Write descriptive essay about Psycho movie 1960, write an essay of at least 500 words on Psycho, 5 paragraph essay on Psycho, definition essay, descriptive essay, dichotomy essay.
Thriller, Mystery, Horror
IMDB rating:
Alfred Hitchcock
Anthony Perkins as Norman Bates
Vera Miles as Lila Crane
John Gavin as Sam Loomis
Martin Balsam as Milton Arbogast
John McIntire as Deputy Sheriff Al Chambers
Simon Oakland as Dr. Fred Richmond
Vaughn Taylor as George Lowery
Frank Albertson as Tom Cassidy
Lurene Tuttle as Mrs. Chambers
Patricia Hitchcock as Caroline
John Anderson as California Charlie
Mort Mills as Highway Patrol Officer
Storyline: Phoenix officeworker Marion Crane is fed up with the way life has treated her. She has to meet her lover Sam in lunch breaks and they cannot get married because Sam has to give most of his money away in alimony. One Friday Marion is trusted to bank $40,000 by her employer. Seeing the opportunity to take the money and start a new life, Marion leaves town and heads towards Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman who seems to be dominated by his mother.
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pure timeless brilliance, this is more than a classic horror film
This film will never be outdated. It's a perfect example of the art of shocking and disturbing an audience without ever having to resort to graphic violence and gore. Excellent atmosphere, superbly talented actors, and a brilliantly demented storyline -- those easily add up to an entertaining movie night no matter how many times you have watched it in the past. You know all the lines, you know the ending, but you're still pulled in from the first second to the end credits every single time. It's a rare film that accomplishes this with such a massive audience.

This film deserved better sequels and it definitely didn't deserve the terrible late 1990s remake, but the merit in this first installment actually helps all of those to hold up better than they otherwise would.

Absolutely timeless, and SO much more than just a classic! :)
Don't worry... NOT A SPOILER
Knowing all of Hitchcock's little quirks makes watching one of his films more interesting. His preference of blondes, his obsession with the bathroom and the letters BM are just a few. Hitchcock liked to use foreshadowing also in his films, which makes the film more interesting to the viewer because while some would think it distracts from the element of surprise, it's done in such a subtle way that it only makes a difference if the viewer is looking for it. The viewer isn't sure what will happen next but there are little clues to add more of the mystery element to the suspense story. Also, the actors play their scenes well… especially Anthony Perkins who seems to have schizophrenia down to a science.

Janet Leigh does well as a confused girl gone bad, (Not so much a good girl because she has hotel rendezvous with a certain non-committal man.) her character Marion Crane, takes a drastic measure in hopes to seal the deal with her boyfriend and things don't work out so well for her. In this process Janet has to act out the famous `shower scene' and does so very well; it has to be difficult to play a naked woman in a distressed situation but the viewer wouldn't guess so from her performance. Anthony Perkins, who plays Norman Bates, also does very well, he is truly an amazing actor. When Anthony plays the actual Norman he's so convincing as a charming young man, as a female viewer it's almost hard to not fall for the boy-next-door facade he puts on; then there is Norman's alter-ego, his other half, that the viewer gains full details about at the conclusion of the film. This alter ego is not displayed until the ending also in a very creepy moment that takes the cake for this performance.

The little clues that Hitchcock places in the story are very subtle but are fun to think about after viewing the movie, for instance, Norman's love for stuffing things and keeping them `alive' so to speak; after watching the film it puts a few more pieces of the puzzle together. Another of Hitchcock's quirks is to show up in his film at random spots, one of which is in front of the business where Marion works. Hitchcock has a hat on and is standing on the sidewalk waiting to cross the street in the scene when Marion comes back from her lunch break. The work scene also displays yet another of Hitchcock's loves: blondes. There are two secretaries in the office, Marion the blonde and her opposite the brunette who doesn't even get named. A very wealthy businessman comes into the workplace and immediately gives his attention to Marion, not only that but her opposite is a complete ditz. She doesn't sound very intelligent and seems very oblivious, especially when she makes the comment that Mr. `Wealthy' must have seen her wedding ring that's why he didn't flirt with her. (When in fact it's obvious that she's NOT very attractive.

All in all this movie was very good, the suspenseful moments are very effective and this viewer found herself plugging her ears and turning her head at some moments. Psycho has received many outstanding reviews and they are justly given, this reviewer would recommend this movie to anyone who enjoys suspenseful movies even if some of the `fight' scenes are a little corny. (It is filmed in the 60's) Just be prepared to avoid motel showers in fear of being `all washed up'.
One of the best horror movies I have seen.
Let's face it, Alfred Hitchcock was a genius! He managed to capture the true demented character of Norman Bates. In the 90's Psycho does not seem to be one of the scariest movies around. But the way Hitchock managed the lighting and camera angles, made it so obvious why this movie became such a hit. I just saw this movie a few months ago, and even then, everyone I watched it with seemed delighted to scream again at the geinius of Alfred Hitchcock.
Into the Abyss with the Master

First the photography exceeding even the best film noir Laura with the most stunning use of shadows even see in a film. Show me a scene like Norman at the swamp shadow covering half of his face in total darkness showing visually exactly what he was half man half monster. This is replicated at the end with the camera on the floor shooting upwards in the chilling "She wouldn't hurt a fly." How to terrify without exploding bodies gushing blood splattering all over if only young filmmakers would study Hitch more what better American films we would have today. The God's eye camera when Aborgast ascends the stairs we see the door open and norman's mother raises the knife high and stabs down we descend the stairs with him. Inside of him see how many examples of that you can find. Even when Marion wakes up in the car on the side of the road, the face of the sinister cop causes even her nascent conscience to terrify her. Look how Hitch shoots the cop so he fills the whole screen with sunglasses the face of God perfect work!!!

Hitch always has fate destroy the evil characters in SHADOW OF A DOUBT uncle charlie loses his balance and falls in front of the train; here Marion while smirking in evil satisfaction how she duped everyone at the real estate office a single raindrop falls wiping her glee off of her face. This begins the concatenation of events that drives her off of the highway to the Bates Motel and her dying stabbed to death in the shower. The wonderful overlooked scene where she begins to lead norman into her room, norman starts to step forward but something makes him retreat to the office and marion looks at him both alarmed and quizzically; she has not been rejected often we see a cloud of worry cross her face.

Perkins gives such a great performance; when marion suggests mom should be put away the volcanic and terrifying eruption of hate so sudden and without warning. People always mean well they cluck their thick tongues and suggest ever so subtly, marion almost leaves here she can see a glimpse of what is inside. What makes the picture work is his performance he gives such believability to the deeply disturbed norman. Marion is by no means a sympathetic character within the mores of the late 50s a woman having an affair with a married man was considered scandalous. Like De Palma's Blow Out with the angel of death towering over nancy allen, hitch like De Palma his disciple, the evil are punished. A sense of impending doom accompanies her as she scurries about changing cars even seeing her boss in the crosswalk. Viewers share her sense of dreadful destiny one step behind her. Yet the single smirk as she laughs at her cleverness is swiftly answered by Hitch with her doom.

The film is with SHADOW OF A DOUBT Hitch's two best films. Even gore sated ADD modern audiences should enjoy it for its wonderful creepiness. Norman is so odd so bizarre his presence on screen is never boring. I consider the use of shadows on norman's face and the interiors to be textbook exceeding the best of the film noir genre OUT OF THE PAST comes close but still hitch knows photography combined with unique camera angles all film students should study this film
Hitchcock's masterpiece is the greatest thriller of all time.
Psycho is a movie with an incredible twist-turned plot that throws the audience's perspective of the film way out of proportion. It is Hitchcock's best, without a doubt. His nervous and jittery Norman Bates is outstanding. If you can guess the ending of this timeless classic, you are considered a genius in my opinion. I have watched this movie a number of times and still find it enjoyable to watch again and again, I also learn something new about the film every time I view it. Look for the various mentions of birds in the film (i.e. Marion Crane, stuffed birds). It is not a scary movie, so don't expect to be terrified of showers or of hotels-maybe this wasn't the case in 1960 though when the movie came out. It is more a thriller or a mystery, one that will still seem unsolved after you learn "who done it". #4 on my all time favorite list. It is excellence, 4 stars. -Jake Klim (jklim007@yahoo.com)
OG horror
Alfred Hitchcock's Psycho is a god tier horror movie and I'd say its probably the best example of classic horror. The story has at this point been told and remixed 1000 different ways over the years but because of Alfred's understanding of human fear and his incredible skill as a director no other film maker can come close to creating as captivating of a psychopath as the infamous Norman Bates (Anthony Perkins). I love the symbolism in the very last scene where Norman sits alone in the chair and claims he'd never hurt a fly. Very clever and unorthodox camera angles keep the viewer on the edge of their seat while watching this film especially during the scenes where Norman attacks his victims and the famous shrieking sound effect begins to play. If you have never seen this movie and enjoy horror movies it is definitely worth watching. Even though compared to current film it may seem dated because of the lack of special effects and computer animation the rawness and great use of music and sound effects by Hitchcock make this slasher flick stand the test of time.
A Chilling Classic.
The first time I saw Psycho, I watched the first 20 minutes and stopped the tape. I thought it was boring. But, alas, I rented it again a few weeks ago and I didn't like it. Didn't like it at all. I bloody loved it! Psycho is a freakin' masterpiece! It is easily Alfred Hitchcock's best film, and it is definitely an unforgettable chilling classic. Anthony Perkins was brilliant as Norman Bates, I will certainly look out for more of his work in the coming months. Janet Leigh was also very impressive, she was a real gem of Psycho.

So, don't make the same mistake I did, watch this classic today, and I guarantee you'll never forget it.

Rating: 10
Timing, Hitchcock made it special.
In reading the comments of some, I think that to have seen Hitchcock's Psycho when it opened in '60, is to fully understand its impact today. It was a masterpiece then and remains a masterpiece today. Superior direction and camera work, and as one person commented, the film was released at a time when [psychological] monsters in the form of the "boy next door," was not explored in films. Yes, Psycho started slow by today's standards, but the style back then was to move from the pleasant familiar to the darkest of horrors. Hitchcock understood how to create atmosphere and mood. His shower scene, while some today wonder what the hoopla is all about, set a standard of horror in an ordinary setting. How many films have copied this scene? I remember as a kid, fearing showers and hotels after seeing this flick. Hitchcock reportedly said that it was a good thing he didn't place Crane on the toilet (sic), or people would have a phobia about toilets. Ironically, in Psycho 3 (?), a character was killed while on the toilet. The remake of two years ago sucked--big time. Hitchcock's Psycho not only had the master at the helm, but it was also a matter of timing in cinema history. Those elements cannot be duplicated.
A horror masterpiece
This is one of the most well-crafted horror film of all time. I can't say much about this film that hasn't already been said, so I'll just say it is eerie, suspenseful, and well-told. With this, Hitchcock became one of the best directors ever. 5/5 stars.
a classic, but hardly Hitch's best
The first time I saw this film I was quite disappointed. So much of it has become cliché in the four decades since its release, including the famous shower scene, Perkins' oedipal relationship with his mother, and even Bernard Herrmann's unsettling score. I had known the identity of Perkins' "mother" even before I saw the film and had to be told by a sibling that the audience was not supposed to be aware of this up to the last. It was like knowing the punch line in advance and not really getting the joke once it was actually told. It is, to be sure, a tribute to Hitchcock that this film has become so much a part of North American popular culture, but the downside is that the element of shock that so affected audiences back in 1960 is almost entirely lost on a later generation of viewers. One thus has to imagine what it would have been like to see it during its first run in the movie theatres.

Had I been there at its opening, I think I would still have judged this film to be inferior to the string of excellent Hitchcock offerings preceding it during the previous decade–from "Strangers on a Train" to "North by Northwest." Why? So much of his previous work had relied on the use of suspense to draw the viewers into the plot. A good thriller builds this up carefully and deliberately until the final climax at or near the end of the film. Good suspense leaves much unstated and works its way subtly into the imagination. It's what you don't see that's the scariest. Think, for example, of the murder in "Rear Window." You hear a crash and a short, shrill scream followed by ominous silence, but you're not really sure what's happened until much later. Here, on the other hand, Hitch kills off his heroine brutally near the beginning of the film, leaving little if anything to the imagination, and largely putting aside the issues we had been misled to think the plot was building up to.

Moreover, despite Hitch's tongue-in-cheek claim that he had intended it as a comedy, there is little of the director's famous humour so much in evidence in the immediately preceding film, "North by Northwest." There is not much humour to be found in shock, while there is great humorous potential in suspense. He should have stuck with suspense and left shock to a lesser director.

I alluded to Herrmann's score. Without it, I think this would have been judged a far less effective film and less the classic it is generally reputed to be. Imagine Leigh driving along the highway without the composer's jittery music in the background–or, perhaps more accurately, the foreground. In such scenes it is the music that almost entirely creates the suspenseful atmosphere. Without it there is nothing of the sort–just Leigh driving and looking in her rear view mirror. Period. Not very scary.

Is it a classic then? It is, insofar as it influenced a whole generation of movie-goers and film makers who sought to imitate it. But on its own merits, I don't think so.
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