Write descriptive essay about Downfall movie 2004, write an essay of at least 500 words on Downfall, 5 paragraph essay on Downfall, definition essay, descriptive essay, dichotomy essay.
Italy, Germany, Austria
Drama, Biography, History, War
IMDB rating:
Oliver Hirschbiegel
Bruno Ganz as Adolf Hitler
Alexandra Maria Lara as Traudl Junge
Corinna Harfouch as Magda Goebbels
Ulrich Matthes as Joseph Goebbels
Juliane Köhler as Eva Braun
Heino Ferch as Albert Speer
Christian Berkel as Prof. Dr. Ernst-Günter Schenck
Matthias Habich as Prof. Dr. Werner Haase
Thomas Kretschmann as SS-Gruppenführer Hermann Fegelein
Michael Mendl as General der Artillerie Helmuth Weidling
André Hennicke as SS-Brigadeführer Wilhelm Mohnke
Ulrich Noethen as Reichsführer SS Heinrich Himmler
Birgit Minichmayr as Gerda Christian
Rolf Kanies as General der Infanterie Hans Krebs
Storyline: Traudl Junge, the final secretary for Adolf Hitler, tells of the Nazi dictator's final days in his Berlin bunker at the end of WWII.
Type Resolution File Size Codec Bitrate Format
720p 1280x720 px 9445 Mb h264 N/A mkv Download
HQ DVD-rip 576x320 px 1394 Mb mpeg4 1082 Kbps avi Download
The Passion of the Anti-Christ
I call this the "Passion of the Anti-Christ" because there are, although strained, similarities in how this movie effect me.

This movie is about a character from history that is larger than history. Hitler has become a symbol of evil, and certainly I am not the first person to place Adolf Hitler as the ultimate nemesis anti-Christ. But this is the surface of this movie.

Underneath, this movie is about the German people. The ability of one man to take advantage of the post-WWI trauma of a culture and manipulate it until the lines of compassion and inhumanity become blurred. Conformity and hypocrisy were not the only traits of the German people.

I have always been unable to create a scenario in which I could see how anyone could justify Hilter's world as a good thing. Even with the fear of the power of the Nazi party, the end of war should have given those with fear of the government should have been emboldened.

But this portrayal creates a very real world. There were those in Hitler's inner circle who were fanatical followers, but that was not true of everyone. What we do see is a culture who in its last days floundered to grasp onto any hope-- hope to keep out the Russians, hope to keep the national pride that Hitler brought them from the ashes of a great depression, and the hope that the continued blind faith they gave to the "Fuhrer" would take them through.

It was amazing that even in the last hours of Hitler's life the power he commanded. Even in his seemingly "normal" understated life those closest to him worshiped him.

In his "work life," generals would bicker and plead with their leader on the last moments to end the insanity, but never once disobeyed an order, even when it was to submit themselves to be shot.

Just like "the Passion," there is a message there that is important to us as humans. It is a warning about the tragedy of man and our ability to give our free will up in exchange for group think. It is also a message that evil is only the face of the movement, and that the people behind the mask are just like you and me.

The fact that anyone has the potential to be evil. Even worse, that we can all delude ourselves that the horror within can easily be confused for passion, loyalty, and good.

It is a hard movie to watch, because it is so well done that it is easy to look past the iconic mustache, swastikas and clicking heels and look at a people much like ourselves and think "There but by the grace of God go I."
Cinema at its best
It may not be entertaining, Leo Di Caprio may not be in it, there may be no no melodrama, no fake emotions, no Hollywoodisation of History for American audiences, but Der Untergang is certainly one of the best period films ever. Hitler, the most odious figure in History, is portrayed not in a sympathetic way but as he was: a man, persuaded that he was doing the right thing; with painstaking realism, and aided by one of the most riveting performances ever, the film shows us that there is a monster inside every one of us, living side by side with more gentle traits. Superlative acting, awesome script, overwhelming presentation of the subject matter: a near-perfect cinematic experience.
A mesmerizing experience and one that will hopefully remind people all over the world that history may never repeat itself!
All I can say about "Der Untergang" is: WOW! This is one of those rare films that prove that the darkest pages in our world history easily surpass the fiction tales of the most imaginative fantasist. This soon-to-be landmark in cinema portrays the final ten days of Hitler's reign at the well hidden bunker in Berlin. In the opening sequences, we see how the Führer hires Traudl Junge (flawless performance by Alexandra Maria Lara) as his personal secretary and we largely witness the rest of the story from her viewpoint. Recent documentary footage with the real Junge is showed to audience at the end of the movie, stressing even more that this is a very intelligent and carefully elaborated production. A form of criticism I often encountered stated that Hitler was portrayed too "human" by the Swiss actor Bruno Ganz. Let me tell you that people who claim this haven't got the slightest clue what they're talking about! It's true that Hitler sometimes strokes his dog…or even gives a compliment to his servant for cooking him such a lovely dinner! But only moments after, you're exposed to the real Hitler again! Alternately a mad-raving dictator, a disillusioned conqueror or simply a pathetic old man. But perhaps the most astonishing scenes in "Der Untergang" are the ones in which the persons close to Hitler – either professional or amicable – remain unconditionally loyal to him! It is deeply disturbing to behold how so many people blindly swear by the unworldly beliefs of a madman, even prepared to follow him into death. This accurate portrait results in a series of brilliant sequences with the severely shocking fate of the Goebbels family as an absolute highlight.

Purely talking in terms of cinema, "Der Untergang" comes dangerously close to perfection as well. The largest part of this film exists out of interior shots, more specifically the bunker-network where Hitler lasted his final days and eventually committed suicide. And the atmosphere inside this bunker is reflected on the movie-screen as genuine as humanly possible. You can nearly smell the fear of the lower-ranked officers! You can almost feel the shivering of the petrified secretaries! I really hate using a cliché sentence like this but…it's true…it's like you are there yourself! And you don't want to be there! Even the totally demolished streets of Berlin looks look more appealing than the claustrophobic Nazi bunker. This despicable chapter in history deserves an accurate and well-budgeted cinema version, if only just for passing on the inglorious stories of WWII to younger generations. Director Oliver Hirschbiegel terrifically turned Joachim Fest's novel into a mesmerizing film experience. Perhaps the most praiseworthy aspect about it all is that "Der Untergang" simply is a reconstruction of the facts! No lame and amateurish attempts to blame Hitler's actions on miserable childhoods or traumatizing experiences. Simply put: this is fundamental viewing!
Important for our understanding of How It All Could Happen
This is an important film and absolutely a must for anyone who has ever pondered how WWII, the Holocaust and all that was at all possible.

Der Untergang has sometimes been criticized for making Hitler and the Nazis look sympathetic and human. I saw it like this: the most horrifying thing about Hitler and Nazis is that they WERE humans, not some caricature monsters of hell. The movie displays this very well, without sympathizing or underlining the evil of these human beings.

If you're a human being equipped with normal feelings, you ARE right in feeling slightly compassionate towards a crying Hitler. But at the same time, if you're a normal person, your compassion vanishes when you remember why he's crying. He's not regretting his inhuman deeds. He's not feeling remorse for the suffering of other people. He's crying because his horrible plans have failed, because he thinks the German people have failed him.

I also think Der Untergang points out an important thing about the Nazi ideology. It was and is evil because it is based on intense hate and the conscious rejection of compassion. People blinded by this kind of ideology are also blinded by hatred, and as we know this phenomenon is unfortunately alive and well in today's world, in the East and the West as well. Movies like Der Untergang give us an important lesson in understanding this dangerous way of thought and the utter madness and vanity of war. Go see this if you can.
One of the best WWII films ever made, brilliantly depicting the turmoil of the Third Reich's last days.
I admit that I only heard of this movie through watching Youtube spoofs of Hitler's tirade scene, but the film interested me so much that I had to see for myself. I only EVER give reviews to movies which I feel are either terrible or extraordinary. This movie was the latter. It is by far one of the best WWII films ever made, and the best made in the 21st century.

I was blown away when I finished the film, stunned by its visual effect quality, precise acting, and near perfect play-out of the plot. The film shows the tumultuous and rocky end of the Reich's last 12 days, as you witness the end of Hitler's empire in his very bunker. The screenplay gives marvelous insight into the inner conflict that the Fuhrer himself suffers as well as the conflict with his most loyal commanders and generals. Seeing the story from the eyes of Traudl Junge (played by the beautiful and talented Alexandra Maria Lara)is another special treat, as you see her own struggle between loyalty to the Reich and personal conscience.

The film is by far superior to many of its "end-of-the-Reich" predecessors. For its brilliant screenplay, superb acting, and intense storytelling, it gets a 10 from me.
This Historian is awed by the effort for accuracy
I teach a college course on WWII, in graduate school studied under several experts on the subject and have interviewed numerous survivors on both sides. This film comes out on top, perhaps the finest ever made on the subject of the war (though the Belorussian "Come and See" & "Schindler's List" are darn close as well).

I had the remarkable experience of watching this film last night with two veterans, one a GI who fought from Omaha to Czechoslovakia. . .and a German infantry officer, a veteran of four years on the Eastern Front. The German, who met Hitler several times, within minutes was exclaiming over the historical accuracy, right down to "Hitler's" lower class Munich accent. . .something an American audience would never pick up on. My German friend, who at the end of the war was in East Prussia, in the debacle of attempting to evacuate over a million civilians ahead of the Russians, was profoundly shaken by the film. . .saying the horror, the hospital scenes, the utter chaos, the lynchings, the sight of 12 year old children fighting. . .all of it was real. And an interesting observation by him. . .he had no idea Berlin, at the end, had been as bad as what he witnessed along the Baltic coast and is still haunted by. It truly was "Gotterdammerung" for an entire nation and this film brings it frightfully close to you. If you are a parent of small children, the terrifying ending for the Goebbel's children is an absolutely searing nightmare.

I think the most important point of the film was the portrayal of Hitler. . .not as the stereotyped raving madman, usually overplayed like a bad performance of King Richard, but far more subtle. I've talked with many who knew Hitler, including a childhood playmate of Helga, Goebbel's oldest child, and all will tell you that Hitler could be absolutely charming, focused on you, even courtly when with women. The terror is, that even as the actor shows us that "human" side, in his soft voice he is dictating orders, observations, and comments of absolute evil. The true form of evil rarely looks evil on the surface, it seduces us with a fair face as it leads, sometimes an entire nation, into damnation. THis film captured that evil.

My German friend's comment at the end of the movie. . ."I still can not believe we fought for that monster for six years."

A history professor at Montreat College
An instant classic!
I don't read into history that much, but I was fascinated by this movie and the subtle and convincing acting.

A great movie will make you think about the theme and characters for weeks, and that's exactly what this movie does; I even went so far as too research Blondi, Hitler's dog.

The character development between Frau Jungdl and the young German boy puts a semi-positive spin on the saga. When the Germans admit to themselves they are beaten, one can see the base of human emotion and circumstance in the characters, and relate to them.

Engrossed in the movie and the flawless character portrayals, I actually felt bad for the Germans and in my American brazenness, wanted them to fight back! Overall, a superb movie with replay value and historical accuracies.
A German opinion....
First of all, because I think it matters, I am from Germany.

Almost everyday in our lives, we young German people are still confronted with what happened 60 years ago. Sometimes, we still have to be careful what we say about strangers, about people of foreign countries, about people of a different religion. 60 years after our grandparents made a few terrible mistakes. So far, so good. My generation has no idea, what it has meant to live in the 3rd Reich, how people could follow a sick man like Hitler, follow his pervert ideas, obey anything this mentally insane man. But still we have to carry our heritage, every day we have to remember what happened 60 years ago. We have to. And films like Downfall, Schindlers List or The Pianist let us not forget, let us learn and remember. And that's why movies like Downfall are necessary, are important. Especially, if they of such great quality as this one. Only in one point this film is dangerous: It creates a picture of Hitler as a man, not as a monster. A sick man, a man with pervert ideas attitudes, okay, but a man who can also be polite and regarding. A human being. It is no question, that this is an almost perfect personification of Hitler, Bruno Ganz is amazing and the scriptwriters were brilliantly informed about the Fuehrer as a person. But as I said, some people who still have these radical ideas and see Hitler as a God-like figure (and they exist, not only in Germany!) might misunderstand this personification. "Der Untergang"is a masterpiece of German cinema, but it is nothing for a narrow-minded audience....
der Untergang - the donwfall of Hitler and his third Reich
If anything was horrifying, it must have been the years in which Hitler reigned over Germany, especially during World War II. Nothing has been more commented on, almost everybody knows what happened during his reign. So when people decided that movies ought to be made to show us the hows, whens and whats, these were made. Unfortunately, Nazi-Germans spoke English, as they were played by Americans and Englishmen. It was very easy to qualify the German people as 'evil'. Now, after 60 years, we see the story from the inside. Little by little we understand that the German people suffered as much as anybody suffered from the terror used by the Nazi-regime. Bruno Ganz may well have played the role of his life, I have never seen an actor playing Hitler so realistically, showing him being normal, frightening, aggressive and mad. This movie, showing the WWII from a non-allied point of view, is a must for all those who easily speak of Germans, when they mean Nazis.
A truer rendition of Hitler I've never seen...
Not since perhaps Rod Steiger's portrayal of Benito Mussolini in Moustapha Akkad's LION OF THE DESERT (1980) have I seen a notorious dictator more realistically acted than Bruno Ganz's stunning display as "Der Fuerer" in The Downfall (2004).

Sitting amongst a full-house of patrons here at the Toronto Int'l Film Festival's 2004 edition, Ganz captivated the local audience with the scariest Hitler I've ever seen up on the silver screen -- better than Noah Taylor's English Hitler in MAX just a couple of years back.

Audience members get a glimpse into the final days of Hitler's rule from the bunker deep beneath the Reich Chancellery in Nazi Berlin's dying days. The defeated spirit of the Nazis -- covered extensively in the history books -- has seldomly been more penetratingly shown on the Big Screen. Bravo to director Oliver Hirschbiegel for doing this the right (German) way -- for intrepidly tackling a period piece few German producers might.

I'd had a chance to chat with the actors post-screening, with lead actress Alexandra Maria Lara (playing Traudl Junge) candidly admitting the sheer amount of work she'd diligently invested in bringing her character to life -- doubtless complicated by the death of Frau Junge in 2002. Her research, however, was clearly impeccable and left no stone unturned. Corinna Harfouch wasn't on hand -- as Magda Goebbels. Pity because in many respects, she convincingly stole the show.

So rarely do we see Hitler on screen in modern days to allow us a glimpse into the horrifying nature of a madman bent on global domination. We all know the end of this story, but seldom does a film so masterfully suspend your disbelief than does The Downfall in making you wonder just how the Third Reich might end. Historical fiction might never be the same.
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