing us to know the characters and better understand their quirks. Naturally, there's only a given amount of depth that can be accomplished in an hour and a half, but "The Usual Suspects" still barely reaches that.

So while I would recommend this film for Spacey and the ending, I don't think its worth waiting around for 80+ minutes of ho-hum "gritty crime drama" to get to all the scenes where he really shines and where the script isn't so dull.
At first, wasn't the biggest fan but.....
I couldn't help but set rather high expectations for 'The Usual Suspects' as I went into watching this. I knew this was no action movie or any of the crap we get nowadays. This was true cinema! I was excited 'The Usual Suspects' is a mystery film about what cargo was on board the ship when it was destroyed and the events leading up to it as we are told from the only known survivor of that accident.

Around 45-50 minutes into the movie, I was starting to find myself a bit tired and thought the movie may perhaps have dragged along just a bit. I was becoming rather disappointed. Then the film truly began to change in such a way that I find it rather hard to explain. The characters began to get a little more entertaining, the pacing certainly began to pick up, the dialogue was getting more interesting and overall, I was more excited.

Then comes the amazing final twenty minutes with the plot twist and the story finally closing in perfectly, making the story more understandable. However, the final 5 minutes of the movie are some of the best moments of movie ever made and that is the ultimate plot twist which surprised the hell out of me! It was a cheering end to what ended as a great movie and a movie I would be more than happy to check out again and again! A-
I don't get it!!!
I don't get it!!! Why there isn't anyone who jumped out and said it is a bore? OK, then I shall do it...IT IS A BORE! Of course it is easier to admit that the plot is carefully designed, and the performances are quite good. Great artists assembled and showed their talents without a doubt. Yet, why isn't someone who could admit that it is quite quite easy to identify Keyser Soze was Kevin Spacey? The role he played was so outstanding, so different from the rest, so weak and so humble. Maybe it is the culture thing...To us Chinese, when this type of guy stands within a group of desperate, cool and ambitious people, he usually is the culprit, the devil, and the real hero. Evil people don't tell they are evil by their face...Why is it so difficult for Americans to know it...That's really funny.
Intricate Storyline, complex but is made amazing by its ending.
To be honest I thought this film was good up until the last ten minutes, thats when it became a great film. The preleptic techniques used was amazing so that by the end you are just as fooled as the characters in the story.

Spacey's performance was excellent you really don't see the ending coming as a viewer it really comes right out of the blue, this film by the end is something so complex and really makes you think, without completely exhausting your mind it creates a paradox that I don't think anyone could figure out by the end.

Yes, you are left with a few questions at the end, but thats the beauty of this film, as the case just ends in the film, the police are left and so are you as a viewer, however they don't leave annoying small links it instead ties up the main storyline well. It is truly an ending that is mind numbing and something that other films should definitely try to replicate.

The story is so intricately written and portrayed that it is amazing to watch, and I noticed that the complexity of shots improves as the film progresses and the team venture into larger operations, yet even still Im left with the feeling that I could watch it again, and not see the ending coming again.

Only negatives were for me the police investigation which proved to be completely irrelevant to the storyline, and so can be seen as a hindrance, but the rest of the film makes up for this.

Intricate Storyline, complex but is made amazing by its ending.
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