Write descriptive essay about Alien movie 1979, write an essay of at least 500 words on Alien, 5 paragraph essay on Alien, definition essay, descriptive essay, dichotomy essay.
Thriller, Sci-Fi, Horror
IMDB rating:
Ridley Scott
Tom Skerritt as Dallas
Sigourney Weaver as Ellen Ripley
John Hurt as Kane
Ian Holm as Ash
Yaphet Kotto as Parker
Bolaji Badejo as Alien
Storyline: A commercial crew aboard the deep space towing vessel, Nostromo is on its way home when they pick an SOS warning from a distant planet. What they don't know is that the SOS warning is not like any other ordinary warning call. Picking up the signal, the crew realize that they are not alone on the spaceship when a alien stowaway is on the cargo ship.
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Your nerves.
Science fiction is first and foremost a genre of imaginative fiction, speculating about man or the universe around him. Some science fiction stories focus on the hopeful side of the universe and the belief in benevolent alien life. Many more stories, though, focus on the dangers of the universe and alien life. Alien takes the latter idea and plays it to the maximum, creating the most tense film experience I have ever gone through. A spaceship crew crash-lands on a distant planet where a newborn alien life force latches onto one of them and comes with them into space. It slowly grows inside one of them (John Hurt), bursts out, and then slowly grows, slowly killing off all the crew. Alien is a haunted house story set in space, and it works brilliantly. Being cut off from any help with an unknown and literally growing danger, which blends into the blackness of space, plays on one's nerves to the fullest possible effect. The alien is what a monster should be- a quiet, unknown, near-invincible, conniving machine of death. The design by H. R. Giger is the most hideous and lethal design one could imagine for an alien. The two words that spring to one's mind when looking at it are "alien" and "death". And when your monster survives by growing inside you, the threat becomes even more real, as difficult as that is to believe. The entire movie is shrouded with an atmosphere of death, cosmic mystery, and horror. Director Ridley Scott creates one of the most visually astonishing films you will ever see. The dark corridors and claustrophobic nature of the spaceship back the audience into a corner with no escape. Even strong survivor Sigourney Weaver is clearly terrified as she saves herself. The echoes and sound design add even more to the tension, and just tears one's nerves to shreds. I had never felt as tense as I was while I was watching the climax of the movie. Funny thing, Alien was not the scariest movie I've ever seen- but it is the most phenomenally tense and nerve-wracking.
Best of SF + Best of horror = An absolute classic
I love science-fiction, but as for horror films, I'm not particularly fond of them as a genre. Most of them are cheaply done, badly written, even downright ridiculous, and not frightening at all. There are some exceptions, however. There are a handful of movies that I consider genuinely scary (movies that give you at least one or two sleepless nights, like The Exorcist or David Lynch's surrealistic nightmare, Eraserhead) and Alien is the best of them all.

I have seen Alien countless times and it never ceases to amaze me. None of its sequels or prequels managed to reach such a level of perfection (although I liked them all with the exception of Alien3). The production design (especially H.R. Giger's creations) and the visual effects do not feel dated at all even after all these years. The eerie music and sound effects still make your hair stand on end. The sequence inside the interiors of the derelict ship, the eggs, the facehugger, the 'birth scene' – all iconic moments that are just as shocking today as they were in 1979. The cast are all impeccable, but the multi-faceted Ian Holm (Napoleon & Love, Brazil, Lord of the Rings) and Sigourney Weaver deliver especially mesmerising performances. (I consider Weaver's performance in Alien her best in the series.)

Ridley Scott's blood-curdling classic is a must-see for every SF and every movie fan.
Great movie
This is truly one one of the Greatest Scifi Action/Thriller movies I have seen from beginning to end I was just gripped by the story.

There were several interesting points in the story, one of my favorites is how the story is presented in an isolated situation. I won't give anyway too much details I don't want to spoil too much of it for those who read the reviews before watching the movie. I will say that there is a great Twist plot involved and let's just say it's makes for a Great movie.

Overall, I enjoyed "Alien," the various twist plots and the way it presents in this sci-fi/Action movie. It is one of the better/great Sci-fi movies I have watched so far and would definitely watch it again to get any detail that I didn't from the first screening of it. I am a hardcore sci-fi dude (Sci-fi/Fantasy) and if you are into Sci-fi as well I'd highly recommend this movie if you haven't seen it already it is really the golden standard for Any kind of Alien movie in my book.
Scott & Weaver
Precisely what American / mainstream cinema needs today: a believable strong heroine. Sigourney Weaver's delivers her character so well that the viewer is totally engrossed in one of the all time greatest science fiction films. As if there, with her, in this ship, with the alien, floating in the seemingly immense void of Space.

Impressive and entertaining as 'Prometheus' was, Scott seemed to have been unable to recreate the magic of Alien, nor find the strength of Weaver in his characters and cast. The design of Giger's Alien, the ship and every other element were so impressive in 1979 that they appear to have laid a blueprint for most American (and much of non-American) science fiction. Even three decades after its release, the set and designs, cast and camera work deliver a thrilling experience.
And it only cost $8,000,000 to make.
The sick terror, the claustrophobia, Giger's machine-like organisms and organic-looking machines, the blinding disco-era strobes and deafening noise, Jerry Goldsmith's

Barbaresque score fading into Howard Hanson's 2nd symphony at

the end, that great group of actors. The Perfect Movie.
Simplicity in Storytelling and Art Direction Makes the Film Timeless
The very reason of the huge and continuing success of this 25-year-old sci-fi classic may be the simplicity in its storytelling and its art direction, which has seemingly made the film timeless and universal.

A simple And-Then-There-Were-None type of story has no era-related influence from the late 70s, while many sci-fi films tend to mirror the world at the time they are made. Staged mostly in a closed environment inside a spaceship and briefly on an unknown planet far from Earth, the film practically has no connection to any particular culture.

The designs of aliens' colony on the planet and of the alien by H. R. Giger must have been remarkably cutting-edge back in the time; for contemporary eyes, they look rather simply beautiful. The title design at the opening is also appropriately simple: Green LED-like lights turn on one by one to form the letters of "ALIEN."

The film doesn't look old at all after 25 years and probably will never do. This is one of great examples that simplicity attains eternity.
Alien review
Alien is one of the first movies directed by legendary 'Ridley Scott' (Blade Runner, Gladiator) The film is a classic in the making. When i first heard about this movie i was around 10 years old, obviously too young to watch the movie, now i am 17 and i have watched it for the first time, now twice i enjoyed it so much. This is honestly one of the best Sci-Fi movies of the 70s, probably is my favourite Sci Fi movie of the 70s, and one of the best of all time. The Sequel 'Aliens' (1986) was directed by James Cameron, another one of my favourite directors. Director of 'The Terminator' (1984) which stands as my favourite Sci-Fi movie of all time. The reason i didn't want to see Alien when i was younger, was because i always felt scared of the Alien, i used to have horrific nightmares of them just thinking about them. When i went to Disney world, i have always loved Movies, so i decided to visit a Movie ride, the Alien suddenly popped out of the ceiling, of course it was only plastic, but looked real enough. So i had always been too scared to watch the Movie. I didn't know what i was missing out! As i watched it i didn't know what i was worrying about. It's very different to watching it on Screen than seeing for real. I am nearly 18 now, so i am not really scared of anything anymore, i would definitely go back to Disney and try out that ride again, just to see if it still scares me, I think now i've finally seen the movie i appreciate now that it's not real, and i find it interesting than scary now more than anything, because it feels like I'm in the movie. When it comes to Ridley Scott director 'Prometheus' (2012) a prequel to Alien, that wasn't very scary at all, it was more of a mystery than a Sci-Fi/ Horror i thought. Alien is deifinitely a classic in the making, Don't miss Ridley Scott's masterpiece Alien!
A horror classic that has stood the test of time! Still by far the best movie in the series.
'Alien' while technically science fiction is also one of the greatest horror/suspense movies ever made. Ridley Scott is now one of the most well known and successful directors in Hollywood, but I don't think anything he's made in the last ten years is a patch on this perfect film, which is a near masterpiece in my opinion. In fact, on reflection there are only three Scott movies I genuinely like, those being his first three. The last of these 'Blade Runner' was released twenty years ago now, so to me Scott is long past his use by date. Whatever, 'Alien' itself is a brilliant piece of work, and is almost flawless. Scott's direction is superb and everything else about it is outstanding - a strong script from Dan O'Bannon et al, an evocative score from Jerry Goldsmith, brilliant design and special effects, including the amazing contributions from H.R.Giger, all add up to an amazing movie experience. I also really liked how the cast were character actors and not "stars" so there was plenty of suspense generated as to who will live and who will die. This is something very few subsequent movies have done, 'Pitch Black' being one of the exceptions. Sigourney Weaver may be an icon as Ripley now, but when the movie was first released she was virtually unknown, having had a small cameo in Woody Allen's 'Annie Hall' and not much else. The rest of the cast are equally as good. I especially enjoyed Yaphet Kotto ('Blue Collar') and the legendary Harry Dean Stanton ('Wise Blood') as the wise cracking "below deck" crew. Many people seem to prefer James Cameron's sequel 'Aliens' over this, but as I much prefer horror and suspense movies to action ones I think this is definitely the better movie, and still the strongest and most effective in the series. 'Alien' is a horror classic and an absolutely unforgettable movie that I can't recommend highly enough. If you haven't seen it before watch it immediately!
A new appreciation of this film's excellence
Seven members of a space mining cargo ship who are headed back to Earth are awakened from hypersleep when their ship detects a signal from an intelligent civilization on a small, uncharted planet. When they locate the source of the signal, they find more than they bargained for, and all of their lives are endangered.

My feelings about this first film in the Alien series have vacillated slightly over the years. I loved it when I first saw it as a young teenager in the theater back in 1979. Later, I wasn't as enamored with it, and had actually rated it as low as a 7 out of 10--at one point believing it to be my least favorite of the series. Now, however, my appreciation of the film has matured a bit, and I'm back to thinking it's a solid 10 out of 10.

The film's strong points are rooted in director Ridley Scott's focused commitment to sustaining a desolate, dark atmosphere and gradually building suspense over the course of the film. Alien is unusual for its era in its pacing, its lack of comic relief, and its refusal to provide breaks from its growing tension. All three of these facts make it a somewhat "difficult film". It's not recommended for light viewing. It's not a "popcorn film". You have to be in the mood to sit down, slow down, concentrate, invest emotion, and let yourself be enveloped in the film's world.

With Alien, Scott has created a kind of bleak tribute to Stanley Kubrick's 2001: A Space Odyssey (1968). This is evident in many characteristics of the film, such as the graceful slowness of the cinematography, editing and much of the action in the first section of the film, including sustained pans across sterile-looking environments and wide external shots of (a) hulking but elegant spacecraft, the personification of the ship's computer, known as "Mother" here rather than Hal, a few subtle instances of classical music, the surprise discovery of a monumental structure on another celestial body, and so on.

However, there are no instances of pleasant psychedelia here, no retreats into dreamworlds, no messages of hope, no benevolence from alien beings. Alien is strictly concerned with making its sci-fi an issue of classic horror. At a base level, it is about a malevolent monster, first encountered in a dark, Gothic environment and later chasing our heroes through a cross between a haunted house and crypt-like labyrinths.

Much has been said about visual artist H.R. Giger's alien and production design, and the film wouldn't be nearly as successful without it. Giger is largely responsible for the look of the beacon ship on the small planet, both its exterior and interior, the cocoon later encountered on the cargo ship, and the creatures. His work also inspired a lot of smaller elements, as can be seen in doorways, pipes, and other features of the cargo ship. Like most of his work, these features are a combination of metallic and organic, mechanical and biological, futuristic and Gothic. They complement the austere Kubrickian sensibility in a surprising but completely successful way.

Scott also uses simple effects like steam, as well as unique lighting and sound effects to help build the film's thick tension. These techniques gradually become more conspicuous as the film goes on, finally culminating in a claustrophobic symphony of flashing lights, constantly hissing pipes and hoses, and an incessant audio alarm.

Finally, the last key to the excellence of the film is the cast. Although a somewhat stereotypical movie-world ragtag bunch, their characterizations provide more depth than the norm, with Sigourney Weaver as the standout, in perhaps the defining role of her career, and one of the more admirable filmic portrayals of a woman--she's the smartest, most sensible, strongest, and certainly most sexy of the bunch.
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