Write descriptive essay about All About Eve movie 1950, write an essay of at least 500 words on All About Eve, 5 paragraph essay on All About Eve, definition essay, descriptive essay, dichotomy essay.
All About Eve
IMDB rating:
Joseph L. Mankiewicz
Bette Davis as Margo
George Sanders as Addison DeWitt
Celeste Holm as Karen
Gary Merrill as Bill Simpson
Hugh Marlowe as Lloyd Richards
Gregory Ratoff as Max Fabian
Barbara Bates as Phoebe
Marilyn Monroe as Miss Casswell
Thelma Ritter as Birdie
Walter Hampden as Aged Actor
Randy Stuart as Eve's Pal on Telephone
Craig Hill as Leading Man in 'Footsteps on the Ceiling'
Leland Harris as Doorman
Storyline: Aspiring actress Eve Harrington maneuvers her way into the lives of Broadway star Margo Channing, playwright Lloyd Richards and director Bill Sampson. This classic story of ambition and betrayal has become part of American folklore. Bette Davis claims to have based her character on the persona of film actress Talullah Bankhead. Davis' line "Fasten your seatbelts, it's going to be a bumpy night" is legendary, but, in fact, all of the film's dialog sparkles with equal brilliance.
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If Looks Could Kill... (And They Probably Will)
(Movie quote) - "Let's not get over-dramatic!"

To me, if there was one thing that actress, Bette Davis, definitely could not project, believably, on screen.... That one thing would have to be honest-to-goodness "sex appeal".

Like, I don't know about you other guys - But, for me, Davis (bulldog jowls, and all) projected about as much sexual allure as that of week-old roadkill. I ain't kidding. That woman was a real dog.

And if "All About Eve" was really supposed to be a realistic, behind-the-scenes look at the NYC Theatre Set (of the early-1950s), then working in that environment truly must've been one of the most horrible places in the entire world to be employed.

I thought that all of the hate, the jealousy, the treachery, the back-stabbing, and the sneering cynicism that certainly prevailed throughout "All About Eve" to certainly be enough to cure anyone (in their right mind) of ever wanting to pursue a career in this line of work - Ever. But, with that said - Are actors really considered to be in their "right mind" in the first place?

Anyway - Even though this 65-year-old, b&w movie had its fair share of good points, as well as its not-so-good points, I still say that it was well-worth a view in spite of its flukes and flaws.

*Trivia Note* - I think it's kinda interesting to note that actress Anne Baxter was the grand-daughter of famed architect, Frank Lloyd Wright.
Great Movie
Great movie with rich dialog and acting. The movie was kind of predictable the way that it started. You know the outcome of the movie from the beginning and the curiosity will drag you down till the end to figure out how that happened.

This movie shows publicity and fame within theater and movie are the main nature that drives some actor and actress and they are willing to do what ever it takes to reach to the top using all people as a means to become celebrity.
A Suggested Perspective
No need to recap the plot or echo consensus points. Instead I want to make a suggestion on how to take the story's crux. Generally the story holds up pretty well after six decades. In my book, that's because Eve (Baxter) amounts to a compelling portrait in perverse psychology, quite apart from a show-biz setting. Eve literally connives her way to the top of the Broadway heap by shrewdly separating an outer poor-little-me from an inner backstabbing-schemer. To me, her perverse character can unfortunately be found in many walks of life. Here her scheming makes good dramatic use of a competitive Broadway setting, but can also be found outside that high profile venue.

I agree with most of the positive remarks about the film. But I can also understand why some folks find the lack of action and snobbish setting off-putting. That's one reason I've emphasized that Eve represents a broader personality type rather than just a single movie character. So if you don't like the movie's context, you may still find Eve's personality type interesting-- the type whose inner person separates from the outer for purely selfish reasons, which Eve represents in spades
Unforgettable Characters, Writing, and Acting
The fact that "All About Eve" features one of the great Bette Davis's very best performances would in itself be enough to recommend it highly. Add in a host of other great actors and characters, with some of the best writing to be found in any movie, and the result is one of the greatest movies of all time, which most viewers remember long afterwards.

The basic story is fairly simple - at the beginning, we see young actress Eve Harrington (Anne Baxter) receiving a prestigious award, and for most of the film we go back to watch her rise to the top, mostly as seen through the eyes of those around her. Davis plays Margo Channing, who is Eve's role model, a great but now older actress who both affects and is affected by young Eve's career.

There is a wonderful collection of characters, each with distinctive and interesting personalities. Their relationships with each other are fascinating, and the film makes full use of their potential. The dialogue is terrific, and the cast does it full justice. The characters and their lines are all perfect for the performers who portray them - George Sanders as the cynical and calculating columnist, Gary Merrill as the high-strung director, Hugh Marlowe as the sophisticated playwright, and so on through the entire outstanding cast. After watching this movie, whenever you see any of these actors again you may well think of them in these roles.

"All About Eve" is a testimony to how great a movie can be when it is based simply on the important basics of writing, acting, and directing. Anyone who enjoys older movies, or who appreciates good theater of any kind, will find that it is as good or better each time that you watch it.

It's going to be a BETTE night....
All About Eve is an excellent film in every aspect. The 14 Oscar nominations, and six wins, testify to this. For 47 years EVE held the record for most nominations -- in 1997 Titanic matched the 14 nominations. Bette Davis was awarded the New York Critics Award once in her 58 year career -- and it was for this film. Marilyn Monroe, Thelma Ritter and Celeste Holms gave terrific supporting performances while Anne Baxter kept up with the great Bette every frame of the way. It was Bette's eighth nomination, and sixth loss; Judy Holiday won for Born Yesterday, beating two legends -- Gloria Swanson was also nominated that year for Sunset Blvd. All About Eve was the first film to be released after Bette ended her 18 years with Warner Brothers. For a moment she was back on top of the world, only to find disappointment throughout the 50's with choices and offerings in Hollywood. The writing by Mankiewicz and supporting performance by George Saunders would alone make the film worth viewing -- A NEAR PEFECT FILM!
Well Before Its Time
This best picture award winner is an excellent classic drama film. The writing and dialog within this film is great. Even with such a serious topic, it is incredibly funny and engaging overall. In addition to its engaging plot, it's a visually beautiful film even though it's in black and white. With its setting within the theater, the acting is not only of high quality, but also very over the top in nature. I'm not the standard audience for a film of this nature, but I found myself very engaged throughout and the well over 2 hour running time didn't bother me in the least. Its engaging theme of homosexuality makes it incredibly topical and progressive film for its time.
Just Brilliant!
Brilliantly acted and cleverly characterized, with sparkling dialogue that mercilessly parries the gloss from the New York theater world's highly sophisticated veneer, "All About Eve" is a scintillating comedy of manners that compels rapt attention for the whole of its 2¼ hours. We like George Sanders, pointing out Gregory Ratoff to his escort, Marilyn Monroe (whom the script describes as "a member of the Copacabana school of acting"), with the words: "There's a real live producer, honey! Go and do yourself some good!" And the final scene, in which Sanders asks Barbara Bates, "Do you want some day to have an award like that of your own?" — "More than anything else in the world!" she answers. "Then you must ask Miss Harrington how to get one", he replies. "Miss Harrington knows all about it!"

It is often complained of Mankiewicz's work that it is too stagey and too talkative, that there is not sufficient movement. There is some justice in this charge in the consideration of such films as Five Fingers, The Quiet American, House of Strangers, and Dragonwyck; certainly Mankiewicz's two spectacles, Guys and Dolls and Cleopatra, are much improved by sharp editing. But in his best films, The Late George Apley, A Letter to Three Wives, All About Eve, People Will Talk (which I regard as his masterpiece — it was too off-beat, unfortunately, for contemporary audiences or critics to appreciate), and The Barefoot Contessa, any trace of over- talkativeness is more than offset by the range and variety, the unusualness of the characters. Moreover, it is the characters themselves that determine the plot — not the fate or some external force.

Thus, in All About Eve, Margo Channing is the victim of her egocentricity, Sampson the victim of his own cynicism and Richards, the victim of his own ingenuousness. Eve Harrington is cunning and ruthless enough to exploit these traits in her climb to stardom. Besides Mankiewicz's two awards, All About Eve also won statuettes for Best Picture, Best Supporting Actor (George Sanders), Best Costumes and Best Sound Recording. Also, producer Darryl Zanuck won the Thalberg Memorial Award for consistent high-quality production over the previous three years.

The film also won the New York Film Critics' Citation for Best Picture, Best Direction and Best Actress (Bette Davis). Actually, I thought that Miss Davis' performance, fine as it was, was overshadowed by Anne Baxter's interpretation of the scheming Eve. To cover with a winning veneer of innocence a character that would not stop at blackmail or adultery to win stardom, cannot have been an easy assignment for a young actress; yet Miss Baxter brought it off flawlessly.

OTHER VIEWS: I'd had the general idea for All About Eve in mind for a long time. But I never had a middle, a second act. Then our New York office submitted a short story by Mary Orr called "The Wisdom of Eve" — later a radio script — and I had my second act. Incidentally, Zanuck deserves some credit for what happened. He was the only studio head in town with the courage and intelligence to try new things. I don't think I could have made this picture on any other lot but 20th Century- Fox. -- J.L.M.
I was pleased...
What was I pleased about? I am still young in age and only recently decided to start viewing the classics, the movies everyone loves. When I sat down to watch All About Eve, I knew I was watching a film that so many others imitated and were inspired by. The screenplay is what everyone praises about the film, but I found the acting to be the film's biggest strong point. Bette Davis and Anne Baxter gave the best performances of their lives and it's a shame that neither one won an Oscar, though both were nominated. A great film, a masterpiece, to say the least. Won 6 Academy Awards including Best Picture (1950) and Best Director. Film is also #16 on AFI's 100 Greatest Films list.

And This Year's "Sarah Siddons" Award Goes To.....
What really killed me the most about what went on in All About Eve's story (which revolved around back-stage treachery and sneering cynicism) was that it was (of all people) Birdie (Margo Channing's personal dresser) who (before anyone else) became wise to what Eve Harrington (the conniving bitch) was all about.

But, of course, if it were Margo who had wised up to Eve as quickly as Birdie had, then, you can bet, that this movie would've been over in about 30 minutes, instead of its rather over-long 140 minutes.

What I found to be one of the real highlights of this picture was seeing a very young Marilyn Monroe (24 at the time) strutting her stuff in a bit-part as the alluring Miss Casswell. Even at this early point in her career, Monroe was already showing that "certain something" which (in just a few years time) would catapult her into mega-stardom.
Great screenplay acted out by great performers
Some films earn their place in the canon due to the importance they had at the time of their release. All about Eve was no doubt important, but it also holds up better today than many movies released this decade. It's wit is just as sharp, and the performances are still top notch. It's a movie about hunger for power, staying relevant, and realizing that nothing lasts forever - all of which are still interesting themes today. (Staying relevant will maybe never lose its relevancy.) While the cast is stellar all around, Bette Davis' performance really stands out as just amazing. She's the highlight of any scene she is in, and when she's not a part of the scene, you miss her. Much of it is because she really captures the character (which might have been easy for her), but also because of the writing. So many movies around this time has excellent dialogue. It's like they didn't care if it was realistic at all, it was more important that it was good.

There's only one scene I really object to, and with a fear of spoiling it, I'll say it's a scene between DeWitt and Eve in hear bedroom near the end, where Eve's reaction feels either over done (which does not match her character at all), or, if meant to be genuine, seems uncharacteristic of her. Perhaps it's just not aged that well? If so, it's unlike the rest of the movie.
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