Write descriptive essay about Taxi Driver movie 1976, write an essay of at least 500 words on Taxi Driver, 5 paragraph essay on Taxi Driver, definition essay, descriptive essay, dichotomy essay.
Taxi Driver
Drama, Thriller
IMDB rating:
Martin Scorsese
Robert De Niro as Travis Bickle
Jodie Foster as Iris
Harvey Keitel as Sport
Leonard Harris as Charles Palantine
Peter Boyle as Wizard
Diahnne Abbott as Concession Girl
Frank Adu as Angry Black Man
Gino Ardito as Policeman at Rally
Victor Argo as Melio (as Vic Argo)
Garth Avery as Iris' Friend
Harry Cohn as Cabbie in Bellmore
Copper Cunningham as Hooker in Cab
Brenda Dickson as Soap Opera Woman
Harry Fischler as Dispatcher
Storyline: Travis Bickle is an ex-Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palatine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve-year-old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew.
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Diary of a madman
The script of "Taxi Driver" is built like a diary, the diary of a very ordinary guy who gets hired as a night taxi driver back from Vietnam, because he can't sleep at night. A very ordinary guy who tries to break his isolation, but can't, while violence accumulates inside him. One of those unnoticed people with dark things on their mind, one of those who break up the news one day with some extraordinary outburst of rage, to fall back immediately into anonymity.

The gradual transformation of man into beast in this movie is chilling. It's still funny and pathetic when the hero threatens himself in front of the mirror ("you're talking to me?"), but when he comes out with a mohawk hairdo and dark glasses, it is obvious that nasty stuff is going to take place. As in "A Clockwork Orange", violence is recuperated by society depending on what purpose it is used for. Whereas he was about to murder the candidate for presidency, "god's lonely man" fails and instead kills a vicious pimp who exploits teenage prostitutes. The potential criminal becomes a hero for a day.

Such stories happen everywhere of course, but it seems that the bewildering atmosphere of New York City's summer night was the best choice. "Taxi Driver" gives us a very realistic approach of New York, in a way that is not seen on screen so often, at least not anymore, whilst that city is probably the one in the world that has been filmed the biggest number of times.

Most of the movie takes place at night. The credits open on the blazing lights of the yellow taxi cab moving slowly in the dark rainy streets. A kaleidoscope of neonlight appears through the dripping windows as the driver's eyes blink in the front mirror. The night is the hero's universe, it's the time when "all the animals come out", as he says. By contrast, the few daylight scenes look somewhat off-key, but this was definitely intentional.

The final scene still appears today as extremely violent, but at least, it shows murder for what it is. Brutal, ugly, crude. It is something one tends to forget about after seeing so many police series where people get shot so often that it gets casual. Real violence is not casual when you face it, and here is a film that makes you face it.

The directing is first class and deservedly made path for Scorsese as a world renowned artist. Some techniques he used here are unusual for American cinema, like focusing on details for a few seconds. The movie is enhanced by an excellent music soundtrack by jazz composer Bernard Herrman who died before the picture was even released.

Two of the actors also deservedly made it to stardom. Robert de Niro plays a very unglamorous character, but his presence on screen is so intense that it's no wonder it made such an impression. As for Jodie Foster, she already appeared in films as a child, but playing a teenage prostitute was certainly not an easy challenge, and probably it was that role that really turned her into a major actress.

"Taxi Driver" was a big hit when it came out, both for the public and the critics. It won the Palme d'Or in Cannes, and served as a trend setter for many later films, like for instance Quentin Tarantino's and Abel Ferrara's. But even today, the original model seems difficult to emulate, probably because achieving a masterpiece is a rare thing, by definition.
DeNiro at the peak of acting excellence
Robert DeNiro gives a tour de force of acting excellence in this movie. One of the best acting performances of all time. This is a period of DeNiro's career when he was consistently churning out Oscar calibre performances one after another. He had this movie, Godfather Part II, The Deer Hunter, Raging Bull all within the same basic time frame. When DeNiro and Scorsese were teaming up to make movies it was the best actor/director combinations in movie history. You had the best mind for movies in Scorsese working with the best on screen performer of his time.

It's a study of a man who's completely alone in the world even when surrounded by other people. What DeNiro was able to do just looking into a mirror asking "Are you talking to me" by himself is one of the best movie scenes in movie history.
A lonely Vietnam veteran who has insomnia spends his nights as a taxi driver in the dirty streets of New York, where he encounters a young prostitute who he tries to help make a difference.

This is a very good film and one of Martin Scorsese best (Goodfellas being my fave). An excellent portrayal from Robert De Niro as Travis Bickle the cabbie and good performances from Jodie Foster as the child prostitute Iris Steensman, Cybill Shepherd, Peter Boyle and Harvey Keitel as a pimp called Sport.

You actually get drawn into the isolation and anger that Travis is feeling towards these lowlifes and because of that you really feel sympathy for him. Though after a while the loneliness and the city really starts to haunt Travis's mind, causing violent instincts and paranoia.

This film is filled with such memorable lines e.g.Travis Bickle 'You talking to me? Well I'm the only one here.' and the many powerful scenes that stay in your head after it's finished. The hypnotic cinematography is a standout, as if your seeing the harsh & gritty New York streets and twisted people through the eyes of Travis when he is driving his cab. A great screenplay, a stunning score by Bernard Herrmann and a superb atmosphere created.

This is a brutally compelling and bleak look at a decaying and corrupt society of the 70's. An unsettling gem of a film.

God's lonely man
*********SPOILERS******* Seeming out of nowhere a taxi rolls out of the night mist and as it turns sideways on the screen facing the theater audience the title of the movie appears in eerie neon, so starts Martin Scorese's "Taxi Driver".

Travis Bickle, Robert De Niro, keeps a diary at home where he records his thoughts as well as his daily experience on and off the streets of New York as he drives a cab to support himself. "I'm God's lonely man" Travis constantly writes in his diary. Trying to fit into a vast an impersonal city like New York is too much for Travis. He feels more at home by himself with his thoughts and fantasies then socializing with people.

In the movie Travis has two relationships. One with a woman the other with a girl, both end up disastrous. The first with Besty, Sybill Shepherd, a campaign worker for presidential candidate Charles Palintine, Lenoard Harris, and the second with Iris, Jody Foster, a 12 year old prostitute who turns tricks for and is looked after by her pimp Sport, Harvey Keitel.

Travis spots Besty at the Palintine campaign offices in midtown Manhattan while he's driving his cab and falls in love with her. Travis going so far as to volunteer to work for the Palintine campaign so he can be with her. After a while Travis gets friendly and close enough with Besty to take her out to the movies on a date with him. It turns out that Travis' limited knowledge of the entertainment world, the only movies that Travis watches and knows about are porno flicks, leaves him hurt and humiliated when Besty, shocked that Travis would take her to an X-rated theater, walks out on him.

Some time later Travis back on his job driving a cab one night in the East Village encounters Iris trying to run away from her pimp Sport when she jumps into his cab. Sport gets into the cab with Iris and after sweet talking Iris to come back with him gives Travis a twenty dollar bill for all the trouble that Iris caused and tells Travis to forget all about it. Travis soon becomes fixated with rescuing Iris from her life on the streets and from working for Sport for whom Travis begins to develop a very strong and violent dislike of.

As the movie slowly moves to it's bloody and explosive conclusion it's obvious that Travis has gone over the deep end. Arming himself to the teeth and getting himself into shape, both physically and mentally, for the battle against all those evil forces that are lurking around him that is sure to come. His frustration together with his ignorance and alienation of the real world has turned Travis, who was friendly and likable if just a bit odd at the beginning of the movie, into a Frankenstein monster.

The movie "Taxi Driver" is filled with academy award caliber acting imaginary and gritty big city photography and a multi-layer story that's easy to follow due to a very skillful job of directing. The movie also has one of the most haunting and memorable musical score that I've ever herd in any movie and it more then deserves all the accolades that it received over all these years.

The only bad thing that I can say about "Taxi driver" is that director Martin Scorsese made the movie too soon in his career. It's been 27 years since Scorsese made the movie "Taxi Driver" and since then, with all the films that he directed, he's never come close to making any movie as good as it and for all we know he never will. Like Orson Wells in 1941 when he made "Citizen Kane" that over forty years until his death in 1985 Wells could never do anything on film to top that movie and the only place that Wells could go after he made "Citizen Kane" was down.
A Legend of it's own!!
Martin Scorsese's cult favorite 'Taxi Driver' has it's own class, it has it's own aura, it has it's place. Like mentioned from this writer's headline, a motion picture which is a Legend of it's own! Suprsingly, Scorsese won the Academy Award for Best Director 30 years after 'Taxi Driver' released. Now, that's injustice! De Niro didn't win the Academy Award for Best Actor for his work in here either? 'Taxi Driver' is a milestone, no praise can justify it's talent & respect.

This is a story of lonely man, 'be aware', it doesn't cater to any age group, it's for them who understand Cinema & understand the depth of 'Taxi Driver', this is not an entertainer, it's like a haunting tune.

Scorsese's direction "O My God', so so amazing. Paul Schrader's writing, flawless. Performances, De Niro is a legend, an astounding performance. Foster has been pretty since then, her performance, simply superb. Harvey Keitel, another fine performance. Others are apt.

'Taxi Driver' is a film that belongs to people like me, who understand talent & repay them respect for their body of work, which is "legendary' is every department.
Does for the people what he can't do for himself
Martin Scorsese's Taxi Driver bleeds with style and substance, and features Robert De Niro in, quite possibly, his best performance. He immerses himself in the role of Travis Bickle, an honorably discharged Vietnam Marine who is an extreme loner, basking in his sorrow, despair, and utterly melancholy woe. He gets a job as a night time cab driver that will hopefully control his insomnia, and maybe give him a purpose in life. He claims early on that while other cabbies refuse to pick up some people, like prostitutes and blacks, he doesn't care who you are. He'll get you where you want to be. If only he could do the same for himself.

Early on, Bickle falls in lust with a political campaign volunteer named Betsy (Shepherd), he has been closely watching, but not stalking. He sees Betsy is crying out for purpose and love, and doesn't feel comfortable behind a desk on the phone every day, supporting some politician who probably wouldn't do the same for her. On top of vaguely balancing a respectable relationship, near the end of the film, he tries to save Iris, played by a very young Jodie Foster, a teenager involved in explicit prostitution, treated like meat by her despicable pimp and the rest of society.

To me, Taxi Driver plays like an earlier version of the underrated Michael Douglas film Falling Down. Both films involve heartbroken loners, not only contemplating their purpose in society, but are also disgusted with the arrogance and mean-spirit that plagues the world. The blatant carelessness of the well being of other people. Both De Niro and Douglas give career worthy performances, but Douglas played more of a character going over the edge, while De Niro's character strives more on subtleties.

There has been a looming debate on the film to whether or not the character of Travis Bickle is good or evil. This debate can go on for hours, because the film provides enough evidence for both sides of the argument. One could say Travis is good because he eventually sees society as a corrupt, evil place that acts on impulse and favors arrogance over honesty, and decides to take action, and one could say that Travis is an evil character because he ignores countless instances in the world and commits crime by eliminating it. I believe he is a good protagonist, with some flaws, just like many human beings. Either way, he makes for a very interesting and intriguing character in a film.

Let's talk about the smaller additions that make the film into the work of art it is. For one, the writing, by Paul Schrader who would later work with Director Martin Scorsese on The Last Temptation of Christ and Raging Bull. Schrader's polished and commendable writing is not only sly on the themes, but definitely makes the film warrant multiple viewings. Just by seeing it once, I can tell it probably won't be my last. It seems Taxi Driver has layers that will gradually be peeled off one by one with each of the following viewings, and I can see this evolving into a film that seemed pretty upfront upon the first viewing but becoming more complex later on.

The cinematography is award-worthy. Who would've thought Scorsese's next step would be a black and white film? The colors are vibrant, as well as the atmosphere, being very seamy, expressive, but also very ominous and eerie, especially in the night shots. Some scenes even allow us to experience them in detail with classical music nicely placed in the background. Some actually take place in Bickle's cab as we cruise down the street and are met with shots of the sidewalks, evoking prostitutes, pimps, and street-walkers all with a sort of sympathy and vague understanding of their hardships. It seems Scorsese wanted to breed life into those that seem like they have none, and that's where the picture comes off as wonderful. At the time, we were rarely shown the lower-end of the food chain, and now, there is a film resting on that end, wishing it would be in a higher, more respectable position, but continues to find that wish elusive and imaginary.

Am I still coherently here, or have I lost you? Let's just end this way; Taxi Driver is a fantastic blend of urban isolation and alienation and is successful at providing humanistic characteristics to those who seemingly are void of any. The film is beautifully located even in its seamiest moments, elegantly written, and carefully directed, as Scorsese breaks new ground with this dark, very deep psychological thriller that may have you resorting to something happier afterwards. The man does it again.

Starring: Robert De Niro, Cybill Shepherd, Albert Brooks, and Harvey Keitel. Directed by: Martin Scorsese.
Scorsese's first masterpiece
Taxi Driver is incredible. Every time I watch it I become more and more engrossed with the story and the acting. One of the rare films that grows more enjoyable after every viewing. The film seems to have been done on a small budget but it's perfect for what the script suggests. Robert De Niro in one of his best roles ever earned an Academy Award nomination for Best Actor, one that he should have won. Martin Scorsese did a fine job not only in directing, but also in selecting the perfect cast. Future stars Jodie Foster and Harvey Keitel are just two of the many in the amazing supporting cast. Everything in this film is just right, watch it if you haven't already, or even if you have!
One of the Greatest Film of All Time
Martin Scorsese's Taxi Driver is an overwhelming reality of violence, and remained as one of the darkest picture about the transformation of an innocent being due to the environment that he's in. Opening with a lot of smoke, the taxi looked like it was emerged from hell. Travis Bickle is the one that's driving that taxi, he lives alone in his messy apartment, he's an insomniac, he eats a lot of junk foods and sugar, and the only show he knows to watch is pornography. At nights, during Travis' working hours, we take a look at the saturated color of New York, the dirty streets filled with all kinds of scum in Travis Bickle's deep paranoid eyes. During the day, we see the hope in living at a place like this, until Travis was rejected again by the society that he declares like a union, cold and distant. Travis' downward spiral cannot be stop, each time he is going deeper into violence. Travis' confrontation with violence is beginning to be excessive, hearing the words at the backseat by some mad husband planning to kill his wife with a .44 magnum, and in the streets some mad man shouting "I'll kill her, I'll kill her" only deepens Travis' idea of the bloodbath in the brothel later. He asks some advice from a fellow cab driver, Wizard. But they ended up not understanding each other's point, this is a critical moment for Travis, he seeks for clarity but did not get it, he was saying "I've got some real bad ideas in my head." And that idea will come to life, as he buys his own .44 magnum and different kinds of pistols, he gets his first kill on a small store trying to save it from a robber. Scorsese effectively isolated Travis from the society in each distant shot. Not only that Travis Bickle was influenced by Norman Bates, in Alfred Hitchcock's Psycho, but almost the whole film is Hitchcockian, from Scorsese's cameo, the homage on Rear Window in one scene and the frequent over the head shots. But at some point, Scorsese rises up from his master. In the second part of the film, Travis Bickle became John Wayne, trying to save a young prostitute from her pimp, a mirror plot from The Searchers. He acts again like a sane man, but he is slowly being dragged away from the reality. In the bloodbath, violence exploded, released from his captivity, he doesn't know what he is doing, but planned this thing obsessively and now that it happened, it is ironic that he was praised as a hero who rescues a young prostitute. The final scene as he drove Betsy into Manhattan, he seems like that he is back into sanity, but again he gave us a paranoid threatening look at the rear-view mirror, like the one he's been giving through the whole course of the film, and you know it might not be a happy ending after all. Bernard Herrmann's last score was truly a magnificent piece, it colored and shaped the image of Taxi Driver, haunting and unforgettable jazzy score. Martin Scorsese, Paul Schrader, Robert De Niro all in premium shape and at their best in this agonizing dark masterpiece. Taxi Driver is so affecting because this story is all too real, Travis Bickle is not just a character in a movie, he is the character of the society, he is the voice-over of the isolated humanity, victimized by the system of the world.
You'll love the mood.. but is the ending worth 2 hours of build up?
A nicely made dark and majestic experience, see the world through the eyes of a weird taxi driver, as his character progresses from a total embarrassment to a mad dog. The movie sends a clear message about society and human ego, and how a man's pride can drift him into insanity.

The mood is nice, a prime example on a classic Noir movie, it builds up and prepares you mentally for the big ending.. an ending that failed to live up to the hype that the movie has built in you.. though it had a short yet exciting action scene the ending is pretty simple and is more about delivering a simple message rather than leaving you amazed or satisfied.

The dark comedy in the movie is pretty clear, it shows you how messed up society really is, the movie was executed flawlessly when it comes to cinematic and production, but it will disappoint you at the very end, the ending was just too "MEH" to bear, especially after an excellent build of events preceding it, such a pity.

I'm sure the movie was a big hit at the time of its release (after the Vietnam war), but I'm not sure it would be enjoyed the same at our current time, so let me put it this way: - If you enjoy a dark Noir mood with nice character development then watch it now. - If you enjoy movies with subliminal messages then add this one to your "watch when I have nothing else to watch" list. - If you're looking for a great story with a nice twist to it, I wouldn't recommend Taxi Driver.
My Favourite movie. Number one. Such a film is once seen in life. Unique experience.Something that can not be described.De Niro definitely demolished it. The man gave an unsolvable homework to other actors.I am also amazed by the man who devised this story.You just have to watch the movie.I do not know what else I would say !
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