Write descriptive essay about Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb movie 1964, write an essay of at least 500 words on Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, 5 paragraph essay on Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, definition essay, descriptive essay, dichotomy essay.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Year:
1964
Country:
UK
Genre:
Drama, Thriller, Comedy
IMDB rating:
8.5
Director:
Stanley Kubrick
Peter Sellers as Group Captain Lionel Mandrake
George C. Scott as General 'Buck' Turgidson
Sterling Hayden as Brigadier General Jack Ripper
Keenan Wynn as Colonel 'Bat' Guano
Slim Pickens as Major 'King' Kong
Peter Bull as Russian Ambassador Alexi de Sadesky
James Earl Jones as Lieutenant Lothar Zogg
Tracy Reed as Miss Scott
Jack Creley as Mr. Staines
Frank Berry as Lieutenant Dietrich
Robert O'Neil as Admiral Randolph
Glenn Beck as Lieutenant Kivel (as Glen Beck)
Roy Stephens as Frank
Shane Rimmer as Captain 'Ace' Owens
Hal Galili as Burpelson AFB Defense Team Member
Jack Creley as Mr. Staines
Storyline: Paranoid Brigadier General Jack D. Ripper of Burpelson Air Force Base, he believing that fluoridation of the American water supply is a Soviet plot to poison the U.S. populace, is able to deploy through a back door mechanism a nuclear attack on the Soviet Union without the knowledge of his superiors, including the Chair of the Joint Chiefs of Staff, General Buck Turgidson, and President Merkin Muffley. Only Ripper knows the code to recall the B-52 bombers and he has shut down communication in and out of Burpelson as a measure to protect this attack. Ripper's executive officer, RAF Group Captain Lionel Mandrake (on exchange from Britain), who is being held at Burpelson by Ripper, believes he knows the recall codes if he can only get a message to the outside world. Meanwhile at the Pentagon War Room, key persons including Muffley, Turgidson and nuclear scientist and adviser, a former Nazi named Dr...
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Reviews
"WE MUST NOT ALLOW A MINE SHAFT GAP!!!"
Pitch black comedy that finds humor in the unimaginable, due to its outstanding direction, great performances and tight, witty script. This is director Stanley Kubrick, at his best. The use of tight angles, eerie B&W photography and great pacing are key assets. The menacing aspect of such a situation, treated with such over the top style by Kubrick, will solidify this film as "one to watch" for generations to come.

The performances are super, with Scott and Sellers leading the way. The script is a stellar piece of brilliance by Kubrick, Terry Southern and Peter George (who wrote the original novel). The balance of subtlety and mind-zinging absurdity empowers a raw, distinctive genius to the screenplay.

Those who don't pay much attention to the dialogue, will be crinkling their noses and mumbling, "What's so funny?" The intensity of this farce lies as much with the spoken word, as it does the physical. The humor pokes fun at bureaucracy, blind patriotic zeal, hypocrisy and human nature.

DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB was courageous, landmark film making for it's time. The USAF was going to cooperate with the making, until the brass read the script. It was simply too much for sterile defense department types, which alone should let you know, it's a great movie. A definite classic, worth ringing up the boss to call in sick for.

Highly recommended.
2002-06-19
so sad
This is a sad movie. You won't be depressed while watching it; you'll be too busy laughing you head off. The sad thing is, that a movie about nuclear holocaust could be so funny. I could imagine this happening 15 years ago, which is frightening. Sellers (in 3 roles), Scott, and Pickens (playing it as a drama) are tops of the great all around cast. Pickens on the bull and Dr. Strangelove's first appearance are classic moments in a classic movie. 10/10
2003-08-28
A brilliant, satirical, and black comedy for the ages.
Stanley Kubrick's political masterpiece "Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb" is a brilliant satire on the cold war as we follow absurd characters trying to deal with a rogue general and his order to bomb the enemy. While this isn't Kubrick's first impressive work, this one did separate himself as a filmmaker who genuinely and courageously follows his vision without much regard for outside opinion or public reaction.

A daring and controversial picture, "Dr. Strangelove" is a satirical and darkly comical take on a potentially genocidal war which could understandably anger audience members at the time. The film is filled with situational, tonal, cosmic, and dramatic irony that make this film anything but a casual time at the movies. In fact, it's best to see this film more than two or three times to pick up on new jokes and humor that normally go unnoticed.

Peter Sellers and George C. Scott offer ridiculous and characterized performances that feel so cartoonish we can't help but laugh. Together, they paint this picture of politics in the most absurd way. Yet at the same time, we feel that it could be plausible given the clearly defined character needs and wants. Kubrick helps us believe in the characters (notwithstanding their unbelievable behavior) by placing them in relatable circumstances and exposing them for their basic human needs and desires despite being in grave danger: survival and sex. Yes, the drive to survive and the constant subtle and obvious situations of reproducing as a means of not only distraction, but actual motivation for characters.

"Dr. Strangelove" remains a brilliant satirical piece that's wonderfully written, engaging, and eternally re-watchable. While the humor may be too subtle for most audiences to pick up on first viewing, "Dr. Strangelove" deserves a chance by the new generation of moviegoers. It's fantastic and while not easily accessible to everyone, worth the effort to try and understand because it will not disappoint.
2017-10-04
The longest running film in my collection
There is not a lot else I can say about how good this film is that has not already been said in other reviews here.

Suffice to say I got a copy of this film about 12 years ago, and I have watched it at least once a month since then. The dialogue, acting and directing is just as sharp after the 50th viewing, and the film becomes funnier as well. One cannot notice everything this film has to offer on the first or even second viewing.

cheers
2002-06-20
A classic by a genius
This classic by Stanley Kubrick is not only a cracking good story but reflects the times in which it was released. A stellar cast combined with silky black and white production, this film has so much going for it, it is hard to know where to begin. This is satire at its best. Each fully developed character is played with gusto, especially Peter Sellers who has no fewer than three roles. George C. Scott as General Buck Turgeson is also granted some terrific lines that he delivers with a almost child like awareness, completely oblivious of the import of what he is saying. The film switches between artfully crafted, beautiful composed cinematography and a rugged hand held documentary style. There are scenes in a b-52 bomber that are so realistic that you feel you are right in the airplane. Anyone who wants to see a group of actors and a brilliant director, all at the top of their game, will enjoy this movie.
2016-02-02
...I don't get it
Yeah. It was funny. It was entertaining. It's not a bad movie by any means. I think Kubrick did a great job with the visuals and the settings.

Beyond that, it's not very dramatic or suspenseful. There's not much depth or intellect. I laughed modestly a few times, but mostly, the humor consists of lazy military stereotypes. The premise was interesting. I could've done with less cockpit and gun firing scenes. Perhaps the general and his descent into madness could've used more fleshing out. I don't know. It feels like it's missing something.

Maybe it's one of these meme movies like Napoleon Dynamite that you either "get" or you don't.
2016-05-16
As funny and as sharp and as relevant as it was almost 40 years ago
When US General Jack D. Ripper orders wing attack plan R into operation he sets his plane on an irrecoverable bombing run into Russia. Powerless to stop them with the relevant three letter access code the President of America and his advisors plan to warn Russia as best they can to prevent as many of the planes reaching their targets as possible. However when the Russian Ambassador warns of the doomsday machine – a machine that will destroy all life on earth in response to a nuclear attack things become desperate. With one plane making a desperate run to it's target things look bleak.

Now well respected as a superb satire on the arms race this is one of my favourite Kubrick films. It is less cold than some of this later work and is genuinely funny without losing it's point. The story focuses on three main areas of the attack – the military base where one crazed man launches the attack, the war room at the pentagon and the plane making the bombing run. All these have comedy inherent in them – although thew war room is by far the best. The story is an satire on the futility and danger of the nuclear deterrent while also scattered with fantastic dialogue. It may not sound funny but trust me – it is.

The characters are all great and well done by the cast. Peter Sellers excels in each of his roles and shows his quality. As Mandrake he is funny in a very British way, as The President he has great one sided conversations with his Russian counterpart as well as great dialogue including the legendary `Gentlemen you can't fight in here – this is the war room'. However as Dr Strangelove he is hilarious – the character himself is a swipe at those who change political sides but maybe still hold onto their old ideologies. Sterling Hayden is great as General Ripper – he delivers his madness with a straight face throughout (or maybe no-one told him it was a comedy!). Slim Pickens is good and has the most famous scene from the film that has been copied in many things including Homer's fantasy in The Simpsons. However for me the standout is George C. Scott – not exactly a comedy actor he is frantic and over the top with his communist paranoia.

Overall this is a classic and deserves to be. It is sharp today as it was then and even more relevant. The comedy is still fresh and the dialogue is great – quite simply, when Scott implores the president to act quickly as `we must not have a mineshaft gap!' then you've arrived!
2002-06-09
Sheer Genius
Dr. Strangelove was a film that changed the way I looked at movies. I had just started to get more interested in movies at the time, and my roommate had the DVD and I was interested, so I popped it in, and it changed the way I looked at film.

Watching Dr. Strangelove, I experienced emotions that I had never experienced before while watching film. It was gripping. I was physically distraught at the thought that one man's foolish actions could destroy the world, and even watching it without growing up in the Cold War, I still felt fear at the thought that a pitiless machine could right then destroy life as I knew it. But despite this anxiety, I still laughed several times during the film. It was the best of satire, portraying something as both real and absurd.

No film is perfect, though, and some parts do move slower, and some juxtaposition by George C. Scott is a little grating and predictable. But despite all that, I would highly recommend this movie to any film lover.
2017-09-16
My favorite movie of all time, bar none
One of the funniest and yet most poignant movies I have ever seen. Kubrick is at his best here, as usual showing what can happen when a finely tuned system built by humans (in this case, the tremendous infrastructure of Mutually Assured Destruction) just doesn't work. As usual, Kubrick's point is that the system is only as good as the people running it, and here the people running it are hilariously bad. Career-peak performances by George C. Scott, Slim Pickens, and of course Peter Sellers, Peter Sellers and Peter Sellers.

Despite many of this movie's hilarious moments having entered general popular culture, when you watch it they are still funny enough to make you laugh out loud. And there are yet many more comic gems to delight the unfamiliar viewer. I've seen Strangelove twice in theaters in the last couple of years ... I was stunned to find packed audiences screaming with laughter and delighted to learn that I'm not the only one who finds it hilarious, even decades after filming.
2002-06-07
The Absurdity of War
Looking back on all the films I've seen, I can't think of any movie that's as genuinely fun to watch as this Stanley Kubrick masterwork. Through its goofy, over-the-top characters, the film examines the absurdity of war while letting its viewer laugh at its utter pointlessness.

"Dr. Strangelove" focuses on the possibility of nuclear Armageddon. A psychotic air commander, General Ripper, sends all bombers of his wing to attack Russia. He believes that the Soviets are attempting to fluoridate U.S. water in order to degrade bodily fluids, thereby, not allowing Americans to reproduce. The film cuts between three different settings: (1) One of Ripper's B-52 bombers, (2) Ripper's locked office, in which his second-in-command officer Captain Mandrake desperately tries to figure out the recall code for the planes, and (3) the Pentagon's underground war room, in which the President and his staff try to keep the conflict from getting out of hand.

Kubrick directs flawlessly, as usual, but the greatest asset of the film is its cast. George C. Scott is unforgettable in the role of Buck Turgidson, an excitable, anti-Communist, gung-ho general. It probably helps that he is given so many of the movie's most memorable lines, but his dialogue delivery and facial expressions are simply hilarious. Think of the scene in which the idea of the Doomsday Device is presented by the Russian ambassador. Turgidson declares it to be "an obvious Commie trick" while walking backwards. Then he suddenly falls down, somersaults, and lands on his feet. Scott didn't fall intentionally, but he continued to recite his lines as he was rolling on the floor. It's a hysterically funny moment, but it's even more amazing to think that it wasn't even planned.

Peter Sellers takes on three completely different roles with unique accents and mannerisms. His performances as President Muffley and Captain Mandrake are brilliant in how restrained they are, and in how well he plays off of the nutcases (including himself as the title character) around him. His scenes with Turgidson in the war room are ingenious, as are his telephone conversations with the Russian leader, but he does his most memorable work when the character Mandrake is being ordered around by the idiotic Colonel "Bat Guano". Keenan Wynn, as Guano, displays perfect comic timing, and the combination of these two actors is impeccable. Sterling Hayden, Peter Bull, and Slim Pickens are also mesmerizing in their roles.

"Dr. Strangelove" is an undeniably funny and entertaining film, but it also has moments of beauty. For example, the opening credits with the planes drifting through the air with the tune of "Try a Little Tenderness". Or the famous image of Major Kong riding a nuclear missile towards its target. The final montage of H-bomb mushroom clouds set to "We'll Meet Again" (an idea suggested by Peter Sellers) is among the most sublimely magnificent moments I've seen in a movie.

Kubrick does a good job of summing up the spirit of "Dr. Strangelove": "After all, what could be more absurd than the very idea of two mega-powers willing to wipe out all human life because of an accident, spiced up by political differences that will seem as meaningless to people a hundred years from now as the theological conflicts of the Middle Ages appear to us today?"
2002-08-01
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