Write descriptive essay about Singin' in the Rain movie 1952, write an essay of at least 500 words on Singin' in the Rain, 5 paragraph essay on Singin' in the Rain, definition essay, descriptive essay, dichotomy essay.
Singin' in the Rain
Romance, Comedy, Musical
IMDB rating:
Stanley Donen, Gene Kelly
Donald O'Connor as Cosmo Brown
Debbie Reynolds as Kathy Selden
Jean Hagen as Lina Lamont
Millard Mitchell as R.F. Simpson
Cyd Charisse as Dancer
Douglas Fowley as Roscoe Dexter
Rita Moreno as Zelda Zanders
Storyline: In 1927, Don Lockwood and Lina Lamont are a famous on-screen romantic pair. Lina, however, mistakes the on-screen romance for real love. Don has worked hard to get where he is today, with his former partner Cosmo. When Don and Lina's latest film is transformed into a musical, Don has the perfect voice for the songs. But Lina - well, even with the best efforts of a diction coach, they still decide to dub over her voice. Kathy Selden is brought in, an aspiring actress, and while she is working on the movie, Don falls in love with her. Will Kathy continue to "aspire", or will she get the break she deserves ?
Type Resolution File Size Codec Bitrate Format
1080p 1440x1080 px 7490 Mb h264 192 Kbps mkv Download
DVD-rip 960x720 px 4474 Mb h264 128 Kbps mkv Download
Oh, Sinnnnnnngin' in the Rain!
This film was not one that I enjoyed; however I could appreciate the elements of the film that deemed it a classic. I'm not a fan of musicals to begin with, and the dialog was pretty corny, but the plot and the choreography was impeccable. This film successfully managed to tell two stories parallel to each other: the romance between Kathy and Don and the way that the industry dealt with the turning point of cinema (sound). The dancing was flawless and the costumes were vibrant and beautiful. Some of the humor was enjoyable. "Make 'Em Laugh" was a funny song and the physical comedy was entertaining. The choreography during the song that Don, Kathy and Cosmo sang together was perfect.
Bravo, Bravo!
I love this movie!!! While the music definitely has a 1950s sound to it, it also somehow fits the 1920s, which is what it is portraying. My favorite song from Singin' in the Rain is "Good Morning." I love "Good Morning," because it doesn't really make much sense, yet it fits perfectly in the time it is sung (1:30 am). No one really makes much sense at 1:30 in the morning if they have been up all day.

The casting and direction were done superbly. Gene Kelly is not only good looking, but he also can dance, sing, and act like it is going out of style. He is wonderful in every movie I have seen him in, & I must admit that he is one of my favorite actors of all time!
Folded Eye Jazz
Spoilers herein.

This is a nearly perfect film from my perspective: It feels naturally improvised. Its episodes are radically discontinuous, but feel like fluid transitions. It has some great numbers, including the incomparable Cyd Charisse.

But what really puts this on my `must see' list is the deep self-reference. Superficially, it is a movie about a movie, but actually the folding is a whole lot more complex, even psychedelic. The narrative structure is flashbacks, flashforwards, about the movie, IS the movie, about the fooling behind the movie (oddly, Debbie's non-movie songs were dubbed by someone else!). It has nested abstractions, and encompassing ones. It has several manner of annotative features. And the internal movie itself grows while we watch to have internal nesting of different types: the original costume drama becomes a vision from a modern newcomer whacked on the head. And further, there is the Charisse number which is another abstraction.

There were precessors: `Kane' (41) introduced the use of many parallel narrative devices, `Children of Paradise' (45) had conflated reality and performance: `Red Shoes' (48) took it to dance, and those are must see as well. But here, the technique becomes visual jazz improvisations on reality. Thrilling.

None of the people involved ever came close on other projects. Odd.

Ted's evaluation: 4 of 4 -- Every visually literate person should experience this.
admirable work
many motifs define it as a masterpiece. but it is enough to see its title to know than it is more than a masterpiece. first, it is a memorable song. than- it is a lovely performance of Gene Kelly. not the last, it is the admirable job of Deborah Reynolds. and, more important, it is seductive tool fore resurrect an old world. it is almost childish to write about it. because everybody knows the naive story, the amusing scenes, the American dream who becomes reality, the unique scene in rain in which Gene Kelly was not only courageous or crazy but the perfect sex symbol of all the times. short, a film like a precious gift.
Why it's the best
There are two kinds of musicals. You can call them different things. You could call them the Hollywood Musical and the Broadway Musical. That's not quite proper because the Hollywood Musical is what the Broadway Musical was in the 20's and 30's, before Rogers and Hammerstein changed everything. maybe a better distinction is the Dancing Musical vs. the Singing Musical, except that both kinds have dancing and singing...

Let's try it this way. The original musicals on Broadway in the 20's and 30's and Hollywood in the 30's and 40's were musicals with a slight storyline, some singing and tremendous dancing numbers. They also have low comedy and plenty of beautiful girls. They usually are about show business itself and many of the numbers take place on the stage. the others seem like the likely result of bringing show people together: of course they are going to sing and dance from time to time. Looking at them these days, the singing is kind of boring, the comics dreadful and the plots the answer to a moron's prayer. It's the dance numbers that are timeless. These films were made for highlight reels like "That's Entertainment".

Rogers and Hammerstein changed all that. They took serious plays and converted them into operetta of popular music. Characters who were not in show business at all used songs and dances as soliloquies to reveal their private thoughts. The result was some of the best plays and films of all time- Oklahoma, Carousel, The King and I, South Pacific, The Sound of Music, Brigadoon, Gigi, My Fair Lady, The Music Man, etc. South Pacific was the first film my parent sever took me to see and this is the type of musical I normally prefer. Here songs tended to dominate- "Surrey with the Fringe on Top, "Out of My Dreams", "People Will Say We're in Love, "If I Loved You", "My Boy Bill", "I Have Dreamed", "Hello Young Lovers", "Some Enchanted Evening", "Younger Than Springtime", etc. ,etc. There are dance pieces but the dancers are on the sidelines.

"Singing in the Rain" is the greatest of all the Hollywood Musicals. It has the memorable dances a Hollywood Musical needs: "Make 'Em Laugh", Singing in the Rain", "Good Morning", "Broadway Melody". There is also the best of the Freed-Brown songbook, such as "You are My Lucky Star". But it has the strongest story of any of the Hollywood Musicals, thanks to the Comden-Green team and the memories of the early days of sound. it's virtually the only Hollywood Musical that could have held up as a non-musical. It could have just been a comedy about he conversion to sound. it would not have been "Singing in the Rain", but it would have been good.

As it is, it's the one musical that has it all.
It Ain't Been in Vain for Nothing
Singin' in the Rain is one of the best movies ever made. The film is beautiful, tuneful, and loads of fun. While it pokes fun at Hollywood it also does so with great love. Little bits and pieces of Hollywood lore find their way into this great film and it's a pleasure to get the joke or recognize the real star they're referring to.

The star trio is just perfect: Gene Kelly give a funny performance as the hammy silent actor; Donald O'Connor makes the most of his "second banana" role; Debbie Reynolds is perfect as the ingénue trying to break into films.

The three stars perform many memorable numbers, including Kelly's "Singin' in the Rain" classic; all three in the "Good Mornin'" number; O'Connor's "Make 'Em Laugh"; and Kelly and Reynolds in "You Were Meant for Me." The masterpiece however may be the "Gotta Dance" production number with Kelly and Cyd Charisse—just perfect. Also great fun are O'Connor and Kelly in "Fit as a Fiddle" and "Moses Supposes."

There are of course other production numbers, including the montage that shows Hollywood's race to transition to talkies, a scene that ends in the "Beautiful Girl" number featuring Jimmy Thompson.

Jean Hagen (as Lina Lamont) won an Oscar nomination and steals the film in a classic comedy performance. Also good are Millard Mitchell, Douglas Fowley, Rita Moreno, King Donovan, Kathleen Freeman, Mae Clarke, Julius Tannen, and Madge Blake.

The great trick to this film is that while Reynolds is supposedly "lip syncing" for Hagen, it's really Hagen's voice that Reynolds is miming to as in the "I Would, Would You" number. The final miming act is Hagen mouthing "Singin' in the Rain" is really Reynolds. It gets so confusing you can't tell who is lip syncing whose voice.

Lots of Hollywood lore retold in this film. Hagen's Lamont character is a veiled reference to Norma Talmadge, who supposedly failed in talkies because of her New York accent. It's also a reference to Louise Brooks, whose talkie debut in The Canary Murder Case was all dubbed. When Kelly screams "I LOVE YOU" it's a reference to John Gilbert in is talkie debut flop. His Glorious Night. Kathleen Freeman's diction coach character is a reference to Constance Collier, who returned to Hollywood as a coach. And on it goes.

A great film!
I am not a big fan of musicals but the colors and the music in this movie really made it for me i enjoyed the fact that the music fitted exactly with what was going on throughout the movie however i do not think ill ever be watching this film again because like in said i just do not like musicals. however besides that you can only appreciate the film for what its worth there was much emotion in this film and that what i liked and could really take away from it. All that being said it's good family-type entertainment and they couldn't make a musical like this today. Multi-talented performers like these are gone forever and i feel like that is something that needs to change very soon .
Except for two sequences, what's all the fuss about?
This movie is worth seeing for two reasons: the inimitably exuberant rain scene and Cyd Charisse's unbelievable legs.

There's an extremely silly story here, loaded with hammy, stereotyped performances.

Gene Kelly is a dance genius and watching him move is an aesthetic thrill. However, his acting here mostly reeks. All of that saccharine grinning gets old really quick.

Donald O'Conner's part is more grating. His wise-cracking smart aleck is forever making vaudeville-tacky jokes. He dances well but is only tolerable with his mouth closed.

Unrecognizably glamorous compared to her moll role of two years earlier in "The Asphalt Jungle," Jean Hagen is funny the first time she speaks, but her chalkboard-scratch schtick eventually produces an earache.

Ah, but the magic of Kelly and his umbrella in the downpour! It captures the essence of man at his best. When we send our rockets into the nothingness of space, these few inches of celluloid should be humanity's calling card.

Kelly's artistry in this brief clip guarantees his immortality!
Most likely the best musical ever filmed, although I sure like "Cats" and "A Chorus Line" too!.
"Singing In The Rain" is unique in that the song actually inspired the movie. It is set in Hollywood in the mid-1920s. Gene Kelly, 39 when it was made, stars as Don Lockwood, silent film star. Donald O'Connor was 26, played Cosmo Brown, Lockwood's long-time sidekick. And 19-yr-old Debbie Reynolds, in already her 6th film, plays Kathy Seldon, aspiring legitimate (stage) actress set on going to NYC. Lockwood met her initially when he was escaping overzealous fans and leaped into her car from a streetcar top. Also, they later met again when she jumped out of a cake at a party. She obviously needed work!

However, the character who really makes the whole story possible, and the movie fantastic, is Lina Lamont (Jean Hagen), Lockwood's silent screen co-star, who also happens to be a totally self-absorbed person with the most irritating voice possible. Hagen is absolutely perfect in this role, and I understand she received an Oscar nomination for it. In 1927, the first "talkie", "The Jazz Singer" with Al Jolson, changed movies forever. Suddenly the "talkies" were making all the money and the Lockwood/Lamont team had to follow or close down. No amount of diction coaching could get Lamont to sound good, and the audience could only laugh at the test screening just 6 weeks before scheduled opening. Cosmo had a great idea - Kathy would dub in her voice over Lina's. Also, the serious "Dueling Cavaliers" would become a musical, "The Dancing Cavaliers."

The new musical is a big hit, Lina gets coerced by the live audience to sing a song, but it was Kathy singing behind the curtain. Midway through it, they raised the curtain to expose the truth, Lina was put in her place, and the new team of Lockwood and Selden was a hit, on and off the big screen.

Except for an extended surreal dance scene with Kelly and Cyd Charisse, which seemed to break the continuity of the story, the movie is almost perfect. I rate it "9" of 10. Of course Kelly was choreographer, and co-director, so I suppose he just wanted that number in. The several energetic dance numbers with Kelly and O'Connor are simply great, as are the two individual solo numbers, "Singing in the Rain" by Kelly, right after Don leaves Kathy's apartment, realizing he is in love with her, and "Make 'Em Laugh" by O'Connor, which includes his running up two different inclining walls and back-flipping off them.

Who knew Debbie Reynolds could dance so well, and hold her own with Kelly and O'Connor?? Well, she couldn't until she was cast for the part, and she literally worked herself to bleeding feet in rehearsing for the production numbers, and all her hard work shows. She became a dancer for this role.

I love music, and I love good dancing. I cannot watch a film like this without mentally comparing the two great dancers of 1950s film, Gene Kelly and Fred Astaire. I suppose Astaire was the greater "pure dancer" of the two, with always perfect positions and movements that would just glide over the floor. Kelly, however, is my overall favorite of the two. Not only is he a superb dancer, his more athletic build and dancing style, combined with good looks and singing voice, make him more believable in the musical film roles they both starred in.
Great movie
Highly recommended,done very well. The dance sequences in the film are incredible. The camera angles and shots are unlike you've seen before.Gene Kelly and Debbie Reynolds take you to another world, you will feel as if you apart of this artistic masterpiece. If you haven't seen this, I don't know what you have been doing in your life.
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