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The Godfather: Part II
Crime, Drama, Thriller
IMDB rating:
Francis Ford Coppola
Al Pacino as Don Michael Corleone
Robert Duvall as Tom Hagen
Diane Keaton as Kay Adams Michelson
Robert De Niro as Vito Corleone
John Cazale as Fredo Corleone
Talia Shire as Connie Corleone Rizzi
Lee Strasberg as Hyman Roth
Michael V. Gazzo as Frankie Pentangeli
G.D. Spradlin as Senator Pat Geary
Richard Bright as Al Neri
Gastone Moschin as Don Fanucci
Tom Rosqui as Rocco Lampone
Bruno Kirby as Young Peter Clemenza
Frank Sivero as Genco Abbandando
Storyline: The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.
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The greatest sequel ever made and equally as good as the original
It seems impossible to think that the first Godfather could be topped, but its direct sequel may be even better. It effectively takes all the elements from the first and makes them bigger and more complex, as well as revolutionising the idea of flashbacks. The plot is possibly the greatest of all time, the characters are more diversely fascinating and everything feels even more epic than before.

The plot is split in two, one following the Corleone family in modern day and the other early life of Vito. The first follows Michael who is now Don as he attempts to expand the family business into Las Vegas. He faces much dissatisfaction in his own family, from Capo Frank Pentangeli and his own sister. He later survives an assassination attempt, and as he tries to learn who made the attempt he also faces a committee investigation that tears his family apart. This story is one of the best in film history, everything about it is incredibly set-up. The second charts the young life of Vito Corleone as he raises his family in New York and aims to build his own legacy. This sees him challenge the local Don and gain friends to help him achieve his goal. This part gives us a true insight into how all of what we're seeing started and is a fantastic mirror image to the modern events.

The huge cast is once again truly outstanding. Al Pacino gives an incredible performance as we see Michael transform into a cold monster who has no feelings for his family. The way Pacino shows the struggle as he edges closer to the abyss is astonishing. The other star is John Cazale as Fredo, he is outstanding as the timid Fredo, the chemistry between himself and Pacino sets their scenes alight. Robert Duvall is solid as a rock once again as the reserved Tom, while Diane Keaton is great showing Kay as confused and frightened of her situation. Michael V. Gazzo is superb as Frank showing him as a genuinely troubled person. Richard Bright deserves praise as, despite few lines, he commands the screen as the loyal but brutal Al Neri. Joe Spinell is great as the doubtful Cicci as is Lee Strasberg as the devious Hyman Roth. Robert De Niro made his name here, he plays Vito with assured comfort and is just as good as Brando, which is praise itself.

The film looks stunning. It is lit similar to the first and carries the same gloomily authentic feel being very atmospheric. The scenes of early New York and of Sicily are both excellent having a very natural look to them. The music from Nino Rota is once again marvellous. The script is full of classic lines, "Keep your friends close but keep your enemies closer" and "I don't want to kill everyone, just my enemies" to name but two. It's great how the film focuses more on Michael and it's reflected by the look at Vito. Michael grows increasingly paranoid and unstable as he places the family business above all else. We see the differences in how the family is set. Vito's was built on loyalty and love, whereas Michael's family is built on fear and violence. It is a fascinating contrast which the film itself is built on, the whole scope is formed from this showing the pleasant start of the family and then it's tragic fall. There are so many classic scenes, Michael finding out the traitor, Kay's pregnancy reveal, all of the conversations with Fredo, the scenes at the hearing and the famous 'fishing trip' to name a few. The final shot of Michael sitting alone is one of the most memorable of all time.

The Godfather Part II is a breath taking achievement in film and has possibly the greatest story ever put on screen.
Very Impressive
Maybe the greatest difficulty may have been to follow up a movie like The Godfather, possibly the greatest movie ever, and Francis Ford Coppola did an excellent job, most pretty good originals have a poor sequel, but how do you make a sequel to an almost perfect original. Without Marlon Brando, Al Pacino fills the big shoes as the Don in this movie, along with Robert Duvall, and flashbacks to a young Vito played none other than by Robert De Niro. This movie shows the rise of Vito and how he became so powerful, and gives you background on his upbringing and family. It also shows you how much different times are and how Michael handles current situations. I read somewhere that they asked Marlon Brando to come back for the second even though he passed in the first he probably would have done some flashbacks and It upsets me that he didn't do that, but then again who knows how it would have turned out, If that happened maybe they wouldn't have cast De Niro and would never have had the career hes had. So i guess everything happens for a reason. The Godfather Pt II is a great film and falls so close to the original.
The Greatest Sequel During the Cinema's History
"The Godfather, Part II" is excellent just like its predecessor. While the first is arguably the greatest film ever made, the second installment is easily the best sequel produced hands down. The film is split between the stories of Michael Corleone (Al Pacino, Oscar-nominated) and a young Vito Corleone (Robert De Niro, in his star-making, first Oscar-winning performance). In the 1950s, Michael is trying to expand his crime empire to locales such as Las Vegas, Hollywood, and even turbulent Cuba. However, there are numerous problems as older brother Fredo (John Cazale) may have double-crossed the family. Also two prominent crime bosses pose a considerable threat as well (Lee Strasberg and Michael V. Gazzo, both Oscar-nominated). Younger sister Connie (Oscar nominee Talia Shire) is still reeling from her husband's murder and her father's death at the conclusion of the original film. Michael is also distancing himself from his wife (Diane Keaton) and some of his most trusted friends (Robert Duvall). While all this is occurring we get glimpses into the early life of Michael's father (De Niro). We learn that his parents and older brother have been killed in early-1900s Sicily and that he has immigrated to New York. Vito pays his dues and learns the tricks of the trade, buying his time, before deciding to create his own small empire which would of course grow and become what we saw in the original. It would seem that the film would be confusing by jumping back and forth between Michael and his father, but that is not so. Coppola gives you just enough information to keep the audience intrigued through each segment. The film is very well-made and runs very smoothly even though it lasts over 200 minutes. Many think that this installment is the best of the series. Even though I still think that the original is the best, I cannot totally disagree with this assertion as this is the definitive sequel. 5 stars out of 5.
Certainly the best movie
I love this movie for of the very interesting scenario. I also consider the actors playing, certainly amongst the best of their generation. Decors, costumes are also part of the reason I love it.

The fact it is about European immigrants in the US, makes it also better for European to watch, without it being one 100% US culture movie. Also some points are true story, that makes it quite remarkable.

Overall, I can say that this movie is truly violent, but not as per 2015 understanding. The violence can come in many ways. However, and despite this aspect, this is quite one remarkable movie which deserves to stay up and high in the IMDb ratings.

The second part is maybe the best, but is actually really close from the first episode, which in my eyes is actually on the same level.
The best sequel ever
There are bound to be comparisons to 'The Godfather',but it definitely comes close to surpass its predecessor but to no avail.But that doesn't take away any credit from another gem from Francis Ford Coppola.There would have definitely been immense pressure on Coppola to deliver the second time after the first one was a huge hit.

Robert De Niro was outstanding as the young Don Vito Corleone and truly deserved his Oscar.John Cazale delivers on getting more screen space.But I was disappointed to see that Al Pacino as Michael Corleone after having overshadowed his previous work in the first and having reached greater heights in this one, did not get an Academy award.

The film does not disappoint and matches the original in every aspect.Truly outstanding cinema.
The Continuing Saga Of The Corleones
Although most movie sequels never equal the original this is certainly not the case of The Godfather: Part II. Many would argue it surpasses the original. With both films declared the Best Picture by the Motion Picture Academy in their separate years, I'd hate to argue the difference.

In this case we should thank the executives at Paramount for retaining both director Francis Ford Coppola and the original The Godfather author Mario Puzo to put their talents to this film. I'd hate to think what would have happened in other hands. Certainly these two men knew their characters and knew how to expand on them. And the best thing about The Godfather: Part II is that one can pick up the story, at least the modern portion of this one without reference to the original. In fact viewing this film will give you a burning passion to see the first.

Unlike The Godfather and The Godfather: Part III, this film runs on two parallel tracks. The modern story is a continuation of Al Pacino as Michael Corleone now residing on the shores of Lake Tahoe and now directing the family affairs from Nevada where the Corleone family is heavily into gambling as we well know organized crime was back in those days of the Fifties and Sixties. He's going into partnership with Lee Strassberg playing Hyman Roth, a thinly veiled portrait of Meyer Lansky. But there are a lot of things making Pacino hesitant about this move into Cuba under the Battista dictatorship.

The prequel parallel story is how young Vito Corleone came to this country as an orphan and worked his way up to establish himself as a crime boss. Here Coppola does a brilliant job in capturing the flavor of pre-World War I New York in the Italian ghetto. Robert DeNiro is young Vito Corleone and won a Best Supporting Actor Oscar. Remarkable when you consider that two of his rivals were Lee Strassberg from this film and Michael V. Gazzo playing Frankie Pantangeli from this film as well, the Mafia kingpin turned Senate witness modeled on Joe Valachi. DeNiro and Marlon Brando have the unique distinction as players of winning an Oscar for playing the same role.

The woman do better in this film as in the original. Talia Shire got an Oscar nomination in the Supporting Actress category as Connie Corleone Rizzi. You remember her husband betrays the family and is killed in the original. She now is a drunken dependent on Pacino. Diane Keaton's character of Kay Adams Corleone is expanded here as well. She's a cultural outsider and the Sicilian vendetta code that she's expected to approve without comment becomes too much to bare. Her scene with Pacino when she tells him she's leaving him is one of the best for both in their respective careers.

Overlooked unfortunately at award time was John Cazale as Fredo Corleone. He's the middle son who's passed over for succession after eldest son James Caan is killed in The Godfather. Fredo's big moment in The Godfather is being unable to fire his weapon in defense of his father being shot and how he breaks down.

Fredo's got feelings as John Cazale dramatically points out. He does something really stupid in this film and it costs him dear. Cazale has some of the best moments in this film.

If the first Godfather film doesn't do it, The Godfather: Part II will have you permanently hooked on the inner workings and dynamics of the Corleone family both in the criminal and personal sense.
As good as the original!
I remember saying in my review of "The Godfather" that i was going to review this film a week later, that was more than one week ago that's for sure. I did actually start watching "The Godfather Part II" the next Friday, though i stopped watching after an hour because i wasn't really in the mood for it! So i decided that today, with nothing else to do, i'd give it another try and i wasn't disappointed! It was a great film, lots of talking but it's still great fun to watch.

I only have one criticism, the length. It was extremely long, about 3 and a half hours! But that's my only criticism, everything else was spot on! Hopefully i'll be watching "The Godfather Part III" soon and as soon as i do, i'll post my opinion right here!

So overall, "The Godfather Part II" is just as good as the original Godfather If you haven't seen this film yet, watch it now!

A Hollywood Masterpiece!!!!
Francis Coppola and Mario Puzo continue their epic saga into the lives of the infamous Corleone family, which is headed by Michael Corleone (Al Pacino). It is a film which does better than its predessor, "The Godfather". The film flip-flops graciously and beautifully between Michael's struggle over the family business and the life of young Vito Corleone (Robert De Niro, in a brilliant, Oscar-winning performance) in his rise to power as well. Robert Duvall, Diane Keaton, Lee Strassberg, and John Cazale give excellent supporting performances. Carmine Coppola's and Nino Rota's score is a masterpiece of music. The movie is expertly filmed and the cinematography is superb.
A unique experience
I had already seen this movie 2 times, but last weekend I could watch it in a cinema, and it was awesome. The movie is perfect in all subjects, with incredible performances and a catching story.

It's nice to see how Coppola make us hate Michael for all the things he does, mainly the situation with Fredo. In this aspect, it's a opposite situation if we compare with The Godfather: Part I. In the first movie we love and respect Michael, and of course Vito, but in this film we can't. It's sad to see how Michael forgot what was the most important thing for Vito, the family.

It's a masterpiece even without the first part. In fact, it's a movie that make you feel a lot, even more than the first.

If in a strange moment of your life, you can have the opportunity of watch it in a cinema, don't doubt.

PD: Sorry for my English, it's not my native language.
Michael Corleone: Total Night
Spoilers Ahead:

I, myself, prefer the original but this is a fantastic sequel but much darker. Many were annoyed at the temporal juxtaposition of Vito and Michael. Believe me, nobody hates temporal jumping back and forth than more I do but it is used by Coppola for dramatic contrast. What you will notice is what we knew about Michael already: The Outsider. From the first, in The Godfather, he sits at the farthest periphery of the family, on the outskirts on the family. This is an existential metaphor for Michael himself. He is barely in the family, just barely. My favorite scene contains the essence to understanding Michael versus the family Patriarch Vito. At the end, after having Fredo shot, we see a flashback where Sonny, Hagen, Fredo are all sitting at the table waiting for Vito's birthday cake. When Michael tells them he has defied Vito and enlisted for WW2, Sonny has to be restrained from kicking the crap out of him. Watch Michael's contempt for Hagen, "You talked to my father about my future?" Then, they all file out leaving Michael alone in the room; fade back to the future. Coppola zooms in on Michael's face, half of it goes into total darkness. Get the Message? He is not in the family; he is a loner. The darkness is his personality; he is much more evil and ruthless than Vito.

Vito always had Fredo out of the picture somewhere, drive the car, later he sends him to Vegas to keep him away from messing up the family business. Michael will not tolerate his dangerous stupidity. Watch the contempt when Fredo lectures Michael on how he wants respect and he has been passed over. This after almost getting Michael killed twice once in his house, the other time in Cuba. This is the reason for going back and forth. Coppola wants you to see that Vito is plenty ruthless, in the killing of Fannuci, and returning for vengeance to Sicily. But Vito is the family patriarch, he simply could not kill Carlo in the original. He retired and made Michael do it. The bad news is that Michael changed from that experience. He waits to kill Fredo, just like he did for Carlo in the original. His coldness darkens the film deeply.

His cruelty to Kay, Connie, Fredo, even his own children, closing the kitchen door on her while turning and glaring at his children is not a pretty sight. The man is nothing like Vito. We see Vito making friends with Clemenza and Tessio, using his influence to protect Signora who has been ejected with her children into the street. He has a warmth and caring underneath all the evil and power on the surface. Michael Corleone is a walking iceberg; pure cold ruthless evil devoid of all forgiveness. He seeks explanation for his deviation from his mother, she tells him he can never lose his family. Michael blames the times, wrong, he is not Vito; also, he never really was nor wanted to be in this family. Vito's near assassination, in the original, sucked him into the family business. He came in but he retains his contempt and icy separation. Watch him turn on Hagen,"Are you coming with me on this, otherwise you can take your wife and your mistress and leave." This is the difference; Kay is not Mama Coreleone to him; she is a baby machine to produce heirs. This is a great movie, I simply find the depth of his evil darkens the movie considerably.

Michael's killing of Fredo is not an anomaly. The man kills anyone he perceives to be a threat or an enemy. Hagen triggers him by saying the truth,"You've won, is it necessary to wipe everyone out?" Vito would not have, Michael changed when he killed Carlo in the original. Fredo pays the price; he is cold as a serial killer. A great movie, it is in my inventory; I must admit I rarely watch it, too ugly and depressing. Both of these are worth owning, the third one is a total piece of crap and an insult to these two. Please, get your daughter a job somewhere else.
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