Write descriptive essay about The Godfather movie 1972, write an essay of at least 500 words on The Godfather, 5 paragraph essay on The Godfather, definition essay, descriptive essay, dichotomy essay.
The Godfather
Year:
1972
Country:
USA
Genre:
Crime, Drama, Thriller
IMDB rating:
9.2
Director:
Francis Ford Coppola
Marlon Brando as Vito Corleone
Al Pacino as Don Michael Corleone
James Caan as Santino 'Sonny' Corleone
Richard S. Castellano as Young Peter Clemenza
Robert Duvall as Tom Hagen
Sterling Hayden as Capt. McCluskey
John Marley as Jack Woltz
Richard Conte as Don Emilio Barzini
Al Lettieri as Virgil 'The Turk' Sollozzo
Diane Keaton as Kay Adams Michelson
Abe Vigoda as Sal Tessio
Talia Shire as Connie Corleone Rizzi
Gianni Russo as Carlo Rizzi
John Cazale as Fredo Corleone
Storyline: When the aging head of a famous crime family decides to transfer his position to one of his subalterns, a series of unfortunate events start happening to the family, and a war begins between all the well-known families leading to insolence, deportation, murder and revenge, and ends with the favorable successor being finally chosen.
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Reviews
The perfect mobster movie and much more
The Godfather is a film of undeniable triumph; everything from the set to the sound and lighting, the score to the amazing cast, is perfect and Francis Ford Coppola's vision does justice to Mario Puzo's stylish crime novel, with the author partnering with Coppola on the screenplay. The film is a masterpiece of acting and direction, with Coppola's influence clear, and the work of stars such as Marlon Brando, Al Pacino and Robert Duvall centre-stage in a beautifully dark and corrupt tale of a powerful Italian crime family. Never has the Mafia been better depicted in cinema, and I opine never will it be again.
2017-07-29
The Greatest Movie Ever Made
The Godfather is one of the very few films that doesn't have a single flaw. Seeing The Godfather for the first time was the most amazing movie experiences of my life. There's scenes that stay with you when the movies over, and you don't forget them. Everyone makes the mistake of calling this film a movie about crime. Its really a movie about family. The dialogue is just unbelievable. I've seen the movie at least 30, 40 times, and I'm still amazed at how perfect it is. The music, the acting, everything. People think that Citizen Kane is the greatest movie ever made...well, there's no way that ANYONE can think that Citizen Kane is more moving, and has a better storyline than The Godfather. The thing I find so amazing about The Godfather is how Michael (Al Pacino) changes throughout the movie. Its my opinion that this is the greatest movie ever made, and I doubt that anyone can watch this movie, and think I'm crazy.
1998-08-11
The Best Of The Set: By A Mile
Spoilers Ahead;

I am not a big fan of the sequels even the second is a big step down from this one. What a cast? Like an earlier reviewer said; REWATCHABLE!! Yes, I am Italian, not a Sicilian, and I have seen it hundreds of times. What a cast: Brando, Pacino, Caan, Duvall. Even the supporting cast is excellent with the film noir legend Richard Conte as Barzini. Puzo wrote such a rich, deep script. The characters suck you in and are so lifelike. Each brother is radically different from the other. Fredo, the mama's boy, the useless one who Michael kills off in the second one. Sonny, the human volcano, with a temper that has to be seen to be believed. Michael, the quiet and deadly one most like Vito but colder more ruthless. Michael was always outside the family looking in; he was held in contempt by the rest as the soft college boy who didn't want to get his hands dirty. This is the answer to the riddle of how he could kill Fredo, his own brother, later in the second one. Notice where he sits at the wedding, as far away from the family as he can get.

Events suck Michael into their world but he never is really in the family. We see his cruelty by the end of the movie as he slaughters the heads of the five families and his own sister's husband Carlo who fingered Sonny. The key scene for understanding Michael is the baby's baptism; watch the juxtaposition of the images with the words the priest is saying. As he renounces Satan he performs the very actions he is renouncing. Coppola was so good at using images to contradict words; it is really his signature. Pacino becomes the very image of Satan as he murders all those people while standing reciting the holy words of baptism renouncing the very deeds as he is performing them. What a work of art!! Only Francis Coppola could do this.

The film, to be fair to its critics, does gloss over the mafia a bit. We do not see old store owners shaken down with blow torches waved in front of their faces. I do think Puzo and Coppola do show the awful cost of the evil. Even here, Michael slowly transforms from a diffident outcast at the back of the family to a ruthless Don. It appears here that he is like Vito but that illusion is dispelled by his ruthlessness far exceeding Vito's. Michael because he was an outcast simply does not feel the bonds of family as Vito did. There is a coldness about him; he is like an iceberg. The movie is three hours long but it moves very quickly. The only parts that drag are the scenes of michael's exile in Sicily. It really is the story of the brothers and how radically different their fates are; Fredo is sent to Vegas where he becomes a weakling fop beaten up by Moe Greene, Sonny's temper ends up killing him like you always knew it would. Michael gets sucked in; there is always great resentment in Michael for the destiny he never wanted.

The second film shows Michael's estrangement from the family deepening. It culminates in him killing Fredo for putting him at risk. I always think it is important to see Michael as Puzo and Coppola paint him: a loner who protects himself ruthlessly. He really could care less about the family; he is all about power and control. Vito, for all his evil, cared and loved his family very deeply. Look, Fredo almost got him killed when Sollozo's men attacked, he fumbled and dropped his gun. Vito did not kill him; Michael was not so forgiving. It is a true masterpiece. I LOVE IT
2015-06-04
Initially, I wasn't a fan... but then I realised
This is a masterpiece. A timeless masterpiece. Initially, I didn't like this film all that much - I found it rather over-hyped and boring. This was until the advent of DVD, which gave me the feature I needed for this sort of film: subtitles. Once I switched them on and heard (read) every last word of Brando's ramblings and other characters ramblings, I grew a true appreciation for this epic.

To make a true epic, you need all of three following ingredients working in near perfect harmony. For screenwriters who come across this, take the following pointers on board: 1) Contrasting Characters: Good films have some character distinction, but most fall rather flat because the core of each character is the same.

Of course, there are exceptions to rule (ie... where you want mono-tonal characters... aka matrix; or where you want outlandish contrasts... aka The Fifth Element), but ultimately, this is what makes films deep, meaningful and grand. Consider the contrasts between the Don's children. Michael is rather cool, rational and collected, whereas Sonny is more hot-headed, spontaneous and simple minded. But simply having these contrasts is not nearly enough. What you really need to do is to develop these characters - place them in situations - and then dwell on how their character impacts on the situation they're put in. The Godfather is a terrific example of how to pull this off. While many try to do this in screenplays, most lose the plot and create character obscurities that stretch credibility.

2) Transformation: The central character(s) must undergo a transformation, resulting in them being almost unrecognizable by the end of the film. By putting them into situations, the character's character must not only influence the outcome of the situation; it must also have a lasting impact on the character. Consider Michael at the wedding and compare that to the Michael we see at the end of the film. Again, many films try, but most fail because they come up with unreal (literally, not praisingly) or simply moronic transformations (eg, Wall Street).

3) Patience: Men in Black 2 was an astounding film for one simple reason - it was an entire film squashed into about 70 minutes. It was not much longer than an episode of ER or Buffy. I certainly hope the new goal of Hollywood isn't to make films as short as possible.

All the great ones spend time - time developing characters, family life, growth, patience with the story telling in general. This is the key (provided that the story isn't mind-numbingly boring). Dances with Wolves, Heat.. and so on are very patient but top-class films. While studios may be lukewarm on the idea of longer films, they are worth it if you have a ripper story to base it on.

I feel that this film has not dated all that much and has tremendous re-watch-ability.
2006-10-14
Best Movie Ever.
The Godfather movie series is the best that I have ever seen. It's really joy and fun and exciting to watch the movie all over again. I really enjoy the first part the most, but I think the second part is very interesting and adds lots of elements to part one. I wish the Godfather was a whole new TV series, that dose extend beyond three parts. I enjoy the excellent acting, story, and drama. I can't say enough about the music. It's something that many people enjoy listening to on regular bases. Overall I would rank this movie top notch on my list. Highly recommended. have seen The Godfather movies too many times to count. It's part of the lexicon in my family, we quote lines from it all the time in regular conversation. So, I thought this book might be a little boring, just because I already knew the story so well. Not the case! The book adds so much detail to the story that I think I'll be watching the movie again soon in a whole new light. Joe Mantegna does such a wonderful job narrating this story and I'd absolutely recommend his version as opposed to the other full cast version that's out there, especially for people that are really in tune with the movie.
2015-12-14
The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.
What a brilliant film. It is one of my favorites. The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son. I love this film All of my family loves it My girlfriend loves it. I think it is one of the best films ever. It stars many actors such as Marlon Brando and Al Pacino. It is one of the most greatest films of all time. I have it on DVD at home and the Soundtrack at home.

The Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy from a screenplay by Mario Puzo and Coppola. Starring Marlon Brando and Al Pacino as the leaders of the fictional Corleone New York crime family, the story spans the years 1945–55, concentrating on the transformation of Michael Corleone from reluctant family outsider to ruthless Mafia boss while chronicling the family under the patriarch Vito.

Based on Puzo's best-selling novel of the same name, The Godfather is widely regarded as one of the greatest films in world cinema and as one of the most influential, especially in the gangster genre. Ranked second to Citizen Kane by the American Film Institute in 2007,it was selected for preservation in the United States National Film Registry of the Library of Congress in 1990 as being "culturally, historically, or aesthetically significant".

The film was the box office leader for 1972 and was, for a time, the highest-grossing picture ever made. It won three Academy Awards for that year: Best Picture, Best Actor (Brando) and in the category Best Adapted Screenplay for Puzo and Coppola. Its nominations in seven other categories included Pacino, James Caan and Robert Duvall for Best Supporting Actor and Coppola for Best Director. The success spawned two sequels: The Godfather Part II in 1974, and The Godfather Part III in 1990.
2015-12-27
A must watch especially with director's commentary
Excellent film, from the opening to the end you sense a genuine touch into lives of the characters and the world created by the actors and Coppola.

Just the intro of the movie immediately reveals the world you've entered and in the next few scenes you familiarized with family which shows who they are at heart.

Personally, I love a movie that takes the time to deliver a well told story and The Godfather does just that - the scenes revealing the inner struggles of the characters, the conflict in matters regarding their world, and how each character deals with issues is well done.

When a movie makes all their scenes have significant impact so much so that you don't find yourself wanting to pick favorites, you know you're dealing with greatness.

From beginning to end I was immersed, and if you like well done movies I'm sure you'll experience the same.
2015-04-16
I remember when I saw this film for the first time...
This was a classic for me when I saw it for the first time, later I made all of my family watch it, we became true la Familia ;) not really a crime syndicate, but rather we loved what we saw in this film. I think this one is the best of the three parts and it is a timeless classic.

I think Marlon Brando really deserves the Oscar for his role in this film, just as the film deserves other Oscars that it won.

It is hard to add more laudeamus about this film that has already been written, I will let you read other reviews which I read which makes it so interesting to read. I will leave you with a question. How much of this could happen in the real life? I will leave you to wonder.
2015-02-06
Allow "The Godfather" to make you an offer you can't refuse
"The Godfather" has long enjoyed a reputation as one of the greatest films of all time. Is that a fair assessment? After re-watching the film recently, I'd say yes.

The 'godfather' of the title is Don Vito Corleone (Marlon Brando), the aging head of the Corleone crime family. His time is coming to an end and some of his rivals would like to precipitate that end. When an attempt is made on the Don's life his sons follow in their father's footsteps as they seek to silence their enemies and protect the family interests.

The Oscar-winning script was co-written by director Francis Ford Coppola and Mario Puzo, the author of the original novel. While trimmed significantly from the novel the film still clocks in at two hours and forty-five minutes. The film progresses at a stately pace and features countless classic scenes.

Coppola's direction received a well-deserved Oscar nomination and so did Nino Rota's score (at least until it was deemed ineligible). Gordon Willis' cinematography is good (but not great) and the film's evocation of the 40's & 50's is both attractive and authentic.

As for the actors, Marlon Brando was rewarded with his second Best Actor Oscar for his iconic portrayal of Vito Corleone. Al Pacino was nearly as good in his role as Vito's youngest son but he had to settle for a nomination in the supporting category. He had good company, though, since James Caan and Robert Duvall were also nominated. Any one of these three performances would have been Oscar-worthy. There were also several memorable performances in smaller roles from the likes of John Cazale, Talia Shire, Sterling Hayden and others.

Is "The Godfather" the best American film of all time? Personally, I don't think so but I wouldn't rank it too far from the top. In any case, this is one of those films that every movie lover should see.
2010-10-05
Slightly overrated
One thing that's a bit annoying when seeing `The Godfather' is the sense that, as a viewer, you feel you are required to bow down before this film and worship it as movie perfection, or else reveal yourself to be a person of no taste. Well, I can definitely acknowledge that this is a very good movie, but not necessarily great, nor is it on my personal favorites list.

For starters, while this definitely gives you some great characters and atmosphere, there's really nothing in this movie that you couldn't get from reading the book. In fact, the strength of this film comes from the way the director and actors faithfully bring the novel to life.

What's best? No question - the acting. Judged on that scale alone, it gets a 10. I cannot disagree with those who state that this combines the best acting performances in American film history. The directing and scriptwriting are also very good, worthy of at least a 9.

What's not so good? The pacing. As others have noted, this film can be boring at times. Most notably, at least for me, was the time spent showing Mike in Sicily after he shot the cop and the Turk. Other than getting married, it doesn't really show him doing much of anything, nor does it really contribute much to the story. In contrast, the book made this particular sub-plot far more interesting and relevant.

And that, at heart, is my problem. I've seen the movie and I've read the book. And I far more enjoyed the latter. The book gives all sorts of details the movie skips. For example, in the film, Al Neri is just a guy dressed up as a cop who performs as one of Mike's hit men. In the book, we learn how he went from being a good cop with a bad temper to taking over the role once held by Luca Brasi (another character who is developed far more fully in the book).

So there you have it. On the one hand, you have to intellectually acknowledge the great talent displayed in the making of this film, but on the other, I must admit it just isn't very satisfying emotionally. These characters seem cold and distant, and I never really cared much for any of them. In that respect, I much more preferred "Goodfellas". The acting wasn't as good, but the characters were far more engaging and the pacing much more lively. In short, `The Godfather' is sort of like a great, but somber, piece of music, something you can admire but not dance to.

8/10
2002-04-04
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