Write descriptive essay about Gray Lady Down movie 1978, write an essay of at least 500 words on Gray Lady Down, 5 paragraph essay on Gray Lady Down, definition essay, descriptive essay, dichotomy essay.
Gray Lady Down
Drama, Thriller, Adventure, History
IMDB rating:
David Greene
Stacy Keach as Capt. Bennett
Hilly Hicks as Page
Jack Rader as Harkness
Charles Cioffi as Admiral Barnes
William Jordan as Waters
Ronny Cox as Commander Samuelson
Charles Robinson as McAllister (as Charlie Robinson)
Ned Beatty as Mickey
Michael O'Keefe as Harris
David Carradine as Capt. Gates
Charlton Heston as Capt. Paul Blanchard
Dorian Harewood as Fowler
Storyline: The USS Neptune, a nuclear submarine, is sunk off the coast of Connecticut after a collision with a Norwegian cargo ship. The navy must attempt a potentially dangerous rescue in the hope of saving the lives of the crew. Written by Robbie Smith
Type Resolution File Size Codec Bitrate Format
HQ DVD-rip 720x364 px 1149 Mb h264 1453 Kbps mkv Download
Yet another 70s "disaster flick", with a military twist
If you've seen any 70s "disaster flick", you'll know pretty much what to expect in this one: stiff acting, bad special effects, a tense, strained plot with people in charge who make decisions that put other people's lives at risk, pretty much every cliche you've come to expect (and maybe love).

About the most remarkable thing about this film is the cast, which is a pretty impressive lineup. Why the acting is so stiff, I can't say, unless it's the constrictive script and unoriginal dirction (the editing is mediocre, as well).

All in all, this is a pretty average film. Not horrible, not great. It might be worth watching if you particularly enjoy 70s disaster flicks or you can't be bothered to change the channel when it comes on late at night.
Good flick
Used to watch this one stretched out on the deck on the Mess Decks at #%@$%& feet down and hiding from the Russ..... when it first came out. Not the Russ...., the flick. Pretty good. Recommend it. Almost gave it a 9! Pretty good plot, good set. Almost, almost realistic. But it IS a flick. Don't expect too much realism or too little space. The choice of cast is almost as entertaining as the story itself. Just can't get Charleston to stay ON TOP of the water. Walked through it at Sinai on dry ground. Lays on ocean floor UNDER it on continental shelf. Enough tension to keep one's attention but not so much that it makes a joke of "real life" with "Steely Eyed Killers Of The Deep." Better all around flick than Ice Station Zebra or Red Dawn. And no, the reactor does not glow purple or red! Good plot, good acting, and credible effects makes this one a winner.
They don't make them like this anymore!
In my youth the USS Threasher submarine accident occurred off Nantucket. All aboard were killed presumably from an internal pipe failure which caused a loss of power. The Threasher fell backwards and sank beyond it's crush depth cracking like an egg and killing all on board. A disaster!

The U.S. Navy brought in the Trieste, a bathyscaphe to find the sub. The "Trieste" took to find any wreckage finally taking some photos of the sail and the tail of the sub. the Navy learned from this disaster that they needed a small deep diving mini sub to help with future operations and rescues. Hence the "Alvin" and the "DSRV" were developed.

http://www.history.navy.mil/photos/sh-usn/usnsh-t/ssn593.htm Many elements of that story plus the wrecks of the Submarines S-4 (rammed, surviving crew members suffocated) and the "Sqaulus" (open hatch, much of crew rescued) can be seen in this film. It is maybe what was once called a "service picture" but why you would want to join the Navy after seeing this is a little beyond me.

This story is pure Hollywood disaster movie and presents a scenario that probably would not happen or if it did would have resulted in the immediate death of all on the submarine. However, this displays the theory of how modern deep sea rescues would take place and also (all these mini submarines were brand new at the time) displayed some of the technology that would later find the wreaks of the Titanic, the Bismark, the Aircraft Carrier Yorktown, and dozens of other ships.

Charlton Heston is superb and at his peak in this saying those good old "Gee, I wish I could talk like that!" Navy dialog. Having renewed his career with "Planet of the Apes" and "Airport 75", he gives that classic action hero performance that got him paid the "big bucks" of the time. I guess this was his last real action role. I do remember him on the Dick Cavett show promoting this film which was a bit sad because it was a one week wonder, opening and closing around the country as he was doing the interview.

Providing more than adequate acting support are Ronny Cox in one of his early roles as the Exec. So is Stacey "Mike Hammer" Keach, Ned "Squeal like a piggy!" Beatty, and David "Grasshopper" Carradine. It is also the late Christopher "Superman" Reeve's first film. There are also many African American actors as both officers and crewman, something that was still new to American movie audiences.

The special effects are good enough although there are a couple of cheesy underwater scenes. Adding to the unreality the submarine manages to not have it's batteries damaged in the accident, something that would be impossible because the circuit breaker panels all ran thru the compartment that was flooded. In other words, everyone should have been in the dark without any CO2 air scrubbers, heat, or light. It was like camping out with electricity.

Still this is a good piece of entertainment and really gets a discussion going when you have REAL submariners watching it with you. Fun aplenty under those circumstances. Maybe I would tell you how a certain Polaris sub straddled it's crush depth during practice. These things are like planes underwater and just like you can fly too low, you can dive too low! I can recommend this film. It is good entertainment. It is available on DVD and can be had new for less than $6.00.
Benthic Depths
When Egyptian culture was at its height, hieroglyphics included a pictograph of the palm of a hand, fingers outstretched. As Egypt declined over the course of a thousand years, the glyph of the hand grew sloppier and sloppier until it became nothing more than a triangle on its side. This process of repetition, aging, and carelessness is known as decadence. Not to worry about the hand-turned-triangle though. The Phoenicians picked it up and turned it into the letter "D" in our alphabet.

No such luck with the disaster-movie genre. It just got more repetitive, aged, and sloppy until it finally died except for a few horrid gasps during agonal respiration, of which this is an example.

It's not worth going on about, really. The plot is full of holes, beginning with the first few minutes, when a cargo ship whose radar is on the blink in a great fog decides to stay on course and speed anyway. No warning toots of the whistles or anything. Chuck Heston is the captain of a surfaced nuclear submarine returning to New London. His radar has picked up the approaching ship but he decides to plow ahead anyway, or maybe he changes course, the plot is as murky on this point as the all-encompassing fog. What's the distance of the target?, asks Heston. One thousand yards. Then -- BLAM -- it's on top of them and cutting the aft end of the boat off. Those thousand yards take about ten seconds to cover. That's one hundred yards per second, if my pocket calculator isn't lying again.

The characterizations are disjointed. Ronnie Cox is the Executive Officer who suddenly, and without adumbration, begins to skin Heston alive for being a pompous show off. Then the outburst is forgotten and dropped. I don't know why the scene is in there unless it's that the writers figured that every movie about a submarine in distress must have a crew member who goes berserk.

The script gives no hint of Navy protocol. An anonymous seaman hails Heston as he's about to climb a ladder. "Hey, Captain, when are we going to get out of here?" Just like that -- "Hey, Captain." The special effects are poor, usually so dark that it's hard to see what's actually going on. And I don't think there's an unpredictable moment in the movie. We know well ahead of time that SOMEBODY is going to have to die to save the others. In fact, we get two helpings of that.

The acting from the principals is all right. Heston ought to know how to be authoritative by now. And he's given some finely textured performances, even when he's not wearing robes and sandals, as he did in "Will Penny." But he's not really given anything to do because of the multitude of supporting players, and some of them are positively embarrassing.

I hate to say it because I like Heston, a good actor and a man of principle, even if I disagree with some of his later principles. But the truth is, this isn't a very good movie.
God and General Dynamics!
Gray Lady Down is directed by David Greene and collectively adapted to screenplay by James Whittaker, Howard Sackler and Frank P. Rosenberg from the novel Event 1000 written by David Lavallee. It stars Charlton Heston, David Carradine, Stacy Keach, Ned Beatty, Stephen McHattie and Ronny Cox. Music is by Jerry Fielding and cinematography by Stevan Larner.

Hanging onto the coat tails of the Disaster Movie boom of the 70s, Gray Lady Down is pretty much routine. Plot basically finds a nuclear submarine struck by a boat and sunk to the depths of the treacherous ocean floor. The crew, Captained by a bearded and gruff Heston, are naturally also teetering on the edge of doom unless the Navy can pull off a miracle salvage operation and save the day. Enter Carradine and Beatty in a new Thunderbird like device that although untried in reality, may just be up for the job?

Thus from this plot onwards is a role call of robotic characterisations and adherence to the genre's formula. Men in the sub either sweat and be stoic, or crack and be sacrificed, while up above the waves the hierarchy think they know best while Carradine's unconventional Captain Gates knows otherwise. It's all very muscular, even if some of the dialogue came out of a cheese sandwich, and undeniably the effects work is decent and the suspense is pumped up for maximum impact. Yet if you have seen any other Disaster Movie from the 70s you are likely to be jaded with this "Join The Navy" advertisement. 6/10
Good Action Thriller
"Gray Lady Down", which bears very little resemblance to the novel it was based on, is a nice, entertaining action thriller that holds up well today in contrast to today's action films because it's cloaked with a realism and plausibility that today's filmmakers seem determined to avoid like the plague.

An Underrated Gem
A truly wonderful underappreciated gem from the tail-end of the "disaster" films of the 1970s, that was also Charlton Heston's last film as an action lead. What really makes "Gray Lady Down" a terrific film is that unlike the disaster films of the 90s (and some of the bad ones of the 70s), there is an air of believability to the whole thing. We don't see anything extremely outlandish, and we don't see incredible death-defying feats by the leads who then improbably survive such endeavors. Instead, we get a sense of how the real Navy might respond to a crisis like this and the end result proves to be quite gripping.

The cast is great, including Heston as the downed sub's captain, Stacy Keach (minus his usual hairpiece-a rarity) as the squadron commander, and surprisingly David Carradine who after all those years of "Kung Fu" shows that he can handle a different kind of role credibly. Christopher Reeve has a bit part as an officer, and this helped bring him to the attention of the Salkinds when they were looking for candidates for "Superman." Fine score by Jerry Fielding too.

Routine - but watchable - disaster movie

Aspect ratio: 2.39:1 (Panavision)

Sound format: Mono

Whilst heading home on its final voyage, a nuclear submarine is sunk by a careless fishing vessel and lands on a crumbling ledge above a yawning abyss.

Arriving at the tail-end of the 1970's disaster cycle, this half-baked thriller toplines catastrophe stalwart Charlton Heston (going through the motions) as an iron-jawed captain who preserves morale amongst his surviving crewmembers while awaiting rescue by military top brass (including Stacy Keach and David Carradine). Unfortunately, the basic scenario - remarkably similar to another sub-in-peril drama, MORNING DEPARTURE, filmed in 1950 - is fairly humdrum, and once it's been established that the survival of Heston's crew depends on work carried out by a unique exploratory vessel created by Carradine, the plot begins to alternate between non-activity in the sub and endless journeys to and from the stricken vessel by Carradine's miniature craft. TV director David Greene fails to generate much excitement, and the outcome is entirely predictable. Co-stars Ned Beatty and Christopher Reeve were re-teamed later the same year in Reeve's break-out movie, SUPERMAN.
A movie goes aground
For a movie with Charlton Heston, it is unusual bad. The camera work is an imposition. Many of the "underwater" scenes (like the falling rocks) are actually made ashore and you can see that way to obvious. Special effects are cheap. The plot is unreliable. Whenever the "DSRV" connected to the submarine and they opened the hatch, there wasn't even one drop of water coming down. The story is unnecessarily stretched to the point it hurts. At least in the last half hour it gets a bit better. The overall acting sways between weak and average. It's the first movie I had to give a bad rating and it was a disappointment.

I normally enjoy movies with Charlton Heston. In this one it was really hard to just sit about one and a half hours and watch it till the end. But you can't judge a movie when you haven't seen it all.

My suggestion is: skip this one.
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