Write descriptive essay about Psycho movie 1960, write an essay of at least 500 words on Psycho, 5 paragraph essay on Psycho, definition essay, descriptive essay, dichotomy essay.
Psycho
Year:
1960
Country:
USA
Genre:
Thriller, Mystery, Horror
IMDB rating:
8.6
Director:
Alfred Hitchcock
Anthony Perkins as Norman Bates
Vera Miles as Lila Crane
John Gavin as Sam Loomis
Martin Balsam as Milton Arbogast
John McIntire as Deputy Sheriff Al Chambers
Simon Oakland as Dr. Fred Richmond
Vaughn Taylor as George Lowery
Frank Albertson as Tom Cassidy
Lurene Tuttle as Mrs. Chambers
Patricia Hitchcock as Caroline
John Anderson as California Charlie
Mort Mills as Highway Patrol Officer
Storyline: Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
Type Resolution File Size Codec Bitrate Format
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Reviews
The master of suspense is in full force here
Welcome to the Bates Motel. 12 cabins, 12 vacancies. What are you doing here? Running from the police? Alright, well enjoy your stay and see you in the morning. Or maybe not. Alfred Hitchcock was one of the most influential and fiendishly wonderful movie makers of the twentieth century. Before "Psycho", I had seen exactly 22 of Hitchcock's pictures. Most of them I enjoyed but none of them were as memorable as this piece of work. It is not just a cinematic accomplishment but also of successfully portraying someone who is indeed psycho. This movie was a shock when released in 1960 because of the way the movie was laid out. For example, it was unthinkable for a main character to be killed so early in the film. The goal was to put the audience on edge to the point where they had no idea what would happen next. And Hitchcock indeed pulled it off. In fact, he was sure to make clear that no one would be admitted into the theater after the movie had begun. You must watch it from beginning to end. I am not going to tell you the plot because the less you know, the better. They don't call Alfred Hitchcock the master of suspense for nothing.
2012-11-17
I guess it's never too late to thrown in your own love and admiration for a classic film...
I have to admit that I have a terrible habit of getting around to watching classic movies when it's really late in the game. I guess my excuse is that I'm only 23, and most of the so-called "classic" movies of the 20th century were made well before I was even born. I'm ashamed to say that I fell in love with both "Jaws" (1975) and "Halloween" (1978) just last year; this year, just about a half-hour ago, I had the great pleasure to see Alfred Hitchcock's classic 1960 suspense-thriller "Psycho."

A lot has already been said about this film, so I won't comment too much on what it's actually about, and instead I'll only comment on significance and my reactions to it. "Psycho" has a plot based heavily in reality: adapted from the novel of the same name by Robert Bloch, the book and film were loosely based on the crimes of real-life Wisconsin serial killer Ed Gein. "Psycho" finds its story revolving around Marion Crane (the late Janet Leigh), a lowly Phoenix, Arizona, secretary who embezzles $40,000 from her boss and hits the road, later stopping in at the isolated Bates Motel, and meets the owner and sole employee of the establishment, Norman Bates (the late Anthony Perkins).

The rest of the plot is well-known to anyone who has seen the film, so I won't describe it. Plus, to really describe the rest of the plot in any sort of detail at all will ruin the shocks and surprises that the film has in store for the viewer (most notoriously, the infamous "shower scene," which has to be seen to be believed, and experienced). The "shower scene" itself is one of the chief reasons to see this picture; it's shocking, Bernard Herrmann's theme slices away at your eardrums, and it's one of the iconic death scenes - one of the most iconic scenes, period - in movie history.

"Psycho" is a phenomenal piece of film, from a master filmmaker and an equally talented cast and crew; it's a true cinematic landmark. Most importantly, and the reason why I now hold this film to the high degree that I do now, is that "Psycho" is partially (or is it entirely?) responsible for influencing entire generations of filmmakers, particularly those in the horror genre. "Psycho" has almost single-handedly influenced, and given rise to, the slasher sub-genre of horror, which of course gave rise to, and is populated by the likes of, Leatherface (from "The Texas Chainsaw Massacre" series), Michael Myers (from the "Halloween" series), Jason Voorhees (from the "Friday the 13th" series), my personal favorite movie slasher Fred Krueger (from the "Nightmare on Elm Street" series), and countless other imitators. "Psycho" would itself become fodder for the slasher genre nearly two decades after its release, when it was followed up by three vastly inferior sequels, with Anthony Perkins reprising his signature role as Norman Bates in all three films.

"Psycho" has also been the subject of a lot of psychiatric and psychological analysis, for those interested in understanding the criminal mind and how it functions. As a criminal justice major in college, in my studies I've across several opportunities to study "Psycho" (but never did) and exactly how it influenced the slasher genre and why it's fascinated criminology experts in the decades since its release, thus having even greater influence outside of the film community and American pop culture.

Alfred Hitchcock proved that he was a cinematic genius with "Psycho," since I understand that it is arguably his best and most popular film. At least now I've finally had a chance to see a movie that I've heard so much about and never previously got the chance to watch.

10/10
2009-06-27
Hitchcock's best by a mile
Hitchcock is one of those rare cases where the status of his most popular films is justified to some extent. What, you think one of his numerous identical, disposable "on the run" thriller type movies is better than Psycho or Vertigo? OK.

This might not be too flattering, but I think what I really like about Psycho is that besides some signature stuff, it doesn't really FEEL like Hitchcock. (I'm not his biggest fan, if you can't tell.) It's somewhere between neo-noir, horror and art-house, and is fortunately free of lame attempts at humor, as well as that schmaltzy, dishonest, fake Hollywood handle of romance I count among Hitchcock's numerous flaws. Also, watch this for a lesson in how the camera is an instrument of emotional communication just as much as actors, music or any other aspect of a film.
2012-08-17
Hitchcock did it all in this one.
When Psycho came out, the horror industry of movies was merely monsters, zombies, werewolves, and vampires. So when Psycho hit screens, the audience was finally introduced to psychological thrillers. It hit with such a huge bang that the audience was shocked...with fear and suspense. Psycho created what the thriller genre is today. It sliced through clique monster movies and changed it forever. Still today when you look at Norman Bates and his extremely freaky look when you see him watching the inspector's car sinking into the swamp sends chills down my spine. And when Marion Crane met her bloody demise in the middle of the movie, Hitchcock proved to everyone that this movie is different, different from every other movie you have ever seen. The cinematography in this movie is fabulous, the music is marvelously freaky, the acting is magnificent, the story is exceptional, and everything else about the movie is great. Too bad the sequels and the new remake was complete trash.
2000-01-19
The Greatest Horror Film Ever
When you look up the phrase "Horror Film" in the dictionary .. a picture of Janet Leigh screaming in a shower should appear next to it. Undoubtedly, Psycho is the greatest horror film ever made, bar-none. The story is incredible. The acting is near perfection. The cinematography is godly. The soundtrack is perfect. It's hard to find anything wrong with Psycho. Perhaps the only imperfection I can find with Psycho is the inability to stand the test of time. One of the reasons the shower scene has become so notorious is that it's not only filmed to perfection, but because the elements of sexuality and murder are so surreal. In 1960, seeing a nude women being murdered in a shower was something that no-one had experienced yet, and was quite shocking. Nowadays, seeing Jason double-spearing two lovers having sex is nothing uncommon. I envy those who experienced Psycho in 1960 in the theaters .. those experienced the full terror of Psycho.

Aside from this though, the movie is flawless. I won't even go into to how incredible the cinematography is. One thing I think people seem to forget about the movie is the incredible soundtrack. Sound is such an important element in movies and Psycho is undaunted when it comes to sound. The only other horror movie that even comes close to using sound with such perfection is Halloween (1978).

The movie is perfectly casted as well. Janet Leigh as the beautiful Marion Crane, Vera Miles as the concerned sister, Lila Crane, and of course the unforgettable performance from Anthony Perkins as the eerie yet charismatic Norman Bates.

I would recommend this movie to any horror movie film fanatic. I would especially recommend this movie to any horror movie fan not desensitized by Friday The 13th, Nightmare On Elm Street, or Scream .. if such a fan exists.
1999-01-17
This is what good movies are all about.
This is one of the best movies ever created and Alfred Hitchcock is one of the most intriguing film makers ever to live. (in my opinion) There's just so much to say about this film I hardly know where to start.

I first saw this movie about five years ago and wasn't impressed at all. Of course, I was about ten years old at the time. I didn't think that the famous shower scene was anything to frightening and the characters seemed a little boring. A little less than a year ago, I became very interested in the history of the film and not so much of the film itself. I read articles, reviews, anything that I could get my hands on. Then, Psycho was shown on AMC and I immediately thought that it was a masterpiece. Shame on me for not appreciating it sooner.

The film as a whole is spectacular, but I like to break it down into little sections. First, I was very surprised and impressed with the actors that played Marion Crane and Norman Bates. Janet Leigh isn't given to much exposure to the film since she is killed off in about the middle of it. I thought that she did a good but not great job. On the other hand, Anthony Perkins blew me away. Both Norman and Anthony are very interesting. Norman's life that is set up and shown to us is so well depicted that I can't imagine anybody else playing the part. All of the characters including Arbogast, Lila, and Sam are so well created.

Obviously, the plot is so unique and odd that you can't help but smile at it. A young woman on the run after stealing $40,000, and then accidentally falls into the wrong hands of a psychopath. It's great! The best thing is that nobody has ever done anything quite like it, and they won't be able to because then the magic will be gone.

Even though the ever so famous shower scene is said to be one of the most chilling death scenes in history, I think that it may be a little overrated. I love it as much as the next person, but it's not all that scary. Who said it was supposed to be scary? Nobody, I know. But the majority of the Psycho audience gathers it to be very frightening. I do still think that it is one of the greatest and shocking scenes ever.

The setting is very well set up as well. The Bates motel and house is so cleverly created that it brings a special atmosphere to the audience. It has something about it that you just can't forget.

Finally, that music played throughout the film is one of the most spookiest sounds I have ever heard. Great job to the music composers and to Hitchcock for this scary addition to the movie.

I think it's safe to say that everybody has heard of Psycho, but not everyone has seen it. For those of you who still haven't seen this amazing flick, go see it! It's a must see.
2000-11-25
Perkins Irreplaceable?
Hitchcock was very fortunate to have cast the young Anthony Perkins in the leading role. At the time there were some other young aspiring actors who might have qualified for the part, namely: Michael J. Pollard; Jack Nicholson; Bruce Dern, Dean Stockwell, Victor Buono and Dennis Hopper. However, it's hard for me to imagine anyone other than Perkins playing Norman Bates with complete authenticity, it's seems the role was simply made for him and only him. Could you possibly imagine anyone other than Nicholson in the role of Randall P. McMurphy in "One Flew Over The Cuckoo's Nest" or Dennis Hopper as Billy in "Easy Rider"? Keep in mind the introverted, insecure Mama's Boy was not really PSYCHOpathic as Hannibal The Cannibal was in "Silence of the Lambs" - a cold-blooded killer with no conscience - but rather criminally insane, plagued by schizophrenic delusions and seriously in need of multiple reality-checks. Anthony Hopkins did a wonderful job as the vicious Hannibal, and also as Corky, the schizo-killer ventriloquist in "Magic". I think he just might have pulled off a convincing Norman, but don't believe he was available back then. Oh well, so much for speculation...Perkins did a great job.
1999-10-01
Hitchcock and Herrmann
Robert Bloch wrote the original work, Joseph Stefano adapted it into a tight screenplay but it was Alfred Hitchcock with the extraordinary complicity of Bernard Herrmann who transformed this lurid tale into a classic, horror masterpiece. The score propels us into the moment before the moment arrives provoking the sort of anticipation that verges on the unbearable. The fact that the key scenes have become iconic film moments: copied, imitated, emulated and parodied, have not diminished its impact, not really. The anticipation, underlined by Herrmann's strings, creates a sort of craving for the moment to arrive. That doesn't happen very often. No amount of planning can produce it or re-produce it - otherwise how do you explain the Gus Van Sant version - so, the only possible explanation is an accident, a miraculous film accident and those do happen. Everything falls into place so perfectly that even the things that one may argue are below the smart standard of the film, are needed, the film without every frame is not quite the film. Try to turn away after the climax during Simon Oakland's long explanation. You can't. I couldn't. Partly because you know you'll soon be confronting those eyes, that fly, the car...
2007-11-23
Masterpiece
A masterpiece. The ultimate thriller, and the movie that created the template for slasher-horror movies.

Solid plot, but the genius behind this is Alfred Hitchcock's direction. Hitchcock builds the tension and constantly keeps you on your toes. His use of camera angles is superb. This, all while keeping the movie moving along at a brisk pace. At no stage does it drift, or get bogged down.

Hitchcock is aided by some excellent performances. Anthony Perkins is calculating menace personified as Norman Bates. Janet Leigh shines and deserved her Oscar nomination.

Truly a classic, and one of the greatest movies of all time.
2014-04-19
Probably, the most terrific thriller made. A film that terrifies even 50 years after it's made.
Probably, the most terrific thriller made. A film that terrifies even 50 years after it's made.

To pigeonhole this as a thriller would be wrong as per me. It has a murder mystery, a psychological thriller, a huge amount of drama, and even a family backdrop. With all such elements, it would be wrong if I were to categorize this as merely a thriller. Yes, it is filled with thrills and for the 110 minutes of running time, there is hardly any dull moment.

I have seen this movie, a number of times before and each time it had a terrific impact. Also, I have always found something new, maybe a new frame, new shot or a new background sound. The discovery does not seem to stop. This I attribute to the many elements that are involved in this film.

From placing the camera, composing the shot, revealing the right emotion and making the audiences wait till the shocking aspect is revealed, Hitchcock is at his best in this film. This is indeed one of the more simpler stories he dealt. Yet, he made it so impact full that it continues to surprise audiences even today. Thanks to the music by Bernard Hermann, whose contribution to the film is very important. I cannot imagine this film without the music and I believe that it's because of the music, that the resonance was acquired.

If it's the shower scene that is most talked about in this film, I believe there are couple or more scenes that are under rated yet very impact full. Now, I do not want to reveal those and give away some details. I can simply say, I was terrified by the climax shot where the mother is shown, more than anything else.

The cast is perfect equally, Anthony Perkins does a wonderful job as Norman Bates. He is cold blooded and yet looks so deceptively humane as an extremely caring human. This film and "The Trial" are perhaps the most important films in his career.

It is the first psychological thriller of it's kind as I read in various other sites and perhaps it is also the most violent films made. Though the violence comes for less than 10 minutes, it haunts so brutally, as if it was there all through the film.

It's a definite 5/5 for one of the finest films of all time by one of the greatest directors.

http://braddugg.blogspot.in/
2014-05-04
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