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Age of Uprising
Year:
2013
Country:
Germany, France
Genre:
Drama, History
IMDB rating:
6.2
Director:
Arnaud des Pallières
Sergi López as The Armless
Paul Bartel as Jérémie
Roxane Duran as The Princess
Amira Casar as The Abbess
Denis Lavant as The Theologist
Swann Arlaud as The Baron
Jacques Nolot as The Lawyer
David Bennent as César
Mads Mikkelsen as Michael Kohlhaas
David Kross as The Preacher
Bruno Ganz as The Governor
Storyline: In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy family life. When a lord treats him unjustly, he raises an army and puts the country to fire and sword in order to have his rights restored.
Type Resolution File Size Codec Bitrate Format
720p 1268x544 px 1468 Mb h264 1689 Kbps mkv Download
HQ DVD-rip 720x304 px 1244 Mb mpeg4 1432 Kbps mkv Download
Reviews
A Great film, no pfaffing.
I loved this film. No padding of any description, and only the salient points throughout.

I have to say, I love films that just get on with it, without hours of Hollywood filler; people talking endlessly about things of no importance, that have nothing to do with the story, just to fill the time.

There is none of the usual people giving each other long languishing looks, or making love forever, just because the story is so thin.

This film is the complete opposite of that. It's a little 'slow' if you like constant action, as I do, however it's all to purpose and that makes it very satisfying.

Mads is brilliant as always, and so is the rest of the cast. I'm going to track down the book now, it really deserves a read. The author took big liberties with a real story, but all's fair in love and literature. Especially philosophical literature!

This director has brought it to the screen beautifully, although I will say it's not a film for those who are incapable of reading between the lines.
2015-03-24
Visually stunning, but oh so slow
AGE OF UPRISING: THE LEGEND OF MICHAEL KOHLHAAS is an interesting film about a mini revolution that took place in historical France. It's often a beautifully shot film, breathtakingly so at times, and it features a typically strong performance from Mads Mikkelsen in the lead role. Mikkelsen plays a sympathetic figure, a man who becomes oppressed to the extent that he has no choice but to fight back.

The problem with AGE OF UPRISING is that it goes out of its way to be as slow and arty as is humanly possibly. There's an hour's worth of plotting and incident dragged out to two hours, and boy, does it drag. Each scene plays out for far too long, and everything seems to be deliberately subdued and painstakingly detailed. Now, I do appreciate all of the lovely scenery, and having seen this in high definition I can say it's a visually stunning film.

But movies are about more than the visuals, and in that respect AGE OF UPRISING disappoints. The traditional storyline is a familiar one and nothing much happens that hasn't been seen elsewhere. In the end you can only sit back and enjoy it to a degree - and roles for the likes of Bruno Ganz help - but without getting more fully invested in a more involving movie.
2016-05-03
admirable adaptation
like a clock. precision, strange beauty, delicate mechanism. the acting, the landscape, the script. as pillars of an admirable work who remains the novel by Kleist but it has the gift to be more than an inspired adaptation. a film about justice and sin. and a splendid role for Mads Mikkelsen who gives to his character not only the traits of the novel but something special, powerful, entire convincing. the grace to use the nuances of Michael Kohlhaas, the wise manner to use the silences, the force of gestures, the beautiful measure who discover the essence of tragedy, the presence of Roxane Duran who reminds, in same measure, Elisabeth I and the young Elisabeth II, the performance of Melusine Mayance, the speech of Denis Levant who remains the perfect definition of the root of tragedy are the details who transforms an adaptation in useful support for reflection about great themes.
2015-06-20
could have been great - but went artsy .... w/o any art
An uprising with out a clear idea of the bad guy....No action, the story you must figure out (umm I watch a movie to be told a story not so I can guess what the hell I just spent 90 mins. watching), and SO few details.

BUT it did have great acting - just the edit and directing was... for art school - not to escape and provide enjoyment to the viewer.

With better direction it could have been a Braveheart or even better due to the acting.

In fact.... just watch Braveheart and even if you have seen it - you will still feel better for the time spent then watching this film.
2014-03-05
Pointless
I gave this a 5 mostly for technique because that is the strongest point of the film. The film is an encyclopedic article as filmed by an art-house director- at least that was my impression. While the characters had legitimate, sympathetic motivations, and there were a couple of interesting discussions, there was no theme, no thrust, no spirit or spin. The ending is a fizzling out. Mads Mikkelsen, as always, can make anything seem profound, even though he only gets a line per twenty minutes of horse visuals- on the other hand, the horses were beautiful! Lol.

My rec: watch this if you really have time to waste, I've certainly seen worse, but don't believe the title, "age of uprising." That implies action. This is a quiet classic or art-house-style flick.
2014-02-25
"Heartrendingly atmospheric, harmonically cinematographic..."
French screenwriter, film editor and director Arnaud des Pallières' fourth feature film which he co-wrote with screenwriter Christelle Berthevas, is an adaptation of a novel from 1810 by German author Heinrich von Kleist. It premiered In competition at the 66th Cannes International Film Festival in 2013, was screened in the Open Zone section at the 24th Stockholm International Film Festival in 2013, was shot on locations in France and is a France-Germany co-production which was produced by producer Serge Lalou. It tells the story about a man named Michael Kohlhaas who lives on a farm in the Cévennes mountains in southern France with his wife named Judith and their children, and who one day whilst on his way to a nearby marked with some of his horses, encounters a local Baron who claims that he doesn't have a legitimate travel card.

Distinctly and subtly directed by French filmmaker Arnaud des Pallières, this quietly paced and somewhat fictional tale which is narrated from multiple viewpoints though mostly from the protagonist's point of view, draws an increasingly introspective portrayal of a French husband whom after having given away his two horses to pay for a thought up fee and learning that they along with his long-time servant named César has been mistreated, contacts an attorney to claim compensation. While notable for its distinct, atmospheric and naturalistic milieu depictions, reverent cinematography by French cinematographer Jeanne Lapoirie, production design by production designer Yan Arlaud, costume design by costume designer Anina Diener and use of sound, colors and light, this character-driven and narrative-driven story which emphasizes characters rather than history and where the act of crossing a river turns into an act of crossing personal values and ruling powers, depicts a memorable and atoning study of character and contains a great and timely score by composer Martin Wheeler and The Witches.

This densely biographical and eloquently dramatic reminiscence which is set in provincial France during the reign of King Francis I and the Protestant reformist period in the early 16th century, which reconstructs real events in the life of a German man named Hans Kohlhase and where an afflicted merchant and father of a son and daughter gathers an army and initiates a crucial rebellion which gains him the attention of the French princess named Marguerite d'Angoulême and a theologian who makes him question his methods for achieving justice, is impelled and reinforced by its cogent narrative structure, substantial character development, subtle continuity, good dialog, gracefully understated acting performance by Danish actor Mads Mikkelsen and the noteworthy acting performances by French actor Denis Lavant, French actress Delphine Chuillot and French-Austrian actress Roxane Duran. A heartrendingly atmospheric, harmonically cinematographic and existentialistic narrative feature.
2014-02-26
Slow, dreary, boring and not worth watching
This movie is so slow, you can watch it in 2x and it still will seem slow. If you think I am kidding this is exactly what I did after 10 minutes of being bored to death. The story almost started to get interesting but then it fell apart. It was simply a terribly directed movie based on a very old novella from centuries ago. When you finally get to the end, that is providing you do not turn it off, you will be disappointed. I cannot say much for the acting as there was so little dialogue in it you would not believe it. Apparently this was a second attempt at directing for Arnaud des Pallières who was a writer. He should stick with writing. Both movies he directed are absolute stinkers and this is the worst of them. AVOID!!
2015-11-15
Mikkelsen is far better than the material he's been given...
The above summary was provided by my lovely wife as she watched the movie with me. While I wouldn't have exactly phrased it that way, it is to the point and I cannot deny this does, in an odd way, encapsulate what the movie "Age of Uprising: The Legend of Michael Kohlhaas" is for the average viewer. It's a shame, because I had expected more from this film since it stars a very exciting actor, the Danish man of many talents, Mads Mikkelsen--a guy you probably recognize but whose name you might not.

Mikkelsen has received a lot of attention in the States lately with his performance as the lead in the TV series "Hannibal". His portrayal of the serial killer is far different from earlier ones--with a much more thoughtful and sophisticated persona than other Hannibals. Before this, he received a lot of publicity as one of James Bond's villains in "Casino Royale". However, I have known about him long before this, as he's been a star in Danish films for some time--and I really love Danish movies. Interestingly, here in "Age of Uprising", Mikkelsen speaks French--not English or Danish. My daughter (a HUGE fan of "Hannibal"") did some research for me about this and found that the actor also speaks German and Russian! Wow...he certainly isn't a dumb guy! But, he's simply done many better films than this particular one.

The film is based on the true story of Hans Kohlhase---a 16th century rebel who, for a time, plagued Germany. His life was the basis of a novel by the German author Heinrich von Kleist and the story was first brought to film in 1969 as "Michael Kohlhaas--der Rebell" (starring the British actor David Warner).

When the story begins, a nobleman seizes some horses belonging to the merchant, Michael Kohlhaas. He had no legal basis for doing this but to make matters worse, he savagely sent his dogs on Kohlhaas' servant and then mistreated the horses severely. In response, Kohlhaas sued the nobleman. Unfortunately, back in the day, life wasn't necessarily fair- -and Kohlhaas' case was thrown out of court. Soon, Kohlhaas' wife is murdered in retribution for the lawsuit. With no other apparent choices other than to just accept this injustice, Kohlhaas and his men go on a vigilante crusade--dispensing their form of justice through the countryside. What's next? Well, you could watch the film...or just read Wikipedia. Unfortunately, I'd recommend the latter. Why? Because the story IS an interesting case of class warfare and should have been exciting--sort of like a German version of "Braveheart". Unfortunately, it's not. The film is tedious and extremely bereft of life when it should have been inspiring and exciting. The musical score is extremely stark and minimalistic--adding to the tedium that you see on the screen. The movie manages to make the least of the great source material.

The bottom line is that I loved Mads Mikkelsen's work...just not this particular film. My advice is to try watching his best films--such as his Oscar-nominated movies "The Hunt" and "After the Wedding" as well as "Flame and Citron". These are truly exceptional and show off Mikkelsen's immense talents to their fullest.
2014-08-26
German writer Heinrich Von Kleist's character Michael Kohlhaas questioned why should anybody be treated badly ?
It is on more than one occasion that German writer Heinrich Von Kleist (1777-1811) has turned out to be useful for French cinema. Firstly, it was Eric Rohmer who chose to make a film based on his work "Marquise d'O". After Rohmer, it is French director Arnaud De Pallières who chose to make a film based on one of Kleist most famous novellas "Michael Kohlhaas" with striking differences as instead of choosing a German style, he opted for a French setting in order to furnish Gallic touches to his film. The resulting film can be viewed from two angles which highlight the notions of equal rights and justice for all. From one angle, it is an ethical story which closely examines the concepts of good, bad, just, unjust, fair and unfair. It can also be viewed by many as a tale of revenge. The real Michael Kohlhass rose against noblemen of his times when his horses were taken and his wife murdered. There are not many critics who have commented upon this film's erotic elements as it has some passionate love making scenes. The role which religion played in all matters related to people and nobles is explained through the intervention of Martin Luther. His decision to support Michael Kohlhass suggests the say which religion had in legal matters. It is not only due to an ensemble star cast made up of French actors that Arnaud De Pallières' film "Michael Kohlhaas" gets a French look and feel but also due to its setting for which Cévennes region was chosen to film most scenes. For this reason, Arnaud De Pallières would be remembered for a long time to come as he has faithfully recreated old Prussia in Cévennes,France. Lastly, it needs to be stated that as a film "Michael Kohlhass" is 122 minutes of delightful, high quality cinematographic experience for which director Arnaud De Pallières had three great directors as inspiration : Werner Herzog (Aguirre), Akira Kurosawa (The Seven Samurai) and Andrei Tarkovsky (Andrei Rublev)
2014-01-06
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