Write descriptive essay about Intouchables movie 2011, write an essay of at least 500 words on Intouchables, 5 paragraph essay on Intouchables, definition essay, descriptive essay, dichotomy essay.
Drama, Biography, Comedy
IMDB rating:
Eric Toledano, Olivier Nakache
Clotilde Mollet as Marcelle
Cyril Mendy as Adama
Alba Gaïa Kraghede Bellugi as Elisa (as Alba Gaïa Bellugi)
Thomas Solivéres as Bastien, dit le Plumeau
Dominique Daguier as Amie de Philippe
François Caron as Ami de Philippe
Dorothée Brière as Eléonore (as Dorothée Brière Méritte)
François Cluzet as Philippe
Marie-Laure Descoureaux as Chantal, la femme de chambre
Anne Le Ny as Yvonne
Omar Sy as Driss
Christian Ameri as Albert
Joséphine de Meaux as La DRH société de courses
Audrey Fleurot as Magalie
Storyline: In Paris, the aristocratic and intellectual Philippe is a quadriplegic millionaire who is interviewing candidates for the position of his carer, with his red-haired secretary Magalie. Out of the blue, the rude African Driss cuts the line of candidates and brings a document from the Social Security and asks Phillipe to sign it to prove that he is seeking a job position so he can receive his unemployment benefit. Philippe challenges Driss, offering him a trial period of one month to gain experience helping him. Then Driss can decide whether he would like to stay with him or not. Driss accepts the challenge and moves to the mansion, changing the boring life of Phillipe and his employees.
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Cliché-ridden, artificial
The actors give good performances here but the script, and the movie, ultimately is ridden with clichés and not terribly sympathetic. Anyone paralyzed in this manner deserves sympathy, but if you have a vast fortune, an army of caretakers, and every imaginable comfort and resource you may need less sympathy than some others. Why did the filmmakers transform a North African (Muslim?) caretaker into a Senegalese? Why is this black African's conformity to every cliché -- pot-smoking, violent, rap music, he even dances well -- supposed to be refreshing, either to Philippe or the viewer? So much was simply artificial -- dressing Philippe like a doll, playing with his beard and hair, the caricature of the other applicants, the behavior of the adopted daughter -- or further clichés -- e.g. the police. Mildly amusing at times, way too long, just watchable.
Realistic Grandeur
The Intouchables begins with the disoriented action of an elderly white aristocrat being driven at thrilling pace through Paris in a Maserati by a strikingly tall (Omar Sy), as they devilishly evade arrest following a high-speed police pursuit. The narrative then returns in time to establish this relationship, which cleverly exploits the 'Unlikely friendship' cliché which would otherwise be presumed by the audience as tired before commencement.

The acting of both Francis and Omar combines to carry the realism and humanity upon which this magnificent film is grounded in. The incredibly dynamic portrayal of a mutual sense of humour, which acted as the primary catalyst between Philippe and Driss is testament to the level of artistry deserving of all awards they received for their performance.

Ludovico Einaudi has done a magnificent job at creating a score that not only sounds realistic itself, but brings classical profundity and a very French grandeur in to contrast with the very down-to-earth themes of friendship and raw human nature.

Cinematically flawless, the urban landscape of Driss' hometown becomes equally visually appealing as the aristocratic parties and over-decorated sweeping hallways of Philippe's mansion. Long-lens portraiture on wet Paris streets with dancing Bokeh consistently delivers as cinematography explores both the romance and cold edginess of the city's colour palate.

While The Intouchables delivers in all sections of production and narrative value, the story lacked legitimacy and depth when delving into the life of Driss, and at times felt slightly tokenistic and perhaps too evidently conceived from high-budget production. Despite the lack of a grungy social representation that maybe I wrongly expected, I vote this film as just short of absolute brilliance.
Gorgeous, delightful, funny and a change
A typical, wonderful, french film, full of surprises that grip the mind and the heart, being an Englishman living in France and having a good grip on the French language this film enveloped me like a cozy blanket on the sofa on a Sunday.

The Acting is marvelous, the scripting is genius, and the Paris 'decor' helps to give it a certain romance between the 2 principal actors.

A must see even if you can't understand French get yourself an auto-translator or take some french student with you that can translate "en-direct".

Go watch it!
incredibly funny and heart warming
In these days, in my country, the movie Intouchables is ranked very high in box office. Usually French films are not that popular or familiar in this country's movie industry. Therefore it is quite surprising to see that people are very eager to see Intouchables, a film from France. At first, it was not famous to people at all because promotions were not big for the movie. However, as time goes by, Intouchables is getting bigger and bigger. Almost every person who watched the movie tells to friends or writes review on the internet that Untouchables is a amazing film. And I think that is a real and successful marketing.

I also watched it today, and I definitely recommend this film just like others did to me. So fun, moving, beautiful. While watching the movie, the audiences including me burst into laughter or tears for every single second. very priceless moment.
just awesome movie
I never wish to write a review.......

This move is awesome........It is package of everyone's performance and teamwork.............

everything from starting to end looks good.

music,comedy,drama ........are just loving

I you hear the theme i think not every one dare to watch,, but i recommend just watch it once,,,,,,,

after a long time...there was a good movie.,and performance of actors was just amazing and perfect............... just awesome movie with small touch,,,,,,,,,,,,,
Stop reading this and go rent it
A film that is so beautiful and sad at the same time, it really makes you think about everything: life, love, death and tragedy. I am a big fan of these type of 'minimalistic' movies and in particular, french film so this ticked all the boxes and I'm very glad I stumbled upon this.

The movie grabbed me from the very start, it is a well made title that has a great story line, actors that fitted their roles perfectly, the production is top notch and don't get me started on the soundtrack. 10 out of 10.

I won't go into too much depth but I absolutely loved the relationship between the main characters. They complimented each other very well together (you will understand when you watch it) and the other cast of the mansion too.

Just a masterpiece for film lovers, please watch it.
A Fantastic Life-affirming Comedy
The fantastic, life-affirming comedy Untouchable, from Writer/ Directors Olivier Nakache and Eric Toledano, is a breath of fresh air that surpasses the hype.

From the opening roar of a Maserati pursued by police along the Parisian périphérique, Untouchable captivates. At the wheel Driss, (Omar Sy) a young, Senegalese street hustler, bets his passenger, Philippe (François Cluzet) a middle-aged, bourgeois Parisian, he can escape. Cornered but not defeated, Driss ups the ante to secure a police escort. With Phillippe aping a potentially fatal fit, Driss races to A&E with Earth, Wind and Fire blaring above the attendant sirens.

Flash back to Driss, fresh from a prison stretch, unwelcome at his Mother's overcrowded flat on the sprawling Berlioz housing slum. Living on benefits conditional on attending interviews, Driss applies to care for Philippe, a rich quadriplegic confined to his first arrondissement mansion. Devoid of pity or reverence for Philippe's rarefied world, Driss's open about his motivation optimistically coming on to Magalie (Audrey Fleurot), Philippe's assistant. Although totally unsuitable, Philippe withholds his signature to satisfy the benefit agency. Forced to return, Driss around his expansive quarters and homeless, Driss reluctantly accepts a trial recoiling at the indignities expected of him. Despite initial tantrums and ineptitude, Driss develops an unlikely relationship with Philippe that transforms the entire household.

Untouchable, contrary to the tragic set up, is one of the funniest comedies of the year. Creative collaborators Olivier Nakache and Eric Toledano have produced a string of popular and critical successes since 1995. They took France by storm when Untouchable, based on a true story, was originally released in November 2011. The films worldwide release has broken box office records for a French language film, racked up awards, contending for an Oscar and already scheduled to be remade in English by The Weinstein Company; it will need a brave director to try and live up to the original.

Untouchable's casting is superb. Cluzet plays Philippe, a former adrenalin junkie born to entitlement but paralysed in a paragliding accident and mourning his wife. His performance, with the physical limits of Philippe's condition, is an expressive master class, his comic timing perfect. Sy, who emerged from the working-class suburbs of Paris himself, is authentic and effortlessly charismatic as Driss, the aimless, street smart, opportunist whose overwhelming vitality is infectious.

Their cultural clashes drive the comedy. Philippe fills his life with intellectual stimulation; poetry, art, opera and classical music repressing the physical pleasures he can no longer feel. Directionless and irresponsible, Driss grasps all life has to offer living in the moment and, forgetting or dismissing his employer's disability. For Philippe Berlioz is the great French composer of the 19th Century; to Driss Berlioz is his family's housing project. While Philippe has poetic epistolic relationships, Driss collects hooker's flyers and constantly propositions Magalie. For his birthday Philippe's extended family gather for a dour classical concert but Driss gets them all grooving to Boogie Wonderland.

It's an education for both. The odd couple overcome the barriers of class and race, sharing honesty, humour and contempt for bourgeois pretension. Through Driss' ignorance and innocence, cajoling and challenge, Philippe's rediscovers the pleasures and possibility of life while Driss matures, developing empathy and a knowledge of classical cultural denied his social class.

Untouchable avoids sentimentality touching on the deeper issues of social class and discrimination poignantly reminding the viewer to live life to the fullest and embrace our common humanity.
thrilling and life-changing... :)
Watch it to see what life's all about. Watch it to find out what friendship's all about. Watch it to hear some amazing music. Watch it to see how to live your life even when you think it's too hard sometimes. Watch it if you still don't believe life is wonderful. Watch it if you're bored with your life, if you think there's no point or no hope. Watch it if you've stopped enjoying simple things. The plot is simply thrilling, the acting as well,with a large amount of extremely good humour plus a great deal of equally amazing music. You have to be careful, however, as once you've watched the movie for the first time you will not be able to keep your mind off it and the beautiful music makes it even more difficult... Watch it. :]
This should be your "must see before you die" Film.
I'm not going to write a review, it's more like a recommendation.

I am a projectionist in a little theater/art house cinema and I'm only going to recommend films that both I and the audience in my little cinema loved.

Hopefully we can make it easier for you to choose the next film for you to view.

I shall keep adding to my list more films as time goes on.

If you like my choices then you know where to come for more recommendations.

This film is a 10 out of 10 from the audience and myself.
Amazing and touches your heart
This movie is brilliant. It is about two men from different background, interest, class, and culture developing a close friendship and lighting up each other's world.

It touches your heart, it is not emotional but it takes you on an amazing emotional ride about what it means to be human, dealing with the tragics in life, the things we feel helpless about, anger, fear, passion, love, beauty, intellect, and hope.

It leaves you feeling a mixed of emotions and just speechless.

It is sooooo real, and using Driss's favourite quote, it is "pragmatic" and it is life.

It is also entertaining and funny, from the beginning to the end. The music is amazing, and love the irony about art.

Very smart indeed!!!
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