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The Good, the Bad and the Ugly
USA, Italy, Spain, West Germany
Action, Adventure, Western
IMDB rating:
Sergio Leone
Eli Wallach as Tuco
Lee Van Cleef as Sentenza
Aldo Giuffrè as Alcoholic Union Captain
Luigi Pistilli as Father Pablo Ramirez
Enzo Petito as Storekeeper
Claudio Scarchilli as Mexican peon
John Bartha as Sheriff (as John Bartho)
Antonio Casale as Jackson / Bill Carson
Sandro Scarchilli as Mexican peon
Benito Stefanelli as Member of Angel Eyes' Gang
Angelo Novi as Monk
Storyline: Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...
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The Ecstasy of Music is far higher than the ecstasy of gold
This movie is not only sheer entertainment, it has the most profound music in the number 'ecstasy of gold' by Ennio Morricone. Although there is no comparison in the quality of one musical piece with another, but I would rate 'ecstasy of gold' as the best orchestral piece ever - simply a masterpiece from Morricone, who has produced the best music for western genre films. The theme music is also superb.

The mood of the film transports you to that time and world and gives a feeling of that time and places were everyone was desperate, adventurous, daring, even reckless for the most coveted thing - gold. It has been called the yellow fever - a state in which people were willing to die or commit massacres for gold.

This is the theme, and although it is a sad and haunting picture of man turning into wild beast - more savage than the so called savages, the action, the plot and the acting turns it into an ecstasy. Not to be missed.
Varying opinions on this film posted, but for me its a top quality, ground breaking film that is timeless. This is the ultimate test of a great film. It stands up with any modern classic, it has humour, twists, stylised violence, and its just a top film.It wasn't the first spaghetti western i know, but i think its by far the best. I just wish they had done a sequel to this. Some how i don't think Tuco was a man to take this lying down .... or hanging around.

"Hey, Blond ... You know what you are? Just a dirty son of a-bi ....."

Tuco now had all the money he could wish for, but no one double crosses Tuco and lives . . .
The Good, The Better, The Best.
In a span of 3 years, Sergio Leone changed the entire landscape of westerns with his Dollars Trilogy. The change began with A Fistful of Dollars, got accelerated with For A Few Dollars More but it wasn't until Leone unveiled The Good, the Bad & the Ugly that the final nail on the coffin of the traditional westerns was hammered for good. Making major upgrades in all departments, the third chapter not only turns out to be the best of the three but is also one of the greatest & most influential motion pictures ever made.

The Good, the Bad & the Ugly is the story of three men racing against each other to find a fortune in gold buried in a distant cemetery. The film begins with a stylish introduction of the trio, places its story against the backdrop of American Civil War & manages to create some brilliant situations of escalating tension throughout its runtime that finally culminates with an unforgettable final showdown which, in my opinion, remains the greatest climax ever filmed in cinema history.

The direction by Sergio Leone is an absolute class. Not only this film presents him at the creative heights of his career but also in complete control of his skill. The screenplay itself boasts many catchphrases & is infused with lots of humour. Cinematography transforms the barren landscapes into scenic beauties but also contributes to the drama through multiple close-ups & controlled stillness to add uncertainty to the scenes. And in spite of clocking in at 177 minutes of runtime, the film seems to fly over thanks to its clever editing.

Coming to the performances, Clint Eastwood plays the good character with sublime style. Lee Van Cleef stars as the bad character & impresses as the ruthless & sociopathic mercenary. But the real show-stealing performance amongst the three turned out to be Eli Wallach's rendition of the ugly character. With effortless use of wit & expressions, Wallach nails his role of an outlaw to absolute perfection, is also responsible for the comic relief in this film delivers & even the story is more inclined towards his journey as we eventually learn about his background unlike the other two characters.

Last but not the least, the most important aspect worth mentioning about is Ennio Morricone's famous score. Captivating from the very first frame, the way the music drives this film is sheer perfection. Staying true to its origins & picking up from right where it left off in the previous chapter, the score makes extensive use of whistles, gunshot & cannon fires that permeates the film seamlessly & the main theme is something you've already heard even if you haven't seen the film. But where it's as its best is in the final climactic moments, turning the sequence into a truly bone-chilling, unforgettable & haunting experience that remains unsurpassed to this date.

On an overall scale, the ingenious direction of Sergio Leone & musical genius of Ennio Morricone is a combination that yet remains to be challenged & probably may never be equalled. And these two alone make this film pretty good. Add the strong & scintillating performances of Eastwood, Van Cleef & Wallach to that and the mixture just gets better. And finally, on adding this film's perfection in other filmmaking aspects like cinematography, editing, set pieces, every minute detailing & the final showdown, we have a cinema that's simply the best.

Immortal for its contribution to western genre, The Good, the Bad & the Ugly is a stunning work of expert filmmaking whose significance to art, culture & cinema will never be forgotten. It's the greatest western ever made. It's one of the greatest films of all time. And it's my all time favourite foreign language film as well. Extremely recommended.

And no you don't have to watch the previous two chapters before moving on to this one. So, sit back & enjoy the western that changed westerns, forever.

Full review at: cinemaclown.wordpress.com
This is the reason why Leone is the greatest at what he does.
Before watching this movie, I have seen A Fistful of Dollars and For a Few Dollars more and I was quite impressed with both. However, after I have seen this, Leone instantly became one of my favorite directors. Leone has a distinct style in his films and this movie pulls it out 150%.

The cinematography in this film is incredible. His use of extreme long shots and extreme close ups are unsurpassed. The film opens with the close up of a man with an expressionless face creating a sense of mystery and excitement. What will this guy going to do? What's going to happen? Then we are introduced to two new unknown men and the three walk towards the entrance. Silence. Then suddenly, the 3 bust in, guns are shot and Tuco busts through the window and escapes with a half eaten chicken (or pork) leg. One of the men is injured, tries to make a futile final attempt to kill him and falls to the floor; the other 2 are already dead. Just in that one scene, we are introduced to Tuco and can already guess his character, his background info, and skill... without a single spoken line of dialogue.

As a matter of fact, nobody speaks until about 10 minutes into the film. It is all visual. We, the audience, are forced to imagine what the characters are thinking, what might be taking place. Leone gives the viewers a chance to guess what might happen. Even in Once Upon a Time in the West, we see his mastery at the No-Dialogue introduction. I also believe that this is his way to introduce the character's personality traits without the viewers actually knowing that they know it. A subtle technique so when they see a character do something later in the movie, the viewers can accept the character's actions.

However, Leone would not be as great as he is if it wasn't for his partner Ennio Morricone and his unique and memorable soundtrack. The coyote-like music sets the mood for this film like no other western. It is something you must listen to and experience it to retain the full appreciation of it, and know why it has become the trademark music for the western genre.

These techniques go on throughout the film and bring us to the ultimate scene in film history, where Leone's style shines to it's full extent. His incredible use of long shots to set the stage, close ups to catch the expressions, music to set the mood, montage to create the tension, expand it and finally when you are at the edge of you're seat, the scene goes off like lighting in the incredible climatic ending.

Leone is not just any director. He is one of the best, and THIS is his western!
"Best climax" i have ever seen.
This is the film which made an effect on me when i watched this movie. What a wonderful cinematography, i think they made a good effort to do such a cinematography. When tuco and Blondie plant the bomb in the bridge i thought the blasting scene will not be realistic, but shockingly the blast was very realistic and i wondered that how would have they did that scene, really extraordinary. The ultimate scene in the movie is, when tuco,"who was eager to know the name of the cemetery from bill Carson, will kick Blondie when he was lying beside bill, but when bill dies and Blondie says that he knows the name of the cemetery, tuco suddenly cares for Blondie. This film has an excellent duologue's by making to understand the viewer indirectly. I think this movie has a best climax than any other movie. Adios..........
A movie at least 20 years ahead of its time
As I was scrolling through IMDb 250, I saw "Il buono, il brutto, il cattivo" at #4. My initial thought "Huh, 1966 movie, not worth watching. Runtime(179 min) also convinced my mind against watching this. But another half of my mind said, "Dude, you can't afford miss an IMDb #4 movie. So, I saw the movie and till date I have watched it at least 25 times. Hats off to Sergio Leone for making such a great and legendary movie and that too in 1966 with limited resources. None of the "Spagetti Westerns" are close such brilliance, not even the other 2 in this series. Leone has extracted out a stupendous performance from "Eli Wallach". Clint Eastwood was good as usual. Shooting locations are brilliant and the supportive background score is very catchy. The movie is a bit slow in the beginning, but once it catches pace, it deeply involves the audience. Some people have argued that #4 is too high for this movie, but its not 'some' who make the IMDb list, its the majority. Speaking of Leone, I believe that he was at least 15-20 years ahead of time. He has served as inspirations for such genre in all parts of the world, be it 'Sholay' in India, 'El Desaro' in Spain, and many more. I would like to go with a 9 out of 10 for this movie and its a flick which you just can't afford to miss this
The BEST western EVER
This has got to be, for me the best western film ever made. Got it on VHS and now DVD, I never tire of seeing it, a timeless classic. I always enjoy hearing the famous opening title theme. (it's 10 minutes into the film before anyone says anything). the film revolves around the 3 main characters, Eastwood, Wallach, Van Cleef. I thought Eli Wallach was brilliant as his role as tuco/the ugly. and Van Cleef as the the bad, with those eyes, was the perfect baddie.

The film really could be summed up as 3 gunslingers on there search for $100,000 of gold coins in a grave. Wallach knows the name of the cemetery and Eastwood knows the name of the grave. Van Cleef finds out by torturing Wallach when Eastwood and Wallach accidentally become P.o.W. The 3 men end up in the cemetery where there is a great showdown, one of the best the camera zooming into all 3 mens eyes and the music as well, classic stuff. Van Cleef ends up getting shot and Eastwood and Wallach split the gold.
The best movie ever made
Sergio Leone's massive epic is one of my favorite films, pitting a manic Eli Wallach as Tuco against an autistic Clint Eastwood (Leone: Eastwood has two acting emotions, with hat on and hat off). Lee Van Cleef hovers around the the center of the film menacing everyone, although his performance fades between the tension of Wallach and Eastwood. Ostensibly a story about the search for buried gold, GBU undercuts its exploitative surface by giving us almost Beckett-like relationship between a man that is wanted for murder and his partner who turns him in for the reward and then shoots the rope off his neck, a droll comment on human existence if there ever was one. Other existential moments occur in this rich film, such as the beautiful song the confederate prisoners sing while Angel-Eyes tortures Tuco, and the essay on the nature of the futility and pointless brutality of war appears when Tuco and Blondie witness a battle on a bridge they must cross.

Chaotic, cynical, sentimental, violent, GBU resembles an opera more than anything. Amazingly, when this film first appeared in 1967, most critics wrote it off as one more Spaghetti Western, not seeing the fatalism, the grandeur, and the comedy of this world classic. How could you watch a film with a score like Morricone's finest and not be impressed? Don't mistake this film for realism and criticize it on that basis, as some reviewers have done. This is not a documentary-style Western (for that see McCabe & Mrs. Miller), but a Romance, based more in the imagination, more in symbolism, bowing to the classical westerns stereotypes and clichés.

My comment
Quentin Tarantino has called it "the best-directed film of all time." For me it is a majestic film. Sergio Leone is the greatest director. He is the complete artist, stylist. His films have a specially charm, though are full of the outrage. They are can watch for hundred times. It is a quality of the great artist what was S.Leone. The fine story, with a wonderful photography and adequate music of the greatest film music composer E. Morricone plus the rhythm generates a masterpiece. Does not need forget the excellent actors whose merit is the big for a global impression.


"If you're gonna shoot, shoot; don't talk."
I'm going to start this review by saying this: there is not western that can compare to this, hell, there may not even be any movie that can compare to this. Only a handful come to my mind, and it's a very small handful at that.

Sergio Leone's classic western provides the perfect ensemble of cinematography, direction, acting, story, and last, but not least, music. Leone's film about three greedy men in the search for 500,000 in gold exemplifies the dirty west. This is not your typical American western, where the sun-drenched west is romanticized. No, it's dirty and rough, just like the west was. If anyone wanted to watch the film that is the antithesis the "chick-flick," I would recommend The Good, the Bad, and the Ugly.

Clint Eastwood reprises his iconic Man With No Name in this final film in the Dollars Trilogy. Lee Van Cleef returns from A Few Dollars More; however, he plays a different (much different) character. The actor who steals the show has to be Eli Wallach. Wallach, a western veteran, plays Tuco with great viciousness and humor, making him likable and unlikeable at the same time; he truly is "ugly." Leone and his cinematographer Tonino Delli Colli pack the film with great shots of the west, from the tired sands of the desert, to the endless graves of a cemetery (which was actually located in Spain). Ennio Morricone combines Colli's lush cinematography with the greatest score ever put onto film. From the easily recognizable theme, to the sad Story of a Soldier, to the excitement of Ecstacy of Gold, this soundtrack has it all.

What more can I say? If you haven't seen The Good, the Bad, and the Ugly, see it now! I can not press you more. This is one of those films that could be considered perfect, or the closest to perfection. A classic that shall never be forgotten; a classic that shall always be admired.
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