Write descriptive essay about Raiders of the Lost Ark movie 1981, write an essay of at least 500 words on Raiders of the Lost Ark, 5 paragraph essay on Raiders of the Lost Ark, definition essay, descriptive essay, dichotomy essay.
Raiders of the Lost Ark
Action, Adventure
IMDB rating:
Steven Spielberg
Harrison Ford as Indiana Jones
Karen Allen as Marion
Paul Freeman as Belloq
Ronald Lacey as Toht
Denholm Elliott as Marcus Brody
Alfred Molina as Satipo
Wolf Kahler as Dietrich
Anthony Higgins as Gobler
Vic Tablian as Barranca
Don Fellows as Col. Musgrove
William Hootkins as Major Eaton
Bill Reimbold as Bureaucrat
Storyline: The year is 1936. A professor who studies archeology named Indiana Jones is venturing in the jungles in South America searching for a golden statue. Unfortunately, he sets off a deadly trap doing so, miraculously, he escapes. Then, Jones hears from a museum curator named Marcus Brody about a biblical artifact called The Ark of the Covenant, which can hold the key to humanly existence. Jones has to venture to vast places such as Nepal and Egypt to find this artifact. However, he will have to fight his enemy Renee Belloq and a band of Nazis in order to reach it.
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A globe-trotting rip-roaring adventure.
This movie deserves its status as an modern classic, and its many iconic scenes deserve all of their homages and parodies. Harrison Ford does a tremendous job as the suave archaeologist Indiana Jones, and the special effects are both real and well-done. As of course, are the ever-present glorious gore. The comic relief relieves tension and is hilarious. The creeping shadows in the wall, whether Nazi or Indie, are a particularly well-used cinematographic device as well.

This movie may be at the root of many of America's misconceptions about the Third Reich and its relationship with the occult, but it is a fun ride. It is difficult to make treasure-hunting through ancient temples seem more romantic than it already is, but Indiana sure manages it.
Cheesy escapist fun. Very cheesy, very escapist, not that much fun.
This film is a product of its time and some of the things are very advanced (for its time), so I can't give it a very low score. A lot of the things are very well done, better than some movies in this day and age.

Having said that, the story isn't that much interesting. It's just a series of events, action after action, hiding then running, chasing then being chased, fighting then escaping, just random stuff.

The action is fun, but it gets boring after a while. The theme song repeating 12+ times in the span of two hours is pushing it. I had often wondered why the song was so memorable and how so many people remembered it. It is catchy, but the fact that it loops makes it stick in your head.

I don't understand the target demographic for this. There are murders, a man's head getting blendered by a propeller, people being burned alive and other things that is not really appropriate for children, yet this film has a PG rating. It's too childish for adults but too scary/gory for children.

The first scene (the idol) is also forgotten very quickly. He tries to get an idol from the jungle, it gets stolen, and that's about it.

Parents of young children, watch out, there are graphic deaths in this film. Adults, watch out, this is a very childish film that gets boring and repetitive after a while.
The first installment of the iconic explorer
This was a very masterful, imaginative movie that will bring out the childlike hearts out of adults. The main protagonist Indiana Jones is played by Harrison Ford, I will just say that Ford is Indiana Jones. They first tried to cast Tom Selleck for this role but I am very glad that Harrison Ford played Indy instead. This is a film that inspired many filmmakers and video game creators by trying to recreate adventurous protagonists that goes on explorations. This film doesn't just have a iconic protagonist but many iconic scenes that is actually very memorable. Many kids tried to copy Indy and wanted to be Indy, because he is such a cool, charismatic, heroic and adventurous badass who is irresistible to women. He is more of a likable hero than James Bond and isn't a misogynist. Instead Indy is a true archaeologist at heart that loves history and does his best to preserve priceless artifacts for the future instead of personal gain. In another words, he is a role model that kids could look up to. So I couldn't help but root for the guy through his ordeals. The cinematography and set pieces is immersive and really does have the energy and pacing that will absorb audiences into the whole experience. It was even nominated for academy awards and actually won few of them. I will say again the set pieces really does elevate the action sequences. And the action is a blast to sit through and even adds the right amount of humor during certain parts. Films like this shows that the story doesn't have to be overly complex and has a lot of depth to it to make it classic. This is a solid entertainment blockbuster that excels in almost every area.

A great blockbuster
In 1975, George Lucas and Philip Kaufman came up with the concept of a film that would pay homage to the action serials of the 1930's and 40's like "The Adventures of Captain Marvel" or "Dick Tracy" - you know, the one's were they'd always end in a cliffhanger? However, this idea was put on hold so that Lucas could concentrate on "Star Wars" in 1977. After the surprise success of that film, Lucas then embarked on the proposal and enlisted the help of Lawrence Kasdan on the screenplay and gave his friend Steven Spielberg the chance to direct and prove the studio bosses wrong after the star-studded, monumental failure of his World War II comedy "1941", a couple of years previously. This meeting of minds resulted in "Raiders of the Lost Ark" and has since became one of cinema's most revered and iconic film's. Dr. Indiana Jones (Harrison Ford) is a renowned archaeologist who is hired by the U.S. Government to find the Ark of the Covenant - a chest the Hebrews carried around containing the Ten Commandments. Indy is not the only one after the Ark, though, as he soon crosses paths with Hitler's Nazi's, also intent in getting their hands on the artifact. Classic Adventure film of the very highest caliber. In fact, it's hard to argue that this isn't the one to beat in terms of sheer indulgence and escapist entertainment. I grew up with Indiana Jones and there are very few characters or films who have had such a direct or major influence on my love for the cinematic art-form. It's difficult to find the words for Raiders that haven't already been said. Quite simply, it's a true action spectacle that's unparalleled and stands as one of Steven Spielberg's finest moments. He's a director that's, rightly, regarded as one of Hollywood finest filmmakers and you don't have to look much further than this film to see why. With one hair raising set-piece after another, Spielberg keeps the action relentless and fully realizes a romanticize pastiche of the aforementioned serials' clichéd plot elements and devices. Of course, what aides immeasurably in bringing it all together, is a perfectly committed and physical performance from the leading man. Contrary to popular belief, Harrison Ford was the first choice for Indy. Well... it was in Spielberg's eyes, anyway. It was Lucas who wanted to cast someone else as he wanted to create a little distance from Ford having already worked with him on "American Graffiti" and "Star Wars" and as common knowledge would have it, Lucas preferred Tom Selleck. Unfortunately for him, though, he was already committed to the television series "Magnum P.I." which resulted in Ford securing, what would become, his signature role. I think it's fair to say that Ford has never exactly been praised for his acting range. Sure, he's certainly able to deliver some wonderful work; his powerful turn in "The Mosquito Coast" and his Oscar nominated performance in "Witness" are proof of this but his portrayal of Indiana Jones is absolutely spot on. He captures the requisite charm, wit and smarts to win you over. He exaggerates his facial expressions to the point of parody and completely sweeps the audience up in his heroic adventures. Even though he's the hero of the story, Ford never let's you think for a second that he's infallible or indestructible. Every scrape, punch or altercation still feels like it could be Indy's last and that's a fabulous achievement when you pretty much get the gist of the film's formula or structure. Considered one of the best films ever made and, to this day, remains one of the highest grossing. It went on to win four Academy Awards out of nine nominations and these accolades alone speak for themselves. I, for one, couldn't argue with any of them.
"It's not the years, honey - it's the mileage."
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There are countless instantly recognizable movie themes - many of them written by John Williams. But there are none quite as instantly transformative as those two sets of ascending four notes on the horn that instantly spell 'Indiana Jones.' Four notes, and we're skidding under a closing temple door, a juggernaut boulder crashing behind us, dodging blow darts, pausing only to retrieve our hat. Four notes, and we unconsciously stop to absently brush the spiders and cobwebs off us, so entranced are we by the thrill of our archaeological treasure hunt. Four notes, and we're off to the movies - Raiders of the Lost Ark alongside Doctor Jones. And there's nowhere we'd rather be.

You could rattle off Raiders' iconic moments for the duration of its run time ("throw me the whip!"/"Throw me the idol!"; 'Gun to a sword fight'; "Why'd it have to be snakes?!"), and still fall short of its iconic magic. But why Indy? Granted, the former Indiana Smith, the man all but christened James Bond's father (see part III for a cheeky wink at that) by his own 'parents,' the indomitable Steven Spielberg and George Lucas, is a fun character. He's a perfect foil to subject to all the action, intrigue, globetrotting, and treasure hunting joys that proliferated the matinée adventure serials of his pappy's boyhoods. And we have him (and them) for forever cementing archaeology as THE COOLEST profession shy of a firefighting superhero astronaut in the eyes of generations of youth.

Spielberg clearly knew they were onto something here, and reciprocates by being on the top of his game, delivering the quintessence of a robust, brawny, populist cinematic adventure as only he can. His opening act - again, a 007 homage - is immediately unforgettable, introducing the titular hero as a dramatic silhouette, easily outmaneuvering his cowering guide (the exquisitely weaselly Alfred Molina) as he's beset by a franchise's worth of booby traps. It's a slow build from there, toeing the line of leisurely, despite an explosive bar brawl in the Himalayas (including another unforgettable introduction for Karen Allen's tough-as-nails, exceptionally charismatic Marion Ravenwood) to tide us by. But soon enough, we're thrust into the thick of snake-filled antiquity ruins, besieged by Nazis (who else?), and from then on, the film is unstoppable. Crisp editing, flawlessly dusty cinematography, and the magnificently grandiose archaeological sets ignite the film with a rambunctious, sand-etched enthusiasm, while the action sequences bristle with breathtaking intensity (remember to return from the edge of your seat after watching Jones sucked under a moving truck, or ducking under a plane propeller mid-fistfight) coupled with disarming matinée silliness. And that climax - probably the most literal 'Deus Ex Machina' in cinema history? 'Exhilarating' is the understatement of a thousand lifetimes.

But the real joy, the real 'je ne sais quoi' of Raiders of the Lost Ark lives in its tiny, throwaway moments - many buoyed by Spielberg's savagely cheeky sense of humour, or flair for unexpectedly iconic character beats. "Love You" on a student's eyelids flustering Jones mid-lesson. Indiana interrupting Marcus Brody (the delightful Denholm Elliot)'s line - clearly unscripted - because he's so excited about archaeology. John Rhys-Davies' bombastically lovable Sallah bursting into Gilbert and Sullivan because he's "so pleased you're not dead!" Arch-rival Belloq (perfectly preening yet oddly dignified Paul Freeman) bursting into laughter when drunkenly threatened by a knife. Insidious, scar-handed Nazi stooge Toht (unforgettably grotesque Ronald Lacey) giggling nervously when the Ark of the Covenant is revealed to be full of dust. Indiana falling asleep amidst what should be a passionate love scene. And, of course, the unforgettable 'brought a gun to a sword fight' standoff. These are what elevate the movie from good, spirited fun to the level of unforgettable movie magic. These are what make it truly special.

Still, there are two indisputable MVPs for Raiders' rampant success: John Williams, and Harrison Ford. Never before have music and actor fused into such an unforgettable driving force of a character - a hero who really sweats, bleeds, grunts, cusses, undercuts his triumphant introduction by whining about snakes, and cements his place at the forefront of thirty-five years worth of audiences' hearts. It's easy to overlook Ford's razor-sharp comedic timing amidst his brimming, crusty charisma, but watch for his exasperated, exhausted grimaces when confronted by a superfluously sword-swinging adversary, fumbling aboard a descending Nazi submarine, or challenged to bareknuckle boxing mid-plane hijack, and the film reaches a level of sublime, almost peerless character comedy. It's this crystalline grounding of impossible feats within the characterization of a man who risks his life for museum artifacts that sells the inherent ridiculousness of Indiana Jones, taking him from self-parody to genre-defining, and spawning innumerable, inherently inferior knock-offs. Freeman's Belloq's villainous jeers prove prophetic: Jones is now an unshakable, invaluable part of modern cultural history. And he doesn't even have to be quarantined to a museum.

There's an argument to be made that The Last Crusade peps up the already nearly airtight formula with more comedy and action for your buck, and Temple of Doom, while clumsy and flawed, delves into some intriguingly grim terrain (what's a Crystal Skull? You must've been dreaming). Still, the word classic isn't used lightly, and Raiders of the Lost Ark remains just that: a game-changing, fundamental force in escapist cinematic perfection. So forget about your pesky real world problems! Because you are at the MOVIES, with Spielberg, Johnny Williams, and the perennially grimacing Indiana Jones. And here, everything is going to be okay. You're in good hands. Whose good hands? Top. Men.

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A wonderful movie, but I still prefer The Last Crusade.
Rating: **** out of ****

There is no doubt in my mind that Indiana Jones is the best movie series in the history of cinema. And the one start it all was Raiders of the Lost Ark, a fast-paced adventure packed with one death-defying cliff-hanger situation after another. To this day, Raiders remains one of the best action movies, holding up better than most of today's rapid-cut, MTV-style "thrill rides." Raiders relied on no CGI, no flashy editing, just pure, exhilarating film-making and storytelling, a combo of its kind that has only been surpassed by its second sequel, Indiana Jones and the Last Crusade.

Harrison Ford stars as Jones, an archaeologist who dresses in a brown coat and fedora, armed with a revolver and lion-taming whip. A delightful opening involving elaborate booby traps informs us he's used to these adventures (especially his even closer brushes with death in Temple of Doom, which was a prequel). When he returns to the states from his latest "excavation," he's informed by the military that the Nazis are after the ark of the covenant, an artifact that could possess the power to make the Nazis an invincible army. So Jones sets out to retrieve the ark first, in what will prove to be one of his greatest adventures.

There's probably little doubt that Raiders is the fan/critical favorite of the trilogy, but there are a few things that I actually have to gripe about, blasphemous as it may be. For one, even though the story is excellent, it's not without its holes. Most perplexing is in the film's opening scenes, when we wonder why Jones bothered to bring along potentially traitorous porters when it's such a short distance from the river to the cave temple. Also (spoilers), one needs only to see the film once to realize that if Indy had never tried to intercept the Ark, the Nazis would a) have never found it or b) still would have suffered the same horrible fate regardless.

The action sequences are superb, though an early bar shootout isn't quite as adrenaline-pumping as it could be and looks quite bland compared to the film's other action scenes. Thankfully, the following street chase is playful and exciting and keeps the joyous momentum flowing. Overall, I'd still argue that both Temple of Doom and The Last Crusade boast more inventive action but there's no questioning that the action scenes in Raiders are fantastic and likely superior to any film you may have seen the last few years.

As bitchy as I may sound, I'm not trying to harp on Raiders, at least not too much. The movie does feature the famous (and deservedly so) truck chase, one of the most unbelievably thrilling and exhilarating action setpieces I've ever seen (and given an extra boost by John Williams' beautifully rousing score). To this day, even with the recent chase scenes in The Matrix Reloaded and Terminator 3, this sequence has yet to be surpassed.

Other standout sequences include a sarcophagus almost entirely decorated with snakes, imposing statues, and well-preserved mummies, and Jones' mano-a-mano battle with a seemingly impervious Nazi mechanic. The finale takes the film dangerously close to the horror genre, climaxing things with a truly memorable (and quite frightening) light show for the ages. Every Indiana Jones film has a scene that scarred me as a kid and I think every one who's seen Raiders knows what I'm referring to (as well as its sequels)

I've said it before, Harrison Ford is wonderful as Jones, embodying a hero that's cool beyond words, yet still entirely human and believable. The supporting cast isn't as up to par: Paul Freeman makes for a decent but not particularly menacing villain as Belloq and Karen Allen is somewhat annoying as Indy's love interest, but there are an equal share in gems, particularly Denholm Elliot as Marcus Brody and John Rhys-Davies as Sallah (The Last Crusade wisely gave these actors/characters more screen time).

Raiders of the Lost Ark was revolutionary cinema, paving way for summer blockbusters that would attempt for the same winning mix of thrills and humor. Only its sequels matched and/or surpassed it, but some have actually come close (The Mummy). If you haven't seen Raiders yet, put it on the top of your list.
Action/Adventure films don't get any better than this!
"Raiders" is the best on-screen thrill ride every made. It hits the ground running and never stops with some of the best and most memorable action sequences ever filmed. Just buckle in for the ride as you watch Harrison Ford defy death and battle the evil Nazis as the legendary Indiana Jones trying to save the Ark of the Covenant from their clutches. A perfect blend of adventure, humor and pure excitement that will have you leaving the theater with an adrenalin high. The very last sequence of this movie is quietly staggering, bordering on the sublime.
Captures the imagination
Watching this movie as a child filled me with awe and wonder. I was taken to another place and time filled with mystery, adventure and danger. I'd never seen anything like it.

The most thrilling part of the movie was how the scenes unfolded. A scene would start with slow tension; Harrison Ford making his way down a trail. The pace would pick up as he encountered a surprise. The scene would return to calm tension. Suddenly, with no warning, chaos! Ford running for his life. It was a roller-coaster of emotion and adrenaline.

Although this movie is much older now, as am I, it will always hold a special place in my heart.
Ba-De-Da, Ba-De-Da-De-Daaaa, Ba-De-Da, Ba-De-Da-De-Da
If you've seen this movie and heard the score, then my one line summary won't read like a mating call for sheep, but rather the absolutely exhilarating "Raider's March" which stirs my blood and makes me think of an unforgettable hero, Indiana Jones. If not, see it now.

I love going to movies. I always have. I remember when this film came out. My friends had seen it before I had. They boasted it was great, the best film ever. Some even said it was better than Star Wars (utter blasphemy to a devout 10 year old Jedi-wannabe). I thought no way is this film better than Star Wars, but I was still curious and began the begging of my father to take me.

When I was young, almost all of the films that I had seen, I saw with my Dad. He would take me and my mother would stay at home with my siblings. We saw a number of films that failed to generate a reaction with him as they did with me, but this one was different. This one, my Dad might've enjoyed just as much.

Who can forget the scene where Indy faces bandits in the marketplace, fighting swords with his wits and fists, only to be finally challenged by a dark robed adversary brandishing a heavy, dismembering type of sabre as he swings the impressive blade about his head menacingly?

Indiana looks his opponent up and down briefly and draws his pistol casually and shoots the villain dead as if his patience had been tested a moment longer than he could tolerate.

My father, and the entire audience for that matter, laughed and cheered at this incredible scene. And it was the first time I'd actually been aware of his enjoyment of the film. Usually I'm so transfixed that I wouldn't notice if my legs were on fire. He enjoyed it so much, that he still tends to bring up that scene, even today.

My father and I shared a great moment in movie history, and I will never forget it for as long as I live. I will always be grateful for the time we spent together and the films that I otherwise would have been unable to see without him taking me.

Just a side note about the scene I've described above. It wasn't meant to go that way at all. As Steven Spielberg explained in a television interview, the scene was meant to have an elaborate fight sequence, but Harrison Ford was suffering from diarrhea and couldn't go through with the elaborate set-up required. Someone said, "the only way we can finish this scene today is if he shoots him". Steven said, "Wait a minute, we might have something there."

As for where it ranks with Star Wars, it's hard for me to say, so I won't. Star Wars was the first film I ever saw, and there's a story in that as well. Thanks again, Dad.

Nowadays we keep forgetting how beautiful blockbusters can be. Too much CGI makes everything possible and therefore very often also arbitrary. In Raiders you actually seem to feel the physical pain some of the actors/stuntmen had to go through to provide 2 hours of pure entertainment.

Of course the story isn't waterproof, the Nazi weren't that present in Egypt in 1936 and how did Indy survive that ride on the submarine again? But lots of good and variable action scenes are accompanied by a story that develops fast and excitingly and is always close to being implausible but luckily never is.

Spielberg, Lucas and most of all Harrison Ford created a hero that is nowadays iconic. With their attempt to make an homage to adventure comics of the 1930's they created their own legend.

It's funny, exiting, thrilling and romantic. What more can you ask for?
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